via leahgardner.art on instagram
Stranger Things
dirt enthusiast

#extradirty
No title available

Origami Around
occasionally subtle

@theartofmadeline

祝日 / Permanent Vacation
h
Cosimo Galluzzi
AnasAbdin
Xuebing Du
2025 on Tumblr: Trends That Defined the Year
d e v o n

❣ Chile in a Photography ❣
No title available

oozey mess
DEAR READER

blake kathryn
No title available
seen from Singapore
seen from Malaysia
seen from United States
seen from United States
seen from Greece
seen from Norway
seen from United States
seen from United Kingdom

seen from United States

seen from United Kingdom

seen from United States

seen from Germany
seen from United States
seen from Netherlands
seen from United States
seen from United States

seen from Canada

seen from Netherlands
seen from Spain

seen from Türkiye
@internetviebs
via leahgardner.art on instagram
via
by odwier_sio9
by bobbimac
The Irish Aesthete: Ruins of Ireland, by Robert O'Byrne
2006
life update
it's been 3 years since i last logged on. i was reminded of my tumblr since i've recently got back into vintage shopping, and my style now resembles an updated version of my 14 year old self :)
i've had my blog since 2012 and love how it serves as a little time capsule of my life. if we've followed each other for years and you see this, i genuinely wish you so well. i hope life is treating you kindly. go give yourself a lil treat today for me <3
My Eyes at the Time of Revelation, 1911-13
August Natterer also known as Neter
Cy Twombly, 1966
(via w/ The Wisdom of Art by Roland Barthes)
/ l’Altissimo /
‘touching‘ shot by vassilis karidis for fantastic man, issue 30
Moonlight (2016) dir. Barry Jenkins
A house in Del Mar, California, designed by Batter Kay Associates, Inc.
Interior Design, John F. Pile, 1988 📚
Salvaged & scanned by @jpegfantasy 🖨️
bowie on his katsis tour, 1978
Catherine Opie, from “Domestic" series, 1995-1998.
In 1998 Catherine Opie embarked (along with her dog) on a “great American road trip.” Over three months she completed a 9,000-mile journey across the United States photographing lesbian families and couples in their home environments. The resulting series of photographs titled Domestic (1995–98) presents these families involved in everyday household activities: relaxing in their backyard, hanging out in their kitchen, or playing with their children. There is no sensationalism here. These intimate photographs speak both to Opie’s identification with her subjects and to the overwhelming absence of such images in mainstream representations.
George Lambert, Kirkstall Abbey
Van Gogh’s Letters