occasionally subtle
Lint Roller? I Barely Know Her

blake kathryn
2025 on Tumblr: Trends That Defined the Year
One Nice Bug Per Day
let's talk about Bridgerton tea, my ask is open
Alisa U Zemlji Chuda
No title available
i don't do bad sauce passes

Kaledo Art

ellievsbear
Show & Tell
d e v o n
will byers stan first human second

Love Begins
Game of Thrones Daily

Kiana Khansmith
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Jules of Nature

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@iwilldropkickyouintothesun
Plant fibres, animal dung, ice, wood, mud, clay, brick, ceramics, stone, pure metals, glass = delight god
Steel and all other alloys, every kind of plastic/petroleum product, glass wool, concrete = anger god
Isabel Nuño de Buen, Codex 7 (maps & documents), 2020.
Wire, papier maché, musselin, high fired ceramic, handmade cords, yarn, transparent paper, watercolor, charcoal, graphite, inket prints 60 X 60 cm (23.6 X 23.6 in).
at Lulu, México
Transience Mirror color installation at Lectlettico Milan
Ed Ruscha (American, b. 1937), The Funneling of You-Know-What, 1985. Acrylic and dry pigment on paper, 102.2 x 152.7 cm.
Old cottage built into the canyon wall. Monticello, Utah.
萩原 卓哉/Hagihara Takuya
Archive
lygia clark
Sergej Jensen (Danish, b. 1973), Untitled, 2005, 269.2 x 200.6 cm
Face Like a Frog (1987)
Diatom images - Jana Vesela (compilation)
Academy of Natural Sciences of Drexel University
this is how we fix society
Peter Doig (Scottish, b. 1959), The Heart of Old San Juan, 1999. Oil on canvas 98½ x 77 in. (250.2 x 195.6 cm)
My mom is a teacher and she asked her students what was hard about virtual learning and one kid said not knowing who is tall or short and everyone agreed