the ALLIGATOR PEOPLE (1959)
Three Goblin Art
almost home
Peter Solarz
Not today Justin
🪼
Noah Kahan

Kaledo Art

izzy's playlists!
cherry valley forever

oozey mess

#extradirty
I'd rather be in outer space 🛸
macklin celebrini has autism
𓃗
tumblr dot com
occasionally subtle
RMH
Cosimo Galluzzi
PUT YOUR BEARD IN MY MOUTH
Sade Olutola

seen from United States
seen from United States

seen from T1

seen from United States
seen from Brazil

seen from Spain
seen from Spain

seen from T1

seen from Costa Rica
seen from United States
seen from United States
seen from United States
seen from United Arab Emirates
seen from T1

seen from United States

seen from Mexico
seen from United States

seen from United States
seen from Brazil
seen from Saudi Arabia
@invisiblemans-horror-corner
the ALLIGATOR PEOPLE (1959)
Ice Cream Man (1995)
“If I am the Phantom, it is because man's hatred has made me so. If I shall be saved, it will be because your love redeems me.”
My Demon Lover (1987)
I wanted to draw Silent Erik for his 100th anniversary, but I got lazy, and this is what I ended up with
He’s so cute!
Lon Chaney - London After Midnight (1927)
FRANKENHOOKER, 1990 | Patty Mullen as Elizabeth
Rupert Julian's The Phantom of the Opera premiered in New York City 100 years ago today.
The making of the film was fraught and tense, enlisting at least 8 writers and 4 directors. Julian, a prestige director, did not get along with star Lon Chaney, who disagreed on the creative direction of the film and eventually refused to take direction or even speak to the director, instead going through cinematographer Charles Van Enger.
The film was so poorly received at a screening in January that it was rushed back into production with a new script under director Edward Sedgewick (mainly known for comedies and Westerns). This version, more of a romantic comedy, was also poorly received, and the film was salvaged by pioneering director Lois Weber.
One of the great silent horror films, Lon Chaney's makeup reveal supposedly made audiences scream out loud in 1925. The film also features 17 minutes of color in its famous masquerade sequence. Every version of Phantom of the Opera ever since has this film in its DNA.
There is no surviving original print of the film. What we have now is a reconstruction from 16mm prints sold in the 1930s for home viewings.
Me at 12am on October 1st:
The Screaming Skull (1958)
Ju-on: The Grudge — 2002 dir. Takashi Shimizu