I, the Feather Quill

I'm friends with The Ink Bottle

[jcforsapphics]

Not Percy crashing the car cause he was smiling at Annabeth... That boy is GONE

[moonminho]

the first seaweed brain [s01e05] // the first wise girl [s01e06]

[remanence-of-love]

[soldierboys]

BIG SKY | 3.02 - “The Woods Are Lovely Dark and Deep”

[let-me-be-your-home]

Beau Arlen | Big Sky Season 3 | The Woods are Lovely, Dark and Deep 

[qvotable]

“We could have been happy. I know that, and it is perhaps the hardest thing to know.”

— Allie Condie // Matched

[greatcometcas]

Mint Condition Monday for #CARVEREDLUND1K

[soldierboys]

Jensen Ackles as Beau Arlen in BIG SKY | 3.02 - “The Woods Are Lovely Dark and Deep”

[entjvampire]

here’s a really simple lipstick spell i made up a while ago <33!! i think this counts as glamour magick? anyway, you don’t need much and i think it’s beginner friendly.

you need:

- lipstick

- sugar (or honey)

- a mirror

- Pick a lipstick of a colour that calls to you (if its charmed thats even better)

- Go to your mirror

- Put the honey/sugar inside your mouth (around one teaspoon)

- Put on your lipstick (semi slowly)

- Repeat affirmations in your head

"I am (trait)"

"Others perceive me as (how you want to be perceived)"

"My energy is mine to change"

"My energy changes with my will"

"My aura changed with my will"

"My energy and aura are what i want"

And any other affirmations you want to use!!

You can also repeat key words in your head (pretty, charming, bubbly, seductive, petals, airy, etc)

- Visualise your intent coming out from your hand, into your lipstick, and onto your lips/your energy, visualise your energy/aura changing how you wish.

- Do this and keep repeating until the sugar/honey is completely dissolved in your mouth. then you may simply close your lipstick, do whatever you regularly do at the end of a spell, or you may simply say "It is done".

you're done!!

[angelical-dreams]

🌟 5 easy glamour incantations 🌟

I've been using these since forever and they work incredibly! Feel free to accommodate them to what resonates with you :)

I mostly say these phrases in my mind over and over again as I'm applying a certain product, you can say them out loud as well. Playing affirmations in the background can also work really well when you're putting that intention into your makeup! （˶′◡‵˶）

As you apply highlighter: "My essence shines through"

As you apply lipstick/gloss/balm: "My words are sweet. Everyone pays attention when I'm speaking"

As you apply lipstick/gloss/balm: "My words flow perfectly. Speaking my mind perfectly comes easy for me"

As you apply mascara: "These eyes see everyone's true essence. These eyes see through facades"

As you apply blush: "I am confident and assertive"

Remember to have fun with these! I mostly use these ones every time I'm putting on my makeup because they always work for me. However you can change them up to whatever intention you're setting for that day! Glamour magic helps me connect with my inner child and inner essence and I hope it has that effect on you as well ˙˚ʚ(´◡`)ɞ˚ Lmk how these go for you! ♡

[necrobotany-bos]

Correspondences for Death (Necrobotany)

FLOWERS

Dandelions, ideal for connecting with certain spirits

Roses, to show your love for the deceased

Calendula, for blessings and love

Marigolds, perfect for ancestral worship

Lilies, for a sense of security and togetherness, ideal for deceased children

Orchids, for balanced emotions and adoration, ideal for deceased lovers

Daisies, also ideal for deceased lovers and lost family members

Tulips, to spread happiness

Carnations, a common funeral flower, especially in France. Used in The Netherlands to remember fallen veterans specifically

Heather, said to conjure ghosts and open portals between worlds. Can be used to heal deceased warriors, as it’s said to only grow where no blood has been shed. Heather also marks the resting places of fairies

Holly, often planted in graveyards to protect both the dead and mourners

Hyacinth, helps souls cross over the veil after death

Bluebell, used to comfort those who are mourning

Cowslip, associated with death and rebirth

HERBS

Lavender, for peace in passing on. Used to heal the dead, aid with divination and dreams, and protect the home. 

