let's talk about Bridgerton tea, my ask is open

roma★
Cosimo Galluzzi

blake kathryn
Mike Driver

@theartofmadeline
untitled
YOU ARE THE REASON
todays bird
Keni
Cosmic Funnies

Origami Around
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2025 on Tumblr: Trends That Defined the Year
One Nice Bug Per Day
RMH

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Not today Justin
Color Me Curious
Fai_Ryy
seen from United States
seen from United States
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seen from Vietnam

seen from United States

seen from Brazil
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seen from Belgium
@invertedforest-blog
Bill Nye- Science Style
Typographic Sphere by Eric Calderon
Parastou Forouhar, from the series Schriftraum (Written Room), 2011 *
“The Persian script is turned into an ornament. Covering the white walls of the museums, the characters serve Forouhar as ‘paper’ for her own text. The room becomes a ‘writing room’. Whereas the white walls of the gallery room are raised to a universal norm and an unmarked instance, the Oriental ornament stands for difference or the deviating. The writing is also strange, if not alien, because it is illegible for Western visitors – as an “incomprehensible” text it becomes a pure ornament. In defying attempts by Western visitors to assign it meaning, the script remains locked into its irreducible pictorial graphicness and indissoluble representation… Even if one has a command of Persian, the characters prove to be nothing more than word fragments and syllables, which are not subject to a linear order. The script ornamentation covers the whole room – the ceiling, the floor, and the walls. Viewers entering the rooms are surrounded by patterns, forcing them to give up their sovereign, distanced standpoint.”— Alexandra Karentzos, from “The Location of Art”
Art Nouveau Doors
(Photos uncredited as I collected them on my hard-drive a long time ago!)
Alistair’s mid-tail by Ahearne Cycles.