ineffable suffering

If you’re looking for tinfoil-hatty, gasbaggy and passionate Good Omens metas, you have come to the right place.

[ineffable-suffering]

INEFFABLE META MASTERPOST

Because I'm slowly losing count and need to organize. So, here's all my self-written metas or ones that I reblogged with my own added theories and commentary! In rainbow colours, naturally.

1 – Aziraphale, I love you. But you lied. And here's why. My most lengthy and proudest meta about the Final Fifteen and why I think Aziraphale lied on purpose. (Also: The absolute darling @esthermitchell-author bravely fought their way through it and wrote up some more interesting points and different takes on what I came up with. If you want to go down a S2 rabbit hole with us, go read it here.)

2 – Why Aziraphale is an unreliable narrator (links below) A three-part meta in which I try to analyse and explain that all of the minisodes in Season 2 are not objective narrations but actually Aziraphale's memories.

Part 1: The Story of Job

Part 2: The Story of wee Morag

Part 3: The Story of the Magic Show in 1941

3 – The Jane Austen Ball and why it was never about Nina and Maggie A meta in which I go into unnecessarily great detail about how the Whickber Street Meeting Cotillion Ball was meant to be Aziraphale's confession to Crowley.

4 – Crowley & Aziraphale were never free (reblog) A reblog of @baggvinshield's post in which I explain why miscommunication is the single biggest ineffable enemy in Season 2.

5 – In Defense of Aziraphale (double reblog) A double try at explaining why I think Aziraphale's POV in the Final Fifteen is just as horrible as Crowley's and why I don't think him "choosing" to go back to Heaven was the only point of his character journey.

6 – The Art of Miscommunication: Ineffable Edition A meta in which i once again explain why miscommunication is the single biggest ineffable enemy in Season 2.

7– Season 2 Bookshop Shot Meta A meta where I briefly loose my mind because of a single bookshop frame in Season 2.

8 – What if it wasn't Aziraphale and Crowley who performed the 25 Lazarii miracle? A mini-meta in which I propose the theory that Jimbriel helped with the miracle to hide himself away from Heaven & Hell.

9 – Things in Good Omens Season 2 I still find weird (reblog) A reblog of @ok-sims and many other great OPs' thoughts on the weird loose strings in Season 2 and what unanswered questions I still have myself.

10 – The Deleted Bookshop Scene (reblog) A reblog of @skirtdyke's video and @i-only-ever-asked-questions' smart thoughts on it, with my own overly-excited 'what that could have meant for the "It's too late" line'-theroy.

11 – The Bentley Handle Easter Egg A meta I can proudly say has been liked by none other than Mr. Neil Gaiman himself about Crowley's Bentley handle that might have existed before the Bentley ever did.

12 – The F*cking Eccles Cakes A meta where I briefly loose my mind because of a pastry. (Addendum: People said very smart things in the comments of the post!)

14 – Re: "You go too fast for me, Crowley" A meta in which I make myself sad by connecting that infamous line to Aziraphale assuming Crowley wanted the Holy Water as a suicide pill.

13 – Trauma-Dumping on your plants: The Anthony J. Crowley Chronicles A meta on why Crowley treats his plants the way that he does.

14 – Demonic Mental Health Awareness Post In which I talk about why I want to get Crowley a therapy voucher.

15 – The Curious Incident of The Flaming Sword in Good Omens A meta on why the Flaming Sword has no deeper meaning. Or does it? (Updated: here's a reblog from @queerfables who did a wonderfully exellent job at calmly explaining all the swordy questions I was yelling about! Consider this meta solved.)

16 – Ceci n'est pas une plume A meta in which I'm a bit of a nerd for language and also explain why learning French and magic the human way says so much about Aziraphale as a character.

17 – The meaning of "I forgive you" A meta in which I explain what both "I forgive you"s mean and why Aziraphale will always fight for what is right until he wins. Also, the lovely @sharksbeerr translated it to Chinese on Weibo!

18 – Memory, or the lack thereof, in Season 2 A little reblog on how memory is a big and unresolved, leaky-bucket theme in Season 2.

19 – „It‘s always too late.“ (ft. Crowley‘s watch)

A short meta about that lines from Season 2 that won‘t leave my brain (and also Crowley‘s mysterious watch).

Addendum:

The one non-spoiler-y ask I could come up with about S2 that was actually answered by Neil, yay!

