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Sweet Seals For You, Always

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@incorrect-tyvolio-quotes
Ooh pretty photo with big number
RetJ Tyvolio foils with arm vs puppet symbolism…
Tybalt who labels himself the "arm of his family's vengeance" during C'est pas ma faute and whose sight is fixed on his bloody hand, attempting to wipe Mercutio's blood off before Romeo stabs him. Tybalt who feels so tightly bound to the Capulets as someone to be used in the cycle of violence that he physically can't detach from them and is reduced to an appendage to do their cruel bidding.
Benvolio being controlled by La Mort on invisible strings near the end of Comment lui dire, whereas Tybalt defies her control in songs like Les Poupées and Le duel. Benvolio who's grown to be amiable and friendly to act as a political mouthpiece and puppet for the Montagues; strung along and controlled by their wills but held at their fingertips because they never really see him as a Montague due to his lower-status past as an orphan on the streets.
Tybalt is a part of the Capulets, symbolically adjoined to them, whereas Benvolio is a separate object only connected to the Montagues for as long as they need to use him.
For the ask game: Tyvolio? :0
I do ship it in fact :D. It makes my brain go brrr. Idk, I just like it and the dynamic is very compelling. I'm also eying that very first scene in the play where it's like
Benvolio: 'put up thy rapier Tybalt or else help me stop the fighting.'
Tybalt: 'What? Drawn and talk of peace? I hate the word, as I hate hell, all Montagues and thee.'
like uuugggh I can feel the tension flood from the paper, c'mon.
Now what I like about it. Benvolio is established as someone who wants peace and Tybalt is actively a foil to that goal and I'm a sucker for narrative foils. Also, my favourite character is Tybalt, I like him anyways and paired with Benvolio it makes for an explosive/tense mixture.
I can't think of any unpopular opinion, sorry :( Maybe the fact that I ship them is unpopular, idk.
Thank you for the ask :D
everyone is always saying tycutio are exes(which is wonderful awesome) but hear me out: tyvolio exes
WOE! TYVOLIO ONESHOT BE UPON YE!
Tybalt wasn’t someone who stared. He prided himself on that, on being satisfied by brief glances across the room and a million words spoken in silence.
Somehow, that pride never extended to Benvolio Montague. When Tybalt opened his door and saw the blonde standing there, he knew he was royally fucked.
“What are you doing here?” Tybalt kept his voice rough. After all of this time, Benvolio still had the audacity to come to his doorstep?
“Is Juliet here? I have a letter for her.” The piece of paper Benvolio was anxiously clutching in his hands indicated the truth of this. Damn it, Juliet. Going after his ex, of all people? Really?
“...it’s not from me.” Benvolio quickly clarified, wincing at the glare Tybalt had been unknowingly giving him. Romeo. Of course. Neither of them needed to say it. Tybalt forced his gaze away from those stupidly enchanting hazel eyes, stepping aside to let the other man in.
“Fine. Juliet’s out, so you can just leave it on the—” Tybalt paused. Benvolio was already standing there, putting the letter where Juliet’s mail went. Oh.
Oh.
“..You still remember.” Tybalt’s throat went dry. Of course Benvolio did, of course he–God, why couldn’t Benvolio just be forgettable? Why did he seem to haunt every corner of Tybalt’s mind like a ghost he couldn’t see but rather feel, from the phantom of his touch when the breeze passed to his dog’s fur on every piece of fabric Tybalt owned? Why couldn’t Tybalt escape him?
“Of course I do.” Benvolio shrugged. “Why wouldn’t I?”
“You..You’re supposed to be…” You’re supposed to be the enemy. So why can’t I hate you?
“What, do you want to talk about it now?” Benvolio’s eyes met Tybalt’s, a fire igniting in them.
Still beautiful, still dangerous.
“No.” Benvolio had already moved, taking a slow step forward. And another. And another.
“Tybalt.”
“What? What are you trying to do–”
“Look at me.” Tybalt’s eyes snapped to Benvolio’s, his hands shaking. “Look at me, and tell me I meant nothing. Tell me you don’t feel anything. I’ll leave when I believe it. Tybalt’s air froze solid, falling to the bottom of his lungs like weights.
