Jessenia smells of raspberry.... Yes its a reference.
Sweet Seals For You, Always
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Keni
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let's talk about Bridgerton tea, my ask is open

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@ixprimadonna
Jessenia smells of raspberry.... Yes its a reference.
Jessenia has a Gimme Kit.
His name is Tuesday.
tailoringtay:
He watches as Quack eats a pumpkin whole.
“??!!?? ?!!! !!”
The shop’s pickiest customer never seemed to pick an above-average time to walk in.
williambradfordart:
Ended up doing a new drawing from scratch for the challenge. Was going to do Zidane but just couldn’t do him solo https://www.instagram.com/p/CAqrgOTjW5P/ “You’re not Alone” and all that
A marmoset taking sweets on a painted commode attr. Louis Tessier (French, 1719–1781)
French fashion plates, 1780
Inspired by @tailoringtay , I also wanted to add how Jessenia’s storyline during the game proper might have worked.
♝ The first time the player meets her in Lindblum’s Business District, she states her offence at Zidane not recognizing her, claiming to be the most famous singer on the Mist Continent. She then brags of her upcoming debut show in a week’s time, and warns Zidane that he’d better be there for it. Talking to her again reveals that she’s only in the business district to visit her brother, who works at the air cab station, before she leaves for Treno to “rest her vocals”.
♝ The next time the party meets her is in Treno after the battle of Lindblum, where she expresses her dismay that her debut show was ruined by the city being destroyed. Talking to her again reveals she is related to Doctor Tot, who she calls ‘Uncle Tot’.
♝ Later in the game she returns to Lindblum, and has rescheduled her debut show to help ‘boost morale’. Once again, she warns Zidane that he’d better show up for it.
♝ If the party leaves then returns to Lindblum after this dialogue, they find her angrily debating with workmen in the Theater District that her second debut has been cancelled in favor of ‘Moogle Wannabe 2′. The workmen try in vain to explain they have nothing to do with the schedule the theater runs on.
Christine Böhm as Marie Antoinette in Jacques Demy’s Lady Oscar (1979)
The chairs on display at the queen’s boudoir at the Petit Trianon are covered with a modern upholstery in order to protect the delicate original 1780s embroidered upholstery underneath. Here you can see the difference between the covered chairs and the original underneath. From The Secret Versailles of Marie-Antoinette (2018)
First look at the upcoming Korean production of Marie Antoinette das Musical