NASA
No title available
Monterey Bay Aquarium
titsay
Cosimo Galluzzi
ellievsbear
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almost home
#extradirty
KIROKAZE
JBB: An Artblog!
occasionally subtle
Keni
Alisa U Zemlji Chuda
noise dept.
sheepfilms
styofa doing anything
DEAR READER
Janaina Medeiros
"I'm Dorothy Gale from Kansas"
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seen from Vietnam
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@xofemeraldstars
⚔️ SPARTACUS ⚔️ VENGEANCE: 2x4 "empty hands" WAR OF THE DAMNED: 3x9 "the dead and the dying"
happy pride month to me and my three favorite characters that i like to project everything onto
garlic harvested 😋🧄
⚔️ SPARTACUS: VENGEANCE ⚔️ ↳ 2x1 "fugitivus" / 2x10 "wrath of the gods"
was experimenting with how these collages of mine would look as gifs and i'm happy enough with the result to post this :)
Sara Sidle + Gil Grissom + “Baby.”
“One of my favorite Billy adds of ‘Committed.’ Spontaneous Billyism.”
– Jorja Fox, “Committed” (05x21) DVD commentary.
Javier Bardem for GQ Spain - Summer 2025.
—FROM, 4x07 "Best Laid Plans"
That message on the wall: "Knowledge comes at a cost." It's possible that Jim died because of what Tabitha and Jade remembered. Look, that message was meant to scare us. But I think the message tells us something else. That we are close. For the first time, we are close to figuring this place out. When your enemy threatens you, right, tries to scare you, that means they are scared of you.
—FROM, 4x07 "Best Laid Plans"
FROM ⇢ 4x06 | THE HEART IS A LONELY HUNTER
11.10: The Devil in the Details
my mom used to tell me that when people die, they just go somewhere else. she didn't really believe in heaven or hell; she just believed that death was a transition to another place we couldn't see from here. i remember how much comfort that brought me when she passed away.
but whatever that place is, roger doesn't get to go. because he's still here.
FROM | 4.07 - Best Laid Plans
But mostly, I want to hold him until I know he's going to be okay. Then I want him to hold me until I'm okay, too. – T.L. Martin, Touched by Death
911 Lone Star: Push (3x04)
Stargate Atlantis "The Seer"
GRIMM || S1E17 vs S5E11
I think a lot of writers might benefit from giving themselves permission to get weird with format.
Use second person, drop classic rising action and climax format, write backwards, just sit in a moment, tell all you want and refuse to show, make an entire book that’s just one run on sentence, reject tropes, use all tropes, cliche yourself to death, produce something that’s completely gibberish. Break all the rules of marketability. Become ungovernable.
Write a story that just takes place inside one pathetic little person’s head. Do it. It’s enrichment in your enclosure.
Do the writer’s equivalent of playing with finger paints. Do it do it do it do it do it do it do it do it do it do it do it do it
It’s the middle of the night and I should be sleeping but listen. Listen. Just get weird with it. Open your soul up a little bit. Like actually don’t worry about it being palatable. I’m serious. Get weirder. Get weirder right now. I’m demanding that you get weirder right now. It’s not your responsibility to make your reader feel good. It’s your job to make art, goddamnit. Make art. Make weird art. Open up your third eye and eat an entire cheesecake.
"Right there in the middle of all the fear, the disbelief, the pants-shitting chaos, little voice in the back of my head said, "This one—yeah, she knows how to survive. We might be okay."
Elizabeth Saunders as Donna Raines — FROM, 4x06 "The Heart is a Lonely Hunter"
