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Reuben Wu, The Arctic Station
Lioconcha hieroglyphica is a saltwater clam that makes cellular automata-style patterns in some kind of hieroglyphical or cuneiform way. Also see the textile cone, the lioconcha castrensis and the nature tag here.
The Crater of Erebus, 900 Feet Deep and Half A Mile Wide, 1908 - 1909
"The bullies...
Grown up now and promoted to rule the land. they with their fathers and mothers , their aunt's and uncles, their brothers and sisters: a locust horde, a plague of black locusts infesting the country, munching without cease, devouring lives...
What absorbs them is power. Eating and talking, munching lives, belching. Slow, heavy-bellied talk. Sitting in a circle debating ponderously, issuing decrees like hammer blows: death, death, death...
We watch as birds watch snakes, fascinated by what is about to devour us. Fascination: the homage we pay to our death. Between the hours of eight and nine we assemble and they show themselves to us. A ritual manifestation, like the processions of hooded bishops during Franco's war. A thanatophany: showing us our death. Viva la muerte! Their cry, their treat. Death to the young. Death to life. Boars that devour their offspring..."
- J. M. Coetzee, Age of Iron.
Simone Weil, Gravity and Grace
Charlotte Miller aka Charlotte Emily Miller (British, based Suffolk, England) - Claiming, Paintings: Oil on Canvas
Solar prominences. Le soleil. 1875.
Internet Archive
Evening Wind by Edward Hopper
Safet Zec, tree, etching
Utagawa Yoshimasu
Kabuki hairstyles 1843-1846
Humanoid Khepri Scarab from Late Period Egypt, Egyptian Museum of Berlin [573 x 735]
My Eyes at the Moment of the Apparitions, by August Natterer, 1913
astronomy notes by Galileo Galilei. x
Elaine Showalter, The Female Malady: Women, Madness, and English Culture, 1830–1980
paula rego crumbled <from the series "jane eyre"> <2001-2002>
William Blake
Copy A, plate 18: design excerpted from "The First Book of Urizen", plate beginning "Los howl'd in a dismal stupor" (no text on this impression); a nude male crouching, arms wrapped around himself, hair on end, eyes wide and mouth open in an expression of horror; flames all around. 1794 Colour relief etching
British Museum