Thyme, to give peace to those who died in violence. Use to contact both the dead and fairies

Rosemary, for remembrance

Chervil, often used in rituals for the dead

Mugwort, usually used to aid in divination and communication with the dead

Bay, usually used to aid in divination and communication with the dead

Lemon Balm, for peace and healing

Wormwood, to strengthen communication with the dead, as well as for healing and revenge

Basil, used in purification and cleansing rituals, a common symbol of sorrow in Ancient Greece. Use to aid in divination, hedgecrossing and spirit communication

Cinnamon, can amplify divination magic, and was used in the Ancient Egyptian mummification process. It’s commonly associated with spirit and deity work

Dittany of Crete, burned to manifest spirits, also valued as a symbol of love and healing

Fennel, a protective and purifying herb used to prevent spirits from entering your home

Juniper, guards against ghosts and illness, used in healing and purification spells. Juniper berries make good offerings for the dead

Mint, a popular funerary herb in Ancient Greece, also used for healing and protection during travel

Mugwort, used in spirit work

Mullein, can help one see spirits of the dead and the afterlife

Oregano, it was believed that growing oregano on graves ensured the dead were happy

Parsley, has a strong association with the dead, also has protective qualities

St John’s Wort, used in spirit work and divination

Marsh mallow (Althea), associated with death and rebirth, marsh mallow can be used in departing rituals and to honor those who have passed

Foxglove, used for contacting the dead and underworld deities

TREES

Cypress, heavily associated with death and spirits, as well as being sacred to Hades and Persephone. Makes a good offering for the dead

Hawthorn, associated with death, and serves to drive away unfriendly spirits. Was also said to be a portal to the Otherworld and is sacred to fairies, so don’t mess with it

Hickory, associated with mourning and death

Poplar, is sacred to both Zeus and Hades, and represents death and rebirth. Often used for Samhain, ancestral rites, funerals and ceremonies involving the underworld

Willow, a common symbol of death, even being a popular ornament on gravestones. Sacred to both Hades and Hecate, as well as being associated with ghosts and spirits

Yew, represents death and rebirth, and is sacred to Hecate. Runes, Ogham sticks and Ouija boards are commonly made from Yew wood

Elder, used in death rituals and funerals

FRUITS

Apples, a common Irish symbol for the dead

Pomegranates, to represent various Death and Underworld Deities

INCENSE

Myrrh, commonly used in death magic to give off good energy

Frankincense, a traditional incense to offer the dead

Dragon’s Blood, burned to aid in spirit work and protection

Sandalwood, burned to support spirit work, protect a space and consecrate tools

Wormwood, develops psychic powers, carried to provide protection, and hung to ward off malicious spirits

LIQUIDS

Water, a traditional offering for the dead, often left out for passing spirits

Wine or other alcohol

Juice, namely pomegranate or beet

Oils, such as olive oil, pomegranate oil, coconut oil, almond oil, etc. 

OTHER

Coins

Grains, especially brown bread

Darkly-colored or Earthy-tone Candles

Foggy Weather

Marsh Water

Snow, especially snow collected from graveyards

Cleaning up graveyards

Songs and Music

Anything personal to the person you’re giving an offering to

DEATH DEITIES

Anubis, Egyptian God of Death, Mummification and the Afterlife

Arawn, Celtic ruler of the Otherworld, Leader of the wild hunt, and God of Death and The Underworld

Baba Yaga, Slavic Goddess of Death and Rebirth

Cernunnos, Celtic God of the Wild as well as Liminality and the transition to the afterlife

Cerridwen, Welsh Goddess of the Moon, Rebirth, Transformation, Death, The Underworld and Magic

Ereshkigal, Mesopotamian Goddess of Death and the Underworld

Hades, Greek God of the Underworld

Hel, Norse Goddess of the Underworld and Death

Morana, Slavic Goddess of Winter and Death

Odin, Norse God of Wisdom, War, Poetry and Death

Osiris, Egyptian God of the Underworld, Death and Resurrection, Fertility and Agriculture

Oya, Yoruba Orisha of Weather, Death and Rebirth, Patron of the Niger river and a Psychopomp

