Kısacikfilm @izinsizgosteri - Tumblr Blog

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'Keşke anıları da parfüm gibi şişeleyebilen bir şey icat edebilselerdi. Hem kaybolmaz hem de bayatlamazlardı. Ne zaman istersem şişenin kapağını açıp anıları baştan yaşayabilirdim o zaman Rebecca 1940 -Alfred Hitchcock #kisacikfilm #alfredhitchcock

#kisacikfilm #alfredhitchcock

Cennette tek konuşulan budur; okyanus ve günbatımı.O büyük alev topunun,okyanusun içinde eriyişini izlemenin ne kadar müthiş bir şey olduğundan bahsederler. Geriye kalan tek ışık; aynı bir mum gibi,sadece içindekidir! Knockin on Heaven's Door #selig #kisacikfilm #bobdylan

#selig #bobdylan #kisacikfilm

Sarılmak güzeldir #sarilmakguzeldir Filmler; Amelie,Big Hero,Vivre sa vie,E.T,Edward Scissorhands ,Mr. Nobody @dianekruger Müzik Pascal Gaigne #kisacikfilm #hug

#hug #sarilmakguzeldir #kisacikfilm

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İnsan insan derler idi insan nedir şimdi bildim #unutMADIMAKlımda #2Temmuz1993 'de Bu ülkenin bazı çirkin insanları bu ülkenin güzel insanlarini yakarak öldürdüler @cemadrian @fazilsay @guvencdagustun video Kazım Kızıl #madimak #kisacikfilm #muhyiddinabdal

#madimak #2temmuz1993 #muhyiddinabdal #kisacikfilm #unutmadimaklımda

Sana bir sır vereyim; en iyi yüreğiyle görebilir insan.Gözler, asıl görülmesi gerekeni göremez. Küçük Prens #kisacikfilm #littleprince #antoniedesaintexupery

#kisacikfilm #littleprince #antoniedesaintexupery

Hazır mıyız pazartesiye 😎 Rolling Stones Ride Em on Down #kristenstewart #kisacikmusic

#kisacikmusic #kristenstewart

Pulse (4K) from Mike Olbinski on Vimeo.

Song by Tony Anderson: “The Way Home" (Licensed through The Music Bed: musicbed.com/) Follow me: mikeolbinski.com / twitter.com/mikeolbinski / facebook.com/mikeolbinskiphotography / instagram.com/mikeolbinski

For quite a few years now I've been wanting to do something different with my time-lapse films. I love color. Storms are full of color. The blues, the greens, the warm oranges and reds at sunset. The colors are sometimes what make a simple storm into something extra special.

But black and white speaks to my soul. I love it. There is something when you remove the color that lets you truly see the textures, movement and emotion of a storm.

And then you hear a song. I had asked my buddy Jay Worsley (vimeo.com/jayworsley) if he had heard anything lately that might rock for a black and white storm film, and he linked me to Tony Anderson's "The Way Home." The moment I heard it, I knew that was the song. My recent films have a frantic pace to them and people occasionally tell me they'd love to see the footage in a much slower speed. I already knew that going with the monochrome style sorta demanded something more solemn and poetic...and the song was perfect for that.

I also went with a much wider aspect ratio than I've ever done before. I feel like it actually feels like it brings you in closer to the action, almost like you were standing right there with me.

I held myself back for a long time in doing this project because I wasn't very knowledgable about using tools like Premiere Pro to color grade footage, and all I thought was that I'd have to re-render all my clips as black and white before doing the film. And that's a lot of work. But the past few years have brought me tons of experience in Premiere Pro, plus help from my buddy Jay, and I figured out how to do it all there and without a ton of effort.

The film is made up of some of my favorite clips from the past few years. A mix of the monsoon and supercell plains chasing. I'm so inspired by the songs I choose for these videos. Kerry Muzzey, Tony Anderson. Their songs are so powerful and moving and the stories they tell themselves are amazing. I went with clips that felt right with each beat of the song and while I usually try to tell a story with these films, I mostly decided to let the music be that here.

Thanks to Tony Anderson for such an incredible piece of music, and to Jay for pointing it out to me. And also to my friend and fellow time-lapser, Brian Miner (see him on Vimeo: vimeo.com/bdmphoto), who did some B&W work this past fall and reminded me of what I've wanted to do for so long now.

I hope you enjoy this! The creative juices were flowing and I also have some serious withdrawals from chasing storms. I HAD to work on something to hold me over until spring gets here. Only around four months to go before I hit the road to chase supercells and tornadoes in April, May and June!

I have a couple of tornado chasing tours going this spring, if you are interested in checking those out, here you go: mikeolbinski.com/plains-chase/

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Captured with a Canon 5DSR, 5D3, 11-24mm, 16-35, 35mm, 50mm and 135mm. Processed using Lightroom, LR Timelapse, After Effects and Premiere Pro

A Tale of Momentum & Inertia from HouseSpecial on Vimeo.

Special CG short from Portland animation studio HouseSpecial - More of our work: housespecial.com/all/

Kirk Kelley, Creative Director Kameron Gates, Director From an Original Story by Allan Turner and Kameron Gates

Awards & Screenings: • Runner-up: Best CG Short 3DWorld Magazine - creativebloq.com/3d/cg-awards-winners-2015-revealed-111517613 • Screened in the Milano Film Festival • Screened at the NW Animation Fest's 2015 "Best of the Fest" show • Portland Film Festival: Screened • Siggraph 2015 - Screened at the Computer Animation Festival Electronic Theater at the Los Angeles Convention Center • Best Animation Award at FilmOneFest 2015 • 22nd Stuttgart Festival of Animated Film (ITFS) - Screened in Films International Competition • Best Animation 2015 One Screen Film Festival • Best Minute Movie at Animation Block Party in Brooklyn • Short Film Silver at The Australian Effects and Animation Festival • Audience Favorite Award at the California International Animation Festival in the category 3D Animation • Ottawa International Animation Festival: Nominated Best Short Animation • Screened at SPARK Animation Festival • 41st Northwest Filmmakers’ Festival - THE GIANT ANIMATION AWARD • Best Animated Short - Oregon Underground Film Festival • Screened during Couch Fest Films - couchfestfilms.com/films

"It’s hard to think of a better way to spend seventy seconds than this. Enjoy." - Christopher Rauschenberg

Credits: Executive Producer: Lourri Hammack

Producer: Zilpha Yost

Production Coordinator: Jamie Pulliam, Julie Ragland, Evan Smith

Animator: Wendy Fuller, Kameron Gates, Greg Kyle, Chris Ohlgren, Allan Steele

Matte Painter: Don Flores, Kameron Gates, Saira Matthews

Character Designer: Kameron Gates

Environment Designer: Ian Abando, Pascal Campion, Don Flores, Joshua Harvey

Storyboard Artist: Kameron Gates

Technical Director: Chris Immroth, Terence Jacobson, Patrick Van Pelt

Modeling: Michael Berger, Chris Ohlgren, Allan Steele, Josh Tonnesen

Texture Artist: Jeff Gipson, Saira Mathew, Sari Rodrig, Josh Tonnesen