Mark Rothko, Untitled (Black on Grey), 1969/1970, Acrylic on canvas
80 1/8 x 69 1/8 inches (203.3 x 175.5 cm)

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NASA

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shark vs the universe
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Show & Tell
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I'd rather be in outer space 🛸

Love Begins
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Today's Document
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Three Goblin Art

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@jardimavenida
Mark Rothko, Untitled (Black on Grey), 1969/1970, Acrylic on canvas
80 1/8 x 69 1/8 inches (203.3 x 175.5 cm)
Greenhouse with a Scent of Mediterranean
“Marigold” wallpaper design, William Morris, 1875
Fieroza Doorsen
Cortona, 1999
Paula Chamlee
If you are willing to look at another person’s behavior toward you as a reflection of the state of their relationship with themselves rather than a statement about your value as a person, then you will, over a period of time cease to react at all.
Yogi Bhajan (via herpaperweight)
my friends dad is having some real issues
Art and love are the same thing: It’s the process of seeing yourself in things that are not you.
Chuck Klosterman, Killing Yourself to Live: 85% of a True Story
Untitled by Marija Strajnic on Flickr.
If you think about why any story moves us, it’s because of a quaking moment of recognition. It’s never the shock of the new, it’s the shock of the familiar.
Joshua Oppenheimer, the director of the Oscar-nominated film The Look of Silence (2014), speaks about his practice as a documentary filmmaker. (via whitneymuseum)
☆ fresh ☆