Bound (1996)
The Stonewall Inn
PUT YOUR BEARD IN MY MOUTH
hello vonnie
Jules of Nature
tumblr dot com
icyghini twinkie
Claire Keane

gracie abrams
he wasn't even looking at me and he found me
noise dept.

@theartofmadeline

Andulka
trying on a metaphor
art blog(derogatory)
$LAYYYTER
let's talk about Bridgerton tea, my ask is open

No title available
Cosimo Galluzzi

bliss lane
The Bowery Presents
seen from United States

seen from United States

seen from France

seen from Malaysia

seen from United States

seen from Colombia
seen from United States
seen from Vietnam
seen from United States

seen from United Kingdom
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
@inertiasvoid
Bound (1996)
Sagres, Portugal by Luca Severin
Anaïs Nin modeling for a painter as Cleopatra, 1921
How far does imagination shape our life? Is everything only imagination? Is love a product of it, does it live within it, or spring from it?
Anaïs Nin, in a diary entry dated 5 July 1924, from The Early Diary of Anaïs Nin: 1923–1927
the morning routine ☀️
Heart of seven sorrows
Via ebay
A Water Baby. Oil on Canvas (ca. 1900) Herbert James Draper (British, 1863–1920) brings to life a popular Victorian fairy tale, inspired by Charles Kingsley’s 1863 novel The Water-Babies.
"No one can say that no water babies exist until they have seen no water babies existing."
The Enchantress (c. 1901) by Arthur Wardle (British, 1864 – 1949), signed bottom right ‘Arthur Wardle’, oil on canvas, 62 x 43 in. (157.5 x 109.2 cm.), Private Collection
C.G. Jung, from Memories, Dreams, Reflections
Anaïs Nin, from a diary entry featured in The Diary of Anais Nin, Vol. 3. (1923-1927)
Illustrations by Frank Frazetta (1970's)
from "El Lamento del Océano" illustrated by Victoria Francés
"I dream, I kiss, I have orgasms, I get exalted, I leave the world, I float, I cook, I sew, have nightmares, write in my head, compose, decompose, improvise, invent, I listen to all, I hear all that is said, I feel Spain, I am aware, I am everywhere, I am open to wounds, open to love, I am rooted to my devotions, I am never separate, never cut off, never blind, deaf, absent. I hold on to the dream which makes life possible, to the creation which transfigures, to the God who sustains, to the crimes which give life, to the illusions which make the marvelous possible." The Diary of Anaïs Nin Volume Two