Persephone, Greek Goddess of the Underworld

Santa Muerte, Mexican folk goddess of the Afterlife, Healing and Protection

Thanatos, Greek personification of Death

The Morrigan, Celtic Goddess of War, Magic, Death and Rebirth, Sovereignty and Fate

Veles, Slavic God of The Underworld, Earth, Water, Music, Magic, Trickery, Cattle and Wealth

WHAT TO DO WITH OFFERINGS

Write a message on an herb or flower and burn it to “send” the offering

Leave coins, flowers and herbs on the grave

Pour liquid into the ground, or leave them out in a bowl (make sure it won’t harm the local wildlife)

Leave them out as “standing offerings” for any dead who pass by

[xofemeraldstars]

SERSTJEHNRTBGDRF

[windvexer]

A charm to enchant your waters, candles, incenses, temporary tools, etc etc.

It's really important to remember this is my own version inspired by Traditional Witchcraft. What is presented here is not a "universal" belief about how magic works, and it is influenced by my experiences and UPG/SPG.

The purpose of this charm is to elevate mundane/inert objects, including commercially harvested/mined plants and stones, so that they become filled with power and magically effective.

This is a basic and simple spell which can be adapted to a wide variety of uses. However, it lacks the power and permanence of a formal consecration.

I recommend performing this charm right before you use whatever it is you're enchanting. So, right before drinking the tea, right before using your broom to sweep out energies, etc.

I use a charm similar to this one to prepare spellcasting materials, such as enchanting salt and candles before using them in a spell.

This charm has like two steps and takes about fifteen seconds to do in the moment, but this post runs a little long because I explain the theory along the way.

Materials:

Whatever it is to be enchanted

A traditional symbol of spiritual power, ideally one simple enough that you can draw it in the air with your finger or picture it in your mind

A very short little incantation (you will be writing it)

A traditional symbol of spiritual power, eh?

"Traditional" as in you didn't make it up - so, not your own sigils.

This is based on my belief about how this charm and magical symbols work.

If you use a really old and powerful magical symbol - like a five-pointed star or the Christian cross - you're tapping into the power of the symbol itself.

If you use a sigil that you created and charged with your own energy, you're going to be drawing on your own power to use this charm. Which of course, totally fine - it's just that it's more draining.

("What if my sigil is designed to channel external power?" you still have to spend your energy to maintain the sigil, like having to repair a bucket you use to carry water)

Whatever symbol you use definitely matters. If you use one of the elemental triangles, it's going to impart elemental energy into the charm. If you use Brigid's Cross, it's going to impart her energy into the charm. If you want to impart your own energy on purpose, you can use your own signature :)

It's worth putting thought into what energies you want to impart. You can keep a collection of symbols handy to impart special kinds of energy if you want, or use something universal like the pentagram for everything.

A very short little incantation

This can be anything. I enjoy somewhat standardizing mine, it just helps me get into the groove. You usually want your incantation to do 3 things:

Acknowledge the power behind the symbol you're using.

State that you need the power provided by the symbol and that you want this power to go into the object you're enchanting.

Clearly state what you want the outcome to be.

Here are a couple of examples. Materials in [brackets] indicate that word should be swapped out depending on what you're actually charming. You can be plain or poetic, whatever works:

By the power of Christ, I charm this [candle] to purify. Through Him this room will be cleansed.

Five elements fill you one by one, 'till this [salt] shines like the sun. Hear this task assigned to thee: help my spell and make it well. As my will, so shall it be.

I empower this [incense] to dispel unwanted spirits through the powers of the Sun and Moon.

You do not need to speak it aloud. Just reading it or going over it in your mind will suffice.

Focus and willpower?

Eh. If you've got focus and willpower to spare, feel free to spend them on this. But you don't really need them.

If you're using symbols of actual spiritual power and clearly directing them unto a goal, it should work. Powers don't need your belief in order to be powerful. Energies can still move when you're not focused on them.

If your incantation includes directions that clearly indicates you are A) calling on magical power, B) that the power needs to go into the object, and C) what the power should do for you, then that's all you need.