“We were nothing, Benvolio. You know that. We were just–”
“Just what? Just what, Tybalt? Don’t give me that. A fall wedding, don’t you remember? I couldn’t stand the heat. You hated the cliche.” Benvolio’s eyes tore through Tybalt’s skin like paper, cutting him open, dissecting him.
“That doesn’t mean I cared-”
“We were going to have lilies everywhere. White lilies. My favorite flowers.”
“That was casual–”
“Casual doesn’t mean we planned our wedding. Casual doesn’t mean I wanted to move in with you. Casual doesn’t mean you said that I was your only exception. Tell me that was a lie, Tybalt. Tell me you didn’t feel something, anything, for me. Go on. Say it.”
Tybalt froze. The garden. The 2 dogs. The house with the white fence and the blue door. The library dates. The future they were planning. Casual. Casual, dammit.
…was it ever casual?
“That was the past. You should know by now I didn’t mean it.”
“Didn’t you?” Benvolio stared, his eyes intense in a way that Tybalt had only seen once or twice. Benvolio burned. Tybalt melted.
“It wasn’t casual.” The words seemed to physically manifest in the air, hovering between them before flickering and dying out, crumbling to the floor between their feet.
“..That’s all I needed to hear.” Benvolio turned to leave. No. Not now. Not when Benvolio had dragged Tybalt by the hair into the truth he denied himself. Tybalt caught his arm.
“Stay.” Not a command. A plea. Benvolio turned around, like all tragic heroes did in the end.
“Why should I?” Because I need you. Because you melt me. Because it will always be you. Because it hurts. Don’t leave me like this.
“I love you. Is that enough of a reason, jackass?”
“Did ‘I love you’ make you stay?” Benvolio wasn’t leaving. They both knew that. Benvolio sat down on the couch. Tybalt couldn’t help but stare. Remembering himself, he let him go, moving to join him.
“Why does that matter?” Tybalt couldn’t find it in him to pretend anymore. Benvolio always seemed to have his way of gutting people, and showing them their own hearts just to prove they had one.
“I don’t see any reason to stay now. It’s over, right? Isn’t that what you told me?”
“Benvolio-”
“Or do you want to pretend that didn’t happen, either? I don’t have plans, I’ll argue with you all day-”
“Benvolio.” Tybalt repeated, moving just close enough to breach Benvolio’s personal space, just enough to make him nervous. He reached out to grab Benvolio’s jaw on impulse, not to make him look but to make him listen. “Did you even hear me? I. Love. You.”
The realization seemed to hit Benvolio all at once. “You wh–Then what was the point of all of that? Why did you break up with me, why did you make me–” Tybalt kissed him hard, his hand dropping from Benvolio’s jaw to brace himself up on the couch. It felt right, it felt natural, like every single fragment of the universe’s secrets had fallen delicately into place in their laps.
“Oh,” Benvolio breathed. “You meant it this time.” Tybalt scoffed.
“I’ve always meant it. I’m just not going to choose this feud over you. Not again.” Benvolio took a breath in, like he had somehow forgotten how to do it in their time apart.
“That’s a start.”
hmmm since none of my friends use this that i know of i can say what i want....
....Tybalt Capulet is my biggest hear me out.
okay time to be more cringe than I’ve ever been before on main R&J SHIPPING OTHER THAN R&J WARNING
I am such a bencutio truther but my friend just sent me this tyvolio fic and like it’s?!?!? convincing me?!?!?! they were right about this being good holy saint francis god pardon SIN…but then again it’s hard NOT to be convinced with 12 entire finished chapters of elaborate tyvolio courtship
The way I knew the fic before I even read the tags
https://archiveofourown.org/works/12308463/chapters/27981030
Tyvolio art be upon ye
Btw Tybalt's "Mais moi j’n’sens plus rien (But I don't feel anything)" lyric at the end of Tybalt (his beginning solo) applies to Benvolio during Comment lui dire (his solo near the end of the musical), tying into them being narrative foils who "swap" situations—that is, Tybalt lamenting his loneliness but dying in the middle of a crowd and Benvolio revolving around and always with others but left all alone—as the musical goes on.
Benvolio seems to literally not feel anything, unresponsive to any touch as people on the street reach out to him, since Mercutio's death numbs him and heaves him back to his despair when his parents died. Instead of, "Tybalt, je suis Tybalt (Tybalt, I am Tybalt) // On me déteste, on me craint (They hate me, they fear me) Mais moi j’n’sens plus rien (But I don't feel anything)," Benvolio's identity revolves around others and how much he loved them, and feels completely numb when they're gone.