Also, this wholesome little post I added to that Mr. Gaiman also reblogged. :‘)

*** This is a work in progress and will get updated every time I post a new meta! ***

[ineffable-suffering]

Hello there....what a uh, lovely, pfp you have *clears throat* there.

😭

I like to think I‘m at least a little bit of a masochist!

[acsalvafanart]

It's Them

[mossery-chon]

[ineffable-suffering]

Aziraphale, I love you. But you lied. And here's why.

Okay. I’m not gonna beat around the bush for too long. It’s time now for me to also throw my try at a personal Good Omens Season 2 Magnum Opus into the mix of already existing magnum op..i? Opusses? (Smited? Smote?)

If I’m honest, it isn’t fully my own magnum opus, as I read this meta not too long ago that made me go: „Oh! My God! That’s it!“ And I’m pretty sure a lot of other people have clocked this too by now. Of course I’m not saying it’s the objective truth but after having mulled it over for many endless nights and days, wading through the onslaught of coffee theories, body swap theories, The Metatron re-writing the Book of Life theories and many, many more, this is the one I think is most plausible and, if you look closely, most obvious.

And it goes as such: Aziraphale lied.

To all of us. All of them. And most of all, to Crowley. He lied to him. Well, he sort of did and also sort of didn’t. He certainly didn’t tell the truth. At least not all of it. I hear you ask: “OP, what the fuck are you talking about”. I answer you: Let’s start from the top and under the cut.

(Small note: this meta ended up being way too large for Tumblr, which is why I will redirect you to an external doc at the end of the post, where I have written it all down nicely and accurately. It's about 35 digital A4-pages long, just in case you want to save it for later.)

(Word count: 12.831 | Approximate reading time: 50 minutes)

Let’s start with a short recap of what happens before the Metatron crashes the bookshop party and everything goes to shit. The proper visuals for this are in my Tumblr post but I am absolutely convinced that right up until when the Metatron comes to take Aziraphale away and talk to him, the angel is fully ready to get into Crowley’s Bentley-chariot and finally ride off into the sunset (or Alpha Centauri-set or whatever). You can see it in his face and body language. You can see when the penny drops for him that a) Crowley loves him b) he loves Crowley and c) they can finally start their happily ever after. Aziraphale realizes this all throughout said Brielzebub reveal in the bookshop. And he’s such a lost cause once he does. 

I mean, look at that. Look at it. This (very shitty recording, sorry, I'm not tech-savvy enough to avoid the Amazon Prime screen recording blocker) is the very second Aziraphale realizes hat Crowley loves him. When he hears him suggest Alpha bloody Centauri as a getaway for Gabriel and Beelzebub, as Crowley has done to Aziraphale for so, so many times now. He finally understands what Crowley was trying to tell him with that all those times.

Aziraphale realizes this all throughout the Brielzebub reveal in the bookshop. And he’s such a lost cause once he does.

Right when Crowley suggest Alpha Centauri as a nice getaway spot to the two, Aziraphale looks at him and he gets it. That Crowley has loved him, has been loving him for millennia. Truthfully, they've both known that for a long while now. But there's a difference between knowing, wanting, craving and actually being able to finally have something. And that's exactly what we see on Aziraphale's face here. This is it. This is where it all starts working out for Crowley and him. This is were they can start their eternity together.

So from that second on, Aziraphale only has eyes for Crowley. He keeps physically pawing at Crowley with complete heart eyes, as if to say „Look, look, that’s gonna be us too! Finally!" He’s actually so smitten that he doesn’t even hear what Crowley is saying when he asks Shax if he can have back his apartment now because he’s sick of living in his car. (Also, what way to drop that bomb right in this moment Crowley, lmao). 

Once the Metatron comes in, the first thing Aziraphale says is that they don’t need to talk because „he’s made his position quite clear“. He doesn’t even want to talk to the Metatron, because in his mind, he’s already made the choice. Actually, he made the choice way before the bookshop showdown. For starters, I’m convinced that the Jane Austen Ball actually never was for Maggie and Nina but for Crowley and him (you can read more about that here). And apart from that, for this whole season we have seen Aziraphale trying to advance his relationship with Crowley romantically and domestically and move them to the literal next base (our car!). And after everything he just witnessed with Brielzebub, the final nail in the coffin of ethereal-infernal romance being possible, his choice is absolutely crystal clear: It’s Crowley. It’s always been Crowley and it always will be Crowley. And now it can be Crowley. They can be an us.

The whole of Season 2 is such a massive learning curve for Aziraphale’s character, with him remembering all those important pivotal points of his past,  and this very moment is the peak, with him not only understanding that Crowley loves him (because he certainly knew for quite some centuries now) but accepting that love, letting himself have that love, being allowed to want that love and taking that love and starting their new and final chapter with it. Nevertheless, the plot clock ticks for them. The Metatron saunters into the bookshop, evil and stinky as Metatrons do, and urges Aziraphale to come with him with his whole Take The Coffee schtick, which I will get into later. And Aziraphale, immediately sensing there’s Something Up, does. Can’t really turn down someone as high-ranking as the the voice of God, after all. Even if you were currently already planning how you were going to elope with a certain red-haired serpent of Eden. 

he next time we see Aziraphale on screen, it’s so painfully evident on his face that he is neither happy nor excited. Not even the slightest bit. We’d know if he was, thanks to Mr. Michael master-of-microexpressions Sheen. None of the usual “Aziraphale is happy”-signs are there. No blinding eye-smile, no giddy wriggling, not giggles and gasps. No, when the Metatron tells Aziraphale to „go tell your friend the good news“, his expression looks like this:

I’m gonna go out on an entire limb here and say: That does not look like someone who’s absolutely tickety-boo hyped to tell his demon soulmate that he just got the juiciest promotion and that they can both be angels and live happily ever after in ethereal eternity now.

This, folks, looks like someone who knows exactly that the news he has to break right now, are going to be tickety-shit awful and very upsetting to said demon soulmate. And already, from that very short snippet of conversation, we can tell that Aziraphale isn’t really given a choice by the Metatron. Because while the Metatron does tell him that he doesn’t have to „answer right away“, he immediately follows it up by: „Go ahead and tell your friend the good news!“ Very distinct and definitive choice of words here. It’s “good news” because it’s already been decided. Because it’s already a done deal. There is no “yes, no, maybe”. This is the only choice he’s giving to Aziraphale. Because it’s ‘Coffee or death’. 

And he already gave him the coffee. 

***

Tumblr won't let me continue this over a certain character limit and I am not even remotely done yet – so, I feel like this is a good moment to redirect you to the continuation of this insane meta before we're in too deep. You can do so right here!

I'd love to hear your thoughts and opinions about this once you've fought your way through it. Hope you have a good time with it!

[ineffable-suffering]

Sooooo, guess who had to re-upload the PDF with this girthy ass meta again? Me, whose old Google Account is getting suspended, since I was smart enough to host it on my work account. If you came for professionalism, I am afraid this is where I disappoint you.

Alas, the meta is up and running again right here! If anyone encounters any issue opening the old link from an ancient reblog: I hope this update finds you, somehow.

Toodaloo!

[inthemidstofbuddie]

congratulations! you’re now a pirate. your seventh most recent emoji is the symbol on your flag. mine is ™️

[ineffable-suffering]

🤡

(yeah)

[ineffable-suffering]

„It‘s always too late“ (ft. Crowley‘s watch)

I‘m currently on vacation in Greece and, naturally, re-reading Good Omens (the book) for the nth time. And you know what keeps bugging me and has been nagging at my brain ever since S2 dropped?

Crowley‘s line, right after he threatens Jim at the bookshop („If anything happens to Aziraphale because of this–“) which he follows up by saying: „It doesn’t matter. It‘s always too late.“

I cannot tell you just how much this silly line has been festering at some back end corner of my brain. Because what do you mean, „it‘s always too late?“ Too late for what? Has it ever been to late before? To change an outcome? Seemingly not, since they stopped the literal end of the World barely a few years ago. That‘s the most „too late“ definition there is, and they still turned it around so that it wasn‘t. Too late, that is.

So why say this? With such defeat, as well?

I don‘t remember if it‘s series canon, however, in the book, we get this little foot note about Crowley‘s watch:

„This watch gave the time in twenty world capitals and in a capital city in Another Place, where it was always one time, and that was Too Late.“

Knowing Neil, this specific wording resurfacing in S2 cannot be a coincidence. „It was custom made for Crowley“ – by who? I‘d wager that human watch makers certainly couldn’t make a watch that shows a time such as „Too Late“ in „Another Place“.

We know and see Crowley‘s watch in S1.

I think the prop department left out the „Too Late“ bit of it, which is understandable. But it‘s book canon anyway and what matters more to me here, is that Crowley definitely wears a different watch in S2.