Staying in the present moment is really helpful, but you don't need to really burn the lamp oil on this, you know?

Putting it all together:

Using your finger, draw the spiritual symbol over the thing you want to charm. Alternatively:

Draw it on a piece of paper and hold the paper nearby

Picture the symbol in your mind

Speak, think, or sign your very short little incantation. Make sure you are clearly indicating that you are using the symbol for its power, that you want the power to go into the object, and that all this is being done so that the object aligns to your stated intent.

That's it :)

Wee bit of troubleshooting

Magical symbols are like the crystalized form of the powers they represent. The charm has power because the symbol you employ radiates with power. It is then up to you to direct it and instruct it according to your needs.

If you're not having success, try changing the symbol you use.

If the symbol is one representing a specific deity or being, ensure you've got at least a neutral relationship with them. If you skipped out on an oath to a god and you're avoiding them, using their symbol is probably not a great idea.

If you are new to magic, spending more willpower and focus will likely be of assistance to you.

[windvexer]

actually a very cool psychic trick, if you're trying to be a psychic:

I'm on a quest to rework my regular practices to become much lower energy.

Psychism - whether it be through Sight, Hearing, Taste, Touch, Smell, Knowing, or any of the senses - can be A) difficult to learn for the first time, B) draining, and C) often frustratingly symbolic or vague.

Today I remembered a trick I used to do :) it works really well.

Don't open your mind to detect just whatever comes up. Instead, choose a very specific set of symbols and see whether or not they are activated.

Let's say you're playing a game with friends where you try and guess what element an object is charged with.

Reaching out and feeling whatever vibes come can be very symbolic, like "I sense depth and coolness, darkness. I get the same feeling as looking at a mountain drenched in rain. But there is a strong flow here that moves everything..."

Try not doing that. We all agreed at the start of the game there would only be the four classic elements used, right? So why are you trying to see whatever vibes? You just need to see one of four things: a symbol of earth, air, fire, or water.

Specifying to yourself what each elemental symbol looks like, then reaching out to see which one appears to you: "I see an inverted triangle and the color blue."

It sounds stupid simple but it works ridiculously well.

Don't accept all input and then put the onus on yourself to interpret it. Choose a highly limited symbol set, and see which symbol appears.

Need to check on whether or not an object is charged? Maybe you can choose the numbers 1 through 3. If you hear "One," the object is without charge. If you hear "Two," it's moderately charged; "Three," fully charged.

A game where you check each other's emotions? Tell yourself what to do. Tell yourself what symbol sets are allowed. Maybe you just tell yourself, "look, remind me of a memory where I felt or observed as near to that emotion as we can get."

Just tell yourself what kind of symbolism you want!

This works for spirit contact too. "Tomato, you're showing me a desert but I don't know if that's because you need to dry out or because you're too dry. Please show me water if you want water, or a desert if you want to dry out, or food if you need fertilizer."

In a big way, psychism is just establishing a mutual language between you and the hidden world :) it can become a lot easier if you define and explain symbol sets that make sense to you - whether you are defining them to yourself or to the spirits around you.

"I've started to get strange psychic input since I began my practice but I don't know what it means, how do I find out?"

Maybe the spirits/your subconscious are working on trial and error just as much as you are! Establish and communicate what things you understand and are prepared to receive.

If you want tips:

Choose small symbol sets. You can have lots of them, after all. You don't need one all-encompassing symbol set for every kind of reading you do.

It is helpful to have a "not here" or "something else" symbol in each set :)

[friend-crow]

Not to continuously harp about this, but just... the sheer number of books on witchcraft I've read where the prose is perfectly clear and reasonable, but as soon as you get to a spell it's like the author has switched into LARPing mode...

Is there any reason to believe that spirits or deities are into this?

Did I miss the, "thou shalt affect a historically inaccurate ye olde manner of speech" commandment of witchcraft?

Or is this just what makes spellwork feel "authentic" to some people?

[grey-sorcery]

Designing Spells, a how-to guide for every level of experience and discretion: Threshold Theory

Basic spell components:

All spells have a few components that are absolutely necessary for potent results. It is going to be assumed that physical and/or energetic work was done to actually prepare and cast the spell.

