Luna nodded in cheerful agreement and fell into step alongside Dean. It wasnât difficult to pass through the small crowd outside the entrance; while Luna craned her neck to read the signs as they passed, Dean kept them moving so she couldnât stop to dawdle â which was probably for the best, as she would have been compelled to ask questions, and Luna Lovegood was not someone whom the Ministry wanted representing their magical agents to the public at large.
The guard inside the door spotted her and Dean and made a beeline for them, ready to demand that they check their wands for the duration of their visit, but Luna flashed her badge and he retreated, albeit not without shooting her a sour glare. Luna didnât notice; she had already flounced over to the special exhibit.
It was â perhaps unsurprisingly, given the mingled fascination and horror which much of the populace held magic in â crowded, although not to the point of overflowing. Some of that tightness was due to the fact that no one seemed to want to get too close to the portraits, leaving the viewers clustered together in the center of each partitioned set of walls with a foot or two of empty space between them and the paintings.
Those were fascinating, filled with people in a wide range of dress â much of it recognizably historical, but others garbed in things that would never have let their subjects pass for non-magical people, even if they hadnât been moving. And they were, each and every one of them, moving. Some were merely shifting, staring stoically out of their frames or into the distance. Others were talking with their neighbors, dancing, reading, eating or drinking, even fighting or brewing or flying. While magical photographs had become commonplace enough that people no longer flinched when they saw them (and indeed, there were wide-ranging debates about whether color-but-still photographs were superior or inferior to the black-and-white-but-living photographs that one could develop with wixen supplies), paintings were something else altogether.
Luna was entranced. âWhat?â she asked vaguely, having not really heard Dean. âOh yes, yes very much. Look, some of them have names on their frames. Hello Mister Phineas Nigellus!â she said in a louder voice, waving cheerfully to the nearest portrait who scowled back at her. âLovely day, isnât it?â
âHardly,â the grumpy-looking wizard snapped, making several people jump and one man scream. âLocked in our frames, gawked at by muddy filthâŚhuh!â
Dean was somewhat transfixed by the portrait on the wall in front of him. There was no name on the plaque, but the couple looked so genuinely happy that he couldnât tear his eyes away.Â
And so, it came as something of a shock when the portrait of the old man spoke. Heâd heard of talking wixen portraits obviously, but he had never seen one. They were all far too carefully monitored.
âHoly fuck,â he said, not terribly loudly, but still loudly enough. âI mean... sorry. I just... I wasnât expecting, is all.â
He looked up at the portrait. âErm. Hâllo. Sorry. About the... the gawking, I mean. Iâm sorry thatâs what happening to you. Sir.â
He didnât really know what else to say.