Benvolio’s name means “good will,” which ties into his role as an unsuccessful peacemaker, but can also imply the expectations his parents had for him.
When taken with the “the Montagues emphasize politics over brute force” hc, his name sets out what his parents wanted him to be from the beginning: A diplomatic noble son who would help them accumulate allies through smooth and artificial negotiations. His level-headed pacifism shown in the play does follow that, and contrasts with what the Capulets molded Tybalt to be: A weapon to win duels and bring glory to the family name.
Benvolio was conditioned from the beginning to be a tool for the feud, just as Tybalt was; tools for very different uses, but tools nonetheless.
RetJ 2010 Tyvolio foils in the way they interact with the people around them during their solos
Tybalt's solos entail a progression from the ensemble being frozen to chaotic, beginning with all the Capulets around him simply being frozen in Tybalt to emphasize just how isolated he is and how despite that he still feels “in control,” in a way. “People hate me, they fear me,” and despite being so alone at least he has “his coat of arms to defend;” he has his reputation and skill in combat. In C’est pas ma faute, Mercutio isn’t frozen and watches his moment of vulnerability from the windowsill. Not only that, but Tybalt himself begins to interact more with the (paused) world around him, causing various dancers to collapse as he feels he is inherently unlovable and only knows violence. Then in C’est le jour, all hell breaks loose as Tybalt’s at his lowest, sees red (pun intended), and feels his control over himself and the whole situation slip. Everyone’s running around in chaos, and he’s at the middle of the fray; atop a balcony, just like in Tybalt (his first solo), still alone and feeling unlovable
Comment lui dire, Benvolio's only solo, reflects the unique way in which Benvolio experiences his isolation: He "has people around him, but still [he's] alone," just as he sings in Les rois du monde. The people around him aren't completely still like they are in Tybalt's solos, but they do not move in a frenzied, chaotic manner either. It is somber, to reflect the mood of that part in the musical (at this point, Tybalt, Mercutio, and Juliet have all died from the perspective of the city), but also to fit with Benvolio's sense of loneliness. Superficially, he is surrounded by crowds of people (the people on the street during Comment lui dire), but internally he feels so alone without his deepest, most genuine connections. The world around him is blurred as he vaguely senses others' movements, but contrary to Tybalt actively interacting with the ensemble especially during C'est le jour, Benvolio half-heartedly reacts to the Montagues around him (which also contrasts his amiable and enthusiastic interactions with them during early songs like Les rois du monde and Les beaux les laids). Add in the hooded figures and La Mort who appear in Comment lui dire, and it really emphasizes how his isolation falls into the state between stillness and chaos as seen in Tybalt's solos; the figures move in a manner about as stilted and heavy as Benvolio's grief
I was showing my friends the balt in my theatre class (as I usually do) and I'm assuming the freshies are reading romeo and juliet now because one of them came up to me and told me that he thought benvolio and tybalt made for some premium yaoi. It was fucking awesome I love me some tyvolio
Getting a little bit too obsessed with tyvolio like I bloody need new fics about these pairings that actually written well
Like pleaseee I need it
One of the best parts of headcanoning Tyvolio childhood friends is interpreting Tybalt's “This, by his voice, should be a Montague" line from Act I Scene V at the Capulet feast as him recognizing the Montagues' intonation and manner of speaking instead of Romeo's voice specifically. And Tybalt is only familiar with this speech pattern due to his childhood friendship with Benvolio, unaware the latter is a Montague until their families tore them apart and further conditioned him against Benvolio and his family. The Capulets probably then drilled the Montagues' crest, clothing colors, and manner of speech into Tybalt's mind to prevent him from making the same "mistake" again, when all he desired was a genuine connection, which he possessed for a fleeting moment before he was taught to despise it.
Perhaps Tybalt clung onto life long enough after his and Romeo's duel to hear "Why dost thou stay?" in that familiar voice and intonation, wanting more than anything to reply, "I wish I had" before he surrenders to death.
Benvolio: This bloodline ends with me.
Tybalt: That's the fanciest way I've ever heard someone say "I'm gay".