In order to cast a spell, one needs to be in a space of mind that facilitates the spell working. We often refer to this as ‘Headspace”, this assists one to be more focused. This can be the most difficult aspect of spellworking for some practitioners. The mind needs to be honed in on the spell, the energies, spirits, and intentions involved.

Secondly, one would need to have passion, an emotional state that is used to fuel the spell.

Lastly, one needs to have an Intention for a spell. This is the most discussed aspect of spell casting, but is also the most misunderstood. Intention is not to be confused with desire. Intent is a personal truth, something that cannot be lied to.

It is possible to cast a spell without one of these three components, however the spell most likely will not be as potent as if one did. You totally can cast spells based on desire and not intent, but validating the spell may be difficult or it may have varied results.

Correspondences, Tools, & External resources:

When looking through the internet or other informational resources and/or guides on witchcraft, you’ll probably notice that a few things tend to be regularly occurring:

1. That though a lot of practitioners may say that tools and correspondences aren’t necessary, a vast majority of sources and guides include and/or require correspondences and/or physical tools.

2. The correspondences used in each source are only as common as the dominant source for those correspondences within that specific tradition. For some, those sources are books, and for others they are the first result on a Google search.

When it comes to Tools used to perform magic, there are a few things that must be kept in mind. Some tools are culture/tradition specific and it would be disrespectful for you to use them, which may or may not have spiritual consequences. Many tools are used to accomplish the same ends. For example, wands and athames are used for very similar purposes, the casting and/or projection of energies within a specific space- typically when sanctifying an object or opening/closing a space for a working. If you decide to use a tool for your practice, please be sure that you understand the cultural ramifications of doing so within a spiritual space.

When it comes to Correspondences, there are a plethora of sources that may appear to have contradicting data. This is because they stem from various traditions and sources. This occurs because correspondences are 100% subjective. However, if you practice within a specific tradition or culture, then you are expected to follow the correspondences of that practice. This can be incredibly powerful because people have been building on those ideas and connections for lifetimes.

IF you aren’t a part of a preexisting tradition ask yourself what you feel you should use. Magic can be a very personal and intimate experience. Don’t be afraid to create your own correspondences. Furthermore, don’t be afraid to invent your own tools- but be sure to do so as if it were a sacred act. Magical tools aren’t something that should be thrown together thoughtlessly and then treated like pencils or hair ties, they should be created and treated as what they are: a medium for your magic. They should be planned and made with materials that you deem appropriate. The should be stored as if they were fragile or put on display on an altar. If you’re not open about your practice, this aspect may be challenging to hide.

Types of spells:

In my experience, there are seven types of spells. Please bear in mind that these are by no means finite boundaries for spellwork to exist within, just an acknowledgement of trends.

Altar Spells: Spells that require not only tools and correspondences, but also require a ritual or ceremony in order to cast it. Often, these spells utilize candles and crystals, prayers and symbology, and may even go as far to actually require an altar.

Glamours: These spells more often than not, require only symbols and energy. They are use to altar the perceptions of whatever they’re placed on, whether targeting other or yourself.

Divination: Spells used to heighten your intuition. A lot of practitioners don’t view divinations as being spellwork, but a good diviner uses all three of the basic components of spellwork for their readings.

Psychological Spells: These are spells put on yourself to altar your own mind by manipulating your own subconscious. These spells are performed often through repetitive action and subliminal messaging through turn of phrase of symbology.

Energetic Spells: These spells require only the energies of yourself and/or beings and objects around you. Most energetic spells that are easy to find on the internet are very small spells, typically aimed at small scale manifestation. However, with enough practice and intuition, Energetic Spells can do anything that any other spell type can achieve.

Astral Spells: These are spells that require being in an Astral form or even on the Astral Plane. They are very similar to Energetic spells but they require even less. However, due to the nature of the Astral, maintaining the basic components of spellwork while in this form can be very challenging.

Spirit Spells: These are spells that either use spirits as the medium for the spell to travel through, or employ a spirit to do the spell work for you entirely. Like energetic spells, this type of spell can achieve anything that all the others can if given enough experience and practice.