It‘s very nicely and accurately framed in many shots as well, including the promotion pictures. Yet another thing I‘d wager to not be a coincidence. But that‘s merely speculation, of course. A lot of props and a lot of Crowley‘s appearance changed since S1 and changes even throughout S2.

Whether or not this has any deeper meaning or is simply a red herring, is for Neil and the prop department only to know.

All I‘m saying is: The mysterious custom-made, possibly non-human-made watch that said it was always „Too Late“ is gone or at least changed with some focus shifted onto it, and yet: It‘s still always too late, according to Crowley.

Is it a metaphore? For Crowley‘s Fall and it always having been „Too Late“ for him in „Another Place“ (e.g. Heaven)?

Or is it a hint? To the Second Coming? To Armageddon not having been the only end of the World? To the unofficial picture where the whole world seems to have been destroyed and the last thing standing is the bookshop? To that version of world, where it seems to be too late after all?

Or is it just a watch? And just a line? And I should just put my book down and go for another swim in the ocean in case this is just a sun-induced conspiracy theory?

Let me know your thoughts, I‘m sure this has been wondered about before!

[melbatron5000]

That watch and that line have been poking my brain too.

What is up?

[vidavalor]

Really interesting thoughts @ineffable-suffering!

I think Crowley's Too Late watch tells the time it is in Hell because if you're there, then you've fallen and it is-- as far as they all know-- too late for you to do anything about it. You belong to Satan now and that is eternity for you. This might not actually be true in the long run of the show but, for thousands of years, Crowley and all the other main characters think that is the case.

I think that Crowley believes that because he's a demon, he's kind of cursed in a way-- that he's never going to have more than bits of momentary, fleeting happiness. Even though he knows he's not the most evil being that has ever lived, Crowley still believes deep down that he failed God in some way and that, since he fell, he must have deserved it. Ironically, Aziraphale is the one who doesn't believe that's true. Neither of them know that God considers The Universe to be the dominion of Her creations-- meaning that She cannot directly intervene to counter the actions of any of Her living beings because to do so would be to deny them free will to make their own choices. She would be keeping them from living freely if She did. The one who is really behind Crowley's fall-- and all of the demons' falls-- is The Metatron. Crowley really did only fall because his curious, questioning nature was problematic to a fascist regime-- just like many of the other demons.

Maybe Crowley feels like he's cursed by being a demon, he feels like any situation that could bring him more long-term happiness is probably doomed to fail-- it's always going to be "too late" for that because he is damned?

They better be getting that South Downs Cottage... 🥹

[tossyouforedinburgh]

I believe, though I could be wrong, that Crowley's original watch is worn by Shax in series 2. whether or not this is just because she's got his flat and therefore his stuff or something deeper I don't know

[vidavalor]

That thought sent me on a quest @tossyouforedinburgh because I couldn't love it more. This is it, isn't it?

Shax getting Crowley's Hell watch would be interesting because we already have Shax trailing Crowley around and referring to the flat he used to live in that is now hers. She's literally Hell following him around in this unshakeable way-- she keeps popping up with his mail and with questions about the hot water boiler and calling him while also appearing creepily behind him at his car. I'm sure he took what he cared about from the flat but what he left behind is then significant, too. He left the cursed watch with the time in Hell behind because it better suited Shax and, even though he can't outrun Hell, he and Aziraphale finding a way to a little smidgen of freedom after S1 means that maybe he doesn't want to carry Hell around with him as much. He let Shax keep the watch because she still needs to know what time it is in Another Place. She's still where he was-- his old place, his old bills from Hell, his old, wonky hot water boiler. He took what was worth taking to him and that watch was something he left behind so Shax just appropriated it for her own use.

I think this outfit is her own but it would be amusing if we had a late '30s flashback in S3 and Crowley is wearing what Shax has on below, suggesting she just raided what he left behind in his closet:

It also reminds me of Norman in S1 and his wish for a watch in acknowledgement of the work he'd done for so many years. Crowley's idea of trying to leave that work behind is to leave his watch behind with it. He and Aziraphale are giving bits of themselves symbolically through their things to the angels and demons who come to them for help, showing how they are giving those people what they can of what they know? Crowley giving Shax his watch and Muriel one of his books; Crowley and Aziraphale giving Gabriel a mixed bag of their clothes and Aziraphale giving him his angel mug... Maybe something along those lines?

