im completely addicted to Open Link in New Tab
if Open Link in New Tab is wrong then baby i dont want to be right
Lint Roller? I Barely Know Her

ellievsbear
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@theartofmadeline

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styofa doing anything
Today's Document

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TVSTRANGERTHINGS
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Claire Keane
Misplaced Lens Cap

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2025 on Tumblr: Trends That Defined the Year
AnasAbdin
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@jellysempai
im completely addicted to Open Link in New Tab
if Open Link in New Tab is wrong then baby i dont want to be right
guinea pig instagram accounts are so funny cause the captions will be like "uh oh! pumpkiwumpkin is being extra sassy today!" and the picture is literally just
recently my friend's comics professor told her that it's acceptable to use gen AI for script-writing but not for art, since a machine can't generate meaningful artistic work. meanwhile, my sister's screenwriting professor said that they can use gen AI for concept art and visualization, but that it won't be able to generate a script that's any good. and at my job, it seems like each department says that AI can be useful in every field except the one that they know best.
It's only ever the jobs we're unfamiliar with that we assume can be replaced with automation. The more attuned we are with certain processes, crafts, and occupations, the more we realize that gen AI will never be able to provide a suitable replacement. The case for its existence lies on our ignorance of the work and skill required to do everything we don't.
Hey OP? