"Don't hate what you are. What you are is beautiful."
Day three ship two is Ava Silva and Sister Beatrice, aka, Avatrice! 🩷💜💙🧡🤍🩷
Fai_Ryy

Origami Around
𓃗
almost home
Stranger Things
The Stonewall Inn
PUT YOUR BEARD IN MY MOUTH

roma★
KIROKAZE

#extradirty
Today's Document

pixel skylines
No title available

❣ Chile in a Photography ❣

Love Begins
Cosimo Galluzzi
trying on a metaphor

bliss lane

oozey mess

titsay
seen from United States

seen from United States
seen from United States

seen from Italy

seen from United Kingdom

seen from T1

seen from Australia

seen from United States
seen from United States

seen from United States

seen from Malaysia
seen from Hong Kong SAR China
seen from Canada

seen from Sweden
seen from Chile
seen from United Kingdom
seen from Bangladesh
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@jainawolf
"Don't hate what you are. What you are is beautiful."
Day three ship two is Ava Silva and Sister Beatrice, aka, Avatrice! 🩷💜💙🧡🤍🩷
Pursuit of Jade - Light and Shadow
JURASSIC PARK 1993, dir. Steven Spielberg
Lucy Liu as Joan Watson in Elementary 4x5 - The Games Underfoot
JP x Pokémon Part 1/?
yk there are SO many dino pokemon I might even have to do another part
REST IN PEACE, SAM NEILL (1947-2026)
Dr. Alan Grant in Jurassic Park, Jurassic Park III, & Jurassic World Dominion
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
FRINGE ✦ 2.03, Fracture THE X FILES ✦ 1.24, The Erlenmeyer Flask
Why oh why does it seem the big traffic dramas rarely do justice to this fine actor’s talent but a mini-drama that had zero preoccupation for marketing does? Chéng Lei admirers gather here:
First episode of A Familiar Stranger is less than 30 minutes but we already have, with clarity and effectiveness -a central thesis, well-drawn, complex characters inside contradictory relationship dynamics we understand, all buoyed by confident scriptwriting consciously employing the powerful and transformational female gaze.
So, of course, I had to check who’s the Director only to find, without surprise, that Zeng Qing Jie also has credit for Directing this year’s mega-hit Pursuit of Jade.
And adding to the groaning weight of my ever-growing To Watch C-Drama List, he is also credited for a highly rated adaptation of Butterfly Lovers, China’s greatest lovestory of all time - what’s a girl to do 🤯🤯🤯. I dare not delve into the filmography for his Familiar Stranger writing colleague Zou Yue, who also wrote The screenplay for Zeng’s magnum opus for fear my watchlist will implode.
I don’t think I’ve ever watched a romance mystery, but A Familiar Stranger’s storytelling is delightfully clever, the humour is deliciously part of a flirting-not-flirting game, and it cannot be accidental that in both sex scenes the women do the initiating with the most powerful men in that universe.
Moiraine felt that small tingle again as the light of saidar briefly surrounded the other woman. Any woman who could channel could feel another wielding the Power if she was close enough, but the tingle was unusual. Women who spent a lot of time together in their training sometimes felt it, but the sensation was supposed to fade away over time. Hers and Siuan’s never had. —New Spring, Robert Jordan
CAPTAIN AMERICA: THE WINTER SOLDIER 2014 | dir. The Russo Brothers
Hold onto your butts. JURASSIC PARK (1993) dir. Steven Spielberg
Just some fluffy married Han and Leia moments from the EU (The New Rebellion)
Endor Mission Outfit
Princess Leia Organa — Star Wars Episode VI: The Return of the Jedi
Only she could make a camo poncho look good <3