[ineffable-suffering]

Obsessed with the idea of Shax raiding Nanny Ashtoreth’s closet! Marvellous! Thank you all for your smart thoughts. ❤️

[bruntalism]

[stereocyon]

Visit Original Link

[bogleech]

Is the devil just stuck standing there or does the entire arch go with him

[winter-seance]

Good Omens | 1.05 The Doomsday Option

[ineffable-suffering]

The way the „Not gonna go there“ has been living in my head rent free for years now.

[obsessivelollipoplalala]

It’s almost a year later but I don’t think the fandom has thought enough about Aziraphale tearfully confessing, “I need—I need you!” Fanfic ass line, 10/10

[winter-seance]

Good Omens | 2.01 Chapter 1: The Arrival

[crowlixcx]

When I walk into a room of people, the first person I look for is you.

(crowley's version)

[hawkeyedflame]

do your ever get excited to see certain mutuals in your notes like yes i pleased the Friend

[audiomens]

BBC’s Good Omens Radio 4 Dramatisation: Transcript masterlist

The transcripts are all posted!  The entire audiodrama including the extra scenes added in the CD version is now available in written format!

Episode 1 | Episode 2 | Episode 3 | Episode 4

Episode 5 | Episode 6 | Episode 7 | Episode 8 

[audiomens]

These episodes have been updated to include links at the top and bottom for increased accessibility 

[melbatron5000]

Two Crowleys

A while ago, the wonderful mind of @noneorother posted this meta about the puppets in the magic shop.

The observation that there appear to be two Crowleys in the shot of the puppet arrangement had me absolutely scratching my head and thinking they must be mistaken somehow.

(pic from @noneorother)

But then I got my hands on some of the Amazon X-ray extras, and discovered these little gems from the album covers in Maggie's record shop:

Now, going back to our color-coding for a moment, we may not know what all the colors in Good Omens mean, and we may not have all the colors down. But we do know a few, and we know that color-coding in Good Omens does exist, and that it matters.

Auburn and vavoom yellow are Crowley's colors. They are the colors of his hair and eyes. Black and scarlet red are the colors he wears. So those four colors are Crowley-coded colors. Okay.

Thus, these two record albums from Maggie's shop are Crowley-colored. Now, notice something important? Well, two things. The first -- Raga Koboj has TWO little sharp-clawed critters peering out at us from behind blinds. I daresay they are meant to be little cartoon demons, yes? And CT Bazz: Dank Balaclava features a face in a red ski mask. People usually wear ski masks if A. it's cold as tits outside, or B. if they're trying to hide their identity. So both albums feature Crowley colors AND images of hiding -- plus one features an image of twinsies.

The other important thing takes us back to color-coding. What other color do we see here besides our well-known Crowley colors? On Raga Koboj, the auburn and vavoom yellow blend into each other -- creating orange between them. And Dank Balaclava features a cigarette being lit -- with a little flair of orange fire.

This leads me to believe two things: Yes, TWO Crowleys. One Crowley in hiding, the other a twin. And that orange is Crowley's secret color.

Where else do we see orange?

Yep, the pillars n Aziraphale's shop. Which we also know is painted Crowley Auburn on the outside and Vavoom Yellow on the inside. With accents of this nice saffron orange on the pillars.

Want more proof? Okay.

Several people have noted that Aziraphale and Crowley keep to each other's right and left, respectively. Aziraphale on the right, Crowley on the left. In season 1, whenever they are on the opposite sides of each other, something's up. Not wrong, necessarily, but not in proper order. As in the image-swap/body-swap. Several people have also noted that Crowley is on Aziraphale's right far more frequently in season 2. And look here:

Aziraphale looks instinctively to his left when Crowley approaches -- only this Crowley, the twin, is not approaching on Aziraphale's left. This happens in more than one scene.

And when Aziraphale introduces Crowley to Nina in the coffee shop in episode one, he says, "This is, um, Crowley." As if he's quickly deciding how to name this individual who looks like his demon but approached on his right. Aziraphale "ums" and hesitates a lot this season, but he's also lying a lot. Hesitation and "um" is one of his tells.

I believe Aziraphale knows this isn't Crowley 1.0. But he acts and talks to this Crowley as if it's Crowley 1.0, so I don't think it's an imposter or someone pretending to be Crowley who isn't. I think Crowley's split himself in two. Am I sure about that? No. But it's where I'm leaning at this moment.

But Crowley 1.0 isn't missing entirely. Look here:

Aziraphale is looking over his left shoulder for his demon, and Crowley's right there, where he should be.

