ouro preto, brasil (2015): participants dressed as angels during the traditional holy week procession. photography by mario tama.

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Today's Document
Alisa U Zemlji Chuda
Cosimo Galluzzi

❣ Chile in a Photography ❣

祝日 / Permanent Vacation
he wasn't even looking at me and he found me
2025 on Tumblr: Trends That Defined the Year

ellievsbear
I'd rather be in outer space 🛸
Peter Solarz
Monterey Bay Aquarium
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Discoholic 🪩

JBB: An Artblog!
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Xuebing Du
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@jamjarmusch
ouro preto, brasil (2015): participants dressed as angels during the traditional holy week procession. photography by mario tama.
thought crimes dont exist yay forever
Marceline Mason (American, 1992) - Dusk and Her Embrace (2022)
Noelia Towers (Catalan/American, 1992) - Runs and Ladders (2025)
mitski @ royal albert hall, london
feeling like two euro and 34 cents
kingfisher
Tokuhiro Kawai
we bleed the same - we live the same
Im so used to my queer echochamber that when a woman doesnt have armpit hair its like a jumpscare
Medina Trevathan
I love modern mehendi designs
Tove Lo, Vogue Scandinavia, 2022
Erosion by Tamsin van Essen. Who knew parasitic invasion could be so beautiful?
van Essen on her project:
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
Gustav Klimt Textile Samples, Wiener Werkstätte, ca.1920.
differential patterns of natural and synthetic fibers, from the encyclopedia of x-rays and gamma rays, 1963
Art Deco bookends featuring Medieval ladies reading. 1920
Max Le Verrier.