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Leonard McCombe, "The Navajo"
In 1948, LIFE magazine photographer Leonard McCombe spent weeks documenting the daily lives, struggles, and resilience of the Diné (Navajo) people.
Published during a period of severe winter crises and ongoing federal neglect on the reservation, his photo-essay titled “The Navajo” became a landmark piece of mid-century photojournalism.
José Suarez – Ibiza, 1960
Roger DaSilva Photography
Copyright of the Josef and Anni Albers Foundation and courtesy of Xaritufoto and Le Korsa.
Lee Miller (1907-1977)
Model, war correspondent, photographer, surrealist, Lee Miller, wore many hats. As one of the few widely known female photographers of the first half of the 20th century she has made a valuable contribution to photography.
In the 1930s, Lee Miller is part of the surrealist circles of Paris. At her studio she creates commercial photos for fashion magazines, sometimes also working in front of the camera. As a former model she understands posing like no one else.
During and after the Second World War, she documents important moments as a photographer and war correspondent. This is quite a remarkable feat for a woman: such work was typically the exclusive domain of male photographers.
Lee Miller’s diverse, layered, and often personal corpus of work appears in well-known magazines such as Vogue, Harper’s Bazaar and LIFE Magazine, as well as in avant-gardist artists’ magazines. Her photographs also appear in publications by the allied forces, such as The War Illustrated and Cadran. Her own publication Wrens in Camera is focused on the wartime labour carried out by women for the British Royal Navy.
Cover image: Model with lightbulb, London, England c.1943 by Lee Miller (F0021) © Lee Miller Archives, England 2025. All rights reserved, www.leemiller.co.uk
Portrait of Elsa Schiaparelli by Man Ray, 1933
© 2025 Man Ray 2015 Trust. DACS, London.
Photo: Collection SFMOMA.
Peter Anderson, Julien Temple in Soho, 1980,
Courtesy: Bonhams
Halifax, 1937,
The project was inspired by the Jarrow Crusade of 1936 and the writings of George Orwell and J.B. Priestley. Brandt sought to document the "social and working conditions" of the era, though he often staged scenes to heighten their emotional impact.
Bill Brandt Photography
Paul Strand, Rebecca, 1930,
Platinum print, flush-mounted on photographic paper,
Image: 9¾ x 7¾ in (24.8 x 19.7 cm),
Sheet/flush mount: 10 x 8⅛ in (25.4 x 20.6 cm).
Courtesy: Christie's
The Newspaper, Budapest, 1975
Photo by Sándor Kereki
Margaret Bourke-White, New York, ca. 1935,
Photo by Oscar Graubner
Alfredo Valente (1899-1973), Leslie Howard’s Hands, 1930s,
Gelatin silver print,
Stamped photographer's credit, titled and credited in pencil by an unknown hand (verso),
Image/sheet: 10 x 131⁄4 in. (25.4 x 36.7 cm.)
Courtesy: Christie's
Lawnchair Larry flight !
On July 2, 1982, Larry Walters (April 19, 1949 – October 6, 1993) made a 45-minute flight in a homemade aerostat made of an ordinary lawn chair and 42 helium-filled weather baloons.
The aircraft rose to an altitude of about 16,000 feet (4,900 m), drifted from the point of liftoff in the San Pedro neighborhood of Los Angeles, California. During the final descent, the aircraft became entangled in power lines, but Walters was able to climb down safely.
After his 1982 stunt, Walters withdrew from public life, hiking the San Gabriel Mountains and volunteering for the U.S. Forest Service.
He died by suicide at age 44 on October 6, 1993, in the Angeles National Forest. Following his flight, he struggled with the end of a 15-year relationship, sparse employment, and a fading celebrity, leading to his suicide in the mountains he loved to hike.
Miss Mihri Rasim (1886 - 1954)
Also known as Mihri Müşfik Hanım, She was a pioneering Ottoman-born Turkish painter and educator recognized as one of the first professional female artists in Turkey.
Born into the Abkhazian aristocracy, she led a cosmopolitan life that spanned three continents and significantly transformed art education for women in the late Ottoman Empire.
In 1914, she founded the first fine arts school for women in the Ottoman Empire, the İnas Sanâyi-i Nefîse Mektebi (School of Fine Arts for Girls), and served as its first director and instructor.
She revolutionized art training for women by encouraging plein air (outdoor) painting and, in a groundbreaking move, introduced life drawing classes using nude models.
Despite strict social restrictions, she advocated for women’s access to professional art education and was a mentor to a new generation of female painters, including her niece, Hale Asaf.
While many of her works were lost, she remains a pioneering figure who bridged Ottoman tradition and Western modernism.
Dame Judi Dench in her garden,
Charlie Clift Photography,
© Charlie Clift, United Kingdom, Shortlist, Open Competition, Lifestyle, 2026 Sony World Photography Awards.
Kvartsglas (1960) by Sten Didrik Bellander,
Vintage gelatin silver print, 290 x 135 mm.
新年快乐 2026 !
Wishing you and your beloved ones a healthy, prosperous and joyous year ahead.
Xu Beihong, "Galloping Horse,"Ink on paper, Dated thirty-first year of the Republic of China (1942), 58.5cm (23in) high x 42.5cm (16 6/8in) wide. Courtesy: Bonhams.
“May the horse’s energy carry you to new adventures and successes this year.”
“Wishing you a Year of the Horse filled with freedom, joy, and prosperity.”
“May this Lunar New Year be as spirited and vibrant as the Year of the Horse itself.”
“Let the horse’s enthusiasm inspire a lively and joyful year ahead.”
“Wishing you the horse’s freedom and energy to embrace new experiences.”
“May this Lunar New Year bring you closer to your dreams and goals.”
“As the horse runs swiftly, may this year bring progress and momentum in all you do.”
“Let’s ring in the Year of the Horse with celebrations and endless blessings!”
Ikkō Narahara, “Shadow of Car Driving Through Desert, Arizona”, 1971