Spell dictation: Whether it be for recording a spell that you have already cast or recording how to perform a spell you have only just thought of, the way you choose to record your spellwork with have a massive impact on your craft as a whole.

The importance of record keeping:

When performing spells, it is imperative to keep a record of the exact spell process and results. By doing this you’ll be able to keep track of successful spells and those that aren’t. Then it becomes easy to home in on effective spell processes.keeping a record also makes it a lot easier to undo spells that take an undesired turn. I recommend having a dedicated book or Google drive folder to record your spells.

Spell Design Process:

All spells can be thought of as a combination of Thresholds, Nodes, Intent, Focus, and Passion. (And an action)

Without any of these a spell will not function as intended or would not work at all.

Nodes are things like correspondences. They are individual concepts that are connected to form a complete web, or Threshold, for the spell to travel through. Correspondences need not be only for the physical objects involved. They can be as simple as word association or a memory.

Start creating a spell:

1: Decide on a goal, what you wish the spell to accomplish. It is important that your spell takes the path of least resistance in order to have the highest chance at success

2: Create or find correspondences and concepts to create your nodes from and then find how they can be connected. This can be done mentally or by using nodes that are associated with each other.

3: Get all your tools and sympathetic representations together, if you decide to use them. If not, skip to 4.

4: Decide what is the best headspace to be in for casting the spell. It is important to record this as well.

5: Find what is the best emotion to fuel the spell and record that as well.

6: Figure out what energetic programming you wish to use and record that. Do this as best you can, I do realize that the current energetic model definitely leaves a ton to be desired.

7: If you wish to involve spirits, be sure to commune with them beforehand if necessary. And be sure to keep record of the conditions that are reached and which entities you involve.

8: Compile your spell into a single process.

9: Cast and record results.

Be sure to do as much research into your target as possible. Like if you’re casting a spell onto the brain of another person, it would be wise to know their medical history or there could be unwanted side effects.

Discrete Spells and Practices:

The best way to keep your spell work private is to forgo your physical tools and sympathetic representations. This can be achieved by relying on spirit work or energy work.

If you wish to keep the physical aspects of the craft and the way you keep records, I recommend having a small discrete bag to hold your tools and such and coming up with a transcription orthography to write with. This can be either a personal alphabet or a simple encryption like a caesar cipher. A lot of discrete practitioners cannot use candles or burn, in order to get around this you can have ashes as your fire representation and draw things you would burn in water soluble inks. You can also draw Sigils using invisible inks as well.

Networking and How to Talk About Spells:

When discussing witchcraft, it is of the utmost importance to first establish personal semantic meaning. Since witchcraft is a multicultural and multilingual phenomenon, the words used to discuss it vary wildly. This is why I take the time to define my terms.

Once the baseline of semantics has been discussed, it is safe to proceed with discussions about magic. It would be easier to start with practitioners who have a similar practice. But I recommend connecting with anyone who is willing to have fair, free and, open discussions. Remain aware of the nuances of culture as to avoid taking and using what is not meant for you.

Validating Spells:

when recording spells, be sure to note the date and time of casting and have a timeframe in which you would expect a given result. Once the timeline runs its course take any notes of what might be pertinent.

If the spell is continuous, be sure to make note of the situation beforehand so that as time passes you can make notes of relative change.

Sometimes spells don’t work and that’s okay. That just means you need to reassess the working and try again.

Troubleshooting Spells:

If a spell effects more than what was desired, you likely weren’t focused enough or your nodes weren’t connected thoroughly.

If a spell worked but wasn’t to the desired intensity, you likely didn’t fuel it with enough passion during the casting.

If a spell didn’t work at all, it could be that it didn’t take the path of least resistance or you were missing a crucial element. As an example, it is more effective to cast a spell for your employer/client to notice your hard work than it would be to cast one to get a raise.

As you adjust aspects of your working, you’ll be honing it to perfection. Keep track of your changes and overall processes.

If you have any further questions, click here.

