heartbreakers united

[propagnosia]

[worldsinmywords]

please, keep writing. keep drawing. keep painting. please keep making your art no matter how many may try to push you down. the world does not have nearly enough artists. 

[itscolossal]

Explosive Light-Based Installations by Adela Andea

[spi-ltmilk]

https://instagram.com/p/BeJFWLZHDAA/

[publicartfund]

[potledom]

I LOVE YOUR HAIR: [1/?]   → ((Bre Scullark)) ←

[jaezebelherself]

She was robbed!

[prettyvixenavenue]

[nahfamugood-deactivated20180904]

Just call me out

[suturesque]

my favorites of Nils Udo

[devlin-side]

[goodbye-fatme]

[sweetoothgirl]

blackberry bircher muesli crumble

[lucidnee]

Ordering wigs from online beauty stores can save you money you can get like 2-3 different styles and hair colors for under $50 that can last long if you take good care of them

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Great brands to start Model model Harlem 125 Sensationnel It’s a wig Freetress Outré New born Janet Bobbi boss Isis brown sugar/red carpet

[lucidnee]

New sites Glamourtress.com *new fav hairtobeauty.com Locobeauty.com hairstopandshop.com

More brands Zury Sis Vivica A Fox Vanessa R & B

[arterialtrees]

ALL THINGS ARE DELICATELY INTERCONNECTED by Jenny Holzer

[vintagewoc]

Jenny Shimizu (1990′s)

[boujeestyle-deactivated20190130]

A dress.

[medievalpoc]

Cameos featuring detailed profiles of Black men and women in precious metals and jewels were popular in many European countries. The ones above date circa 1600-1800. Some art historians relate the style above to depictions of the goddess Diana, others relate them to the association of Blackness and wealth that came though trade in the Middle ages and Renaissance.

You can read more about cameos like these in Black Africans in Renaissance Europe By K. J. P. Lowe, p. 204-206, and Early Modern Visual Culture: Representation, Race, and Empire in Renaissance England By Peter Erickson & Clark Hulse, p. 193-198.

[robotcosmonaut]

The End