So yeah, TWO Crowleys.

Now where the heck is Crowley while his twin is out walking around on Aziraphale's right side? I really don't know what he might be up to, but I think he's in contact. Reachable, at least.

Let's look at this one again. Who's this?

No, not the guy in the foreground. The guy in the back. No, not the dude wearing tartan, the other guy. The guy in front of the ORANGE pillar, the guy on Crowley-twin's LEFT shoulder.

Is that Crowley 1.0? Or at least, a way for Crowley to be in touch while he's off doing whatever the heck he's doing? I think it is.

Would you like some more proof?

Okay. How about another record album from Maggie's shop?

Back to color-coding again. That baby-blue/red combo seems to indicate Crowley and Aziraphale's relationship together. The baby-blue is the color of Aziraphale's shirt, while the red is one that Crowley wears, mostly around his neck, although it also appears elsewhere in his costuming.

Au Revoir, Fingers! Crowley's just a head now. But a head has ears and eyes, so Aziraphale can communicate with it. As I suspect he tries to here, before Jim interrupts:

But wait. Back to Au Revoir Fingers for a moment. Red Eye Smile?

And red eyes? Fuck me.

A very few people have pointed out that there are lots of dual red taillights in multiple shots, frequently framed rather carefully. I had dismissed it, as I usually do when something turns out to be freaking important.

Someone's watching. I think it might be Crowley 1.0.

Then there's that bit where he's driving back to Whickber street, after coming back from Hell, and he first zooms around a bus with red taillights and says, "There's only room for one of us in this lane and it's not you," then he changes a pair of red stop lights to green and says "Don't you even think about it. There, that's better." Is he arguing with himself?? Telling the Other Crowley that it's his turn right now, not his? Of course I can't find a GIF or picture of that right now, but you know what I mean, right? Neil had to cut a bunch of material out of the finished show to fit Amazon's time limit requirements. That scene would seem to be an easy cut to make -- unless the scene matters to the overall plot too much to cut.

I also suspect that Crowley might be talking to himself in the book shop at the end of season 2. You know, when he turns Aziraphale's chair around to face the right way, but when Maggie and Nina come in it's facing the center of the room again? I suspect Crowley 1.0 and 2.0 had a chat. I do not know about what. Just sharing information?

I also wonder if Crowley 2.0 might have his own POV scenes -- thus confusing the already complicated POV situation even more. The white head statue sure gets several shots where it's in center frame, as if it is the POV character in that scene.

That's what I got, my fellow brain rotters. There's my evidence.

In conclusion: Two Crowleys. Yeah, I think so. Now, for the big question:

WHY???

What is Crowley doing that there needs to be two of him? And is it just twinsies, or is that someone else pretending to be Crowley and I'm wrong? Aziraphale definitely seems to know that's NOT his original Crowley, but tells the demon important information without hesitation, so I'm still suspecting Crowley twinned himself. But what if I'm wrong? Who is it then? And why are they pretending to be Crowley? And why does Aziraphale seem to know it's not Crowley, but still talk to him like it is?

I have no answers.

Thanks for crackpotting and going nuts with me, yet again. I hope this keeps you up at night like it's done me.

[ineffable-suffering]

While I‘m not necessarily wholly on board with there being two separate Crowleys, I did find this to be an interesting read. I agree that there is something very odd and off its axis in almost all of S2. I‘ve spent hours, days, trying to pinpoint it to certain characters and dialogues but it always slips away before I can.

The literal wrong sides, the massive miscommunication between Crowley and Aziraphale for the whole Season, the way reality and memory does and doesn‘t work, the recurring characters in the background, Crowley‘s constant change in appearance, Aziraphale’s complete ignorance toward the very apparent threats that are literally all around them and, what somehow almost bugs me most, where is God?

In one of my longer metas linked in my pinned master meta post, I talk about how all of the flashbacks are told predominantly from Aziraphale‘s POV, which is why they seem so different and faulty/off at many points. Like a memory, sort of vague and biased. When it comes to the present day happenings, however, I still can‘t put my finger on what exactly it is. It just is.

Bloody furniture, again.

But hey, all the more reason to be very excited for S3. Thanks for an interesting read, OP!

[trinityprocessing]

did you know they started shooting good omens season 3

eat some screenshots

idk how the last one even happened

[captainfantasticalright]

The cast of Good Omens and the 1941 scenes in pictures : but behind them.