[twunkish-cleric]

Tips for when you’re considering Paganism

For my lovely friend @whoooooisthis!! I hope this helps love!

First things first, learn the basics. Cleansing, Warding, Banishing and Protection. 

Cleansing: You should cleanse when you’re having a bad day, are/were sick, after a breakup or loss, after arguments, during a major transition in life (graduation, birth, etc) and when you feel you need to. Cleansing cleans up the energy around you and keeps you safe. You can cleanse by lighting incense and passing the smoke around an object or room, bathing yourself or an object, burying an object, with salt (just don’t put it near dirt and plants!!), setting something in moonlight or sunlight (Make sure you keep track of which moon phase to cleanse on), with sound like bells or singing bowls, clapping, cleaning, burning sage or candles, using holy water or a protection spray, and touching each corner of a room and saying a prayer for each one. 

Warding: Wards are spiritual shields that keep you safe. There’s two types of wards - spacial (for spaces and rooms) and personal (for objects and the self). You will need to maintain wards by charging and clearing them. You can ward by using enchanted jewelry or objects, sigils (magical symbols with purposeful energy), energy shields, magic circles, spells, protective crystals, protection spell bottles, anointing the corners of a room and window and door sills with holy water or another warding substance. I personally like to drill holes in peach pits to wear as necklaces, they work quite well for warding. 

Banishing. There are tons of spells online that will teach you how to banish negative entities. If an entity is fucking with you, bad things keep happening or things just feel off, don’t be afraid to banish. Letting spirits know you’re not to be fucked with is incredibly important.

Protection. Light a black candle. Use salt and pepper for warding. Learn banishing and warding spells. Use protective sigils. Protection is incredibly important when concerning spirits, so educate yourself on this thoroughly. 

Now onto the fun stuff…

- Talk to things! Your house, your trees and plants, your spirit guides. You can do this out loud or in your head. And remember, even if they don’t respond, they’re probably still there. Just trust me on that

- It’s alright to forge your own unique path. I personally am Autistic and have terrible memory, so it’s important for me to forge my own craft. If something doesn’t work for you, don’t be afraid to change it. Substitutions can always be made.

- Meditate. Everyone says this, but it’s very true. Meditation not only calms the mind and body, but it opens you and your intuition/senses up to new forces

- Don’t ask for things without giving something in return. I lost my pillbox once and couldn’t find it anywhere. I walked out of my room, politely asked for it to be returned, and a few minutes later it was right there on my desk in plain sight. I left a little dish of honey out for whoever (or whatever) returned it. It’s always polite to approach with an offering and give one either before or after asking for something. You can do this with something as simple as picking a flower, always ask permission.

-  Make it an everyday thing. That doesn’t mean you have to do daily rituals or meditation sessions. Simply talking (again, in your head or out loud) to your spirit guides, practicing mindfulness and doing little spiritual things here and there are enough. This could be meditation, interpreting a potential sign you got today, saying good morning to the spirits you work with, leaving an offering (especially if you’re asking for something or something has already been done for you) and plain researching to expand your craft and knowledge. 

- Write it down. In witchcraft/paganism, almost everybody is journaling. It’s the best way to keep track of signs, experiences, feelings, omens, knowledge that may pertain to your craft, dreams, anything that might seem important. Many witches have a grimoire or book of shadows where they keep their witchy knowledge stored. These are often very personal, can be online or written by hand, and are entirely unique to you. You don’t need a 50 dollar designer spellbook. My grimoire is almost entirely online and printed out into a binder. You don’t have to be fancy. - Research!! Keep finding white feathers? Look up what that means! You want to give an offering? Look up what nature spirits and specific deities prefer! Make sure you’re knowledgeable about what you do.

- Incorporate what you know and what you’re used to. I grew up in a Polish family in an Eastern Orthodox church. Many of the practices I learned from my family and culture have carried on into my craft. Such as knocking on wood to prevent jinxes, wearing clothes backwards to see spirits and keep them from messing with you, and little cultural tricks like stepping out of a room and asking for lost items to be returned when you can’t find something. Keep it familiar.

That's really all I can think of for now, love. If you have any more questions, just let me know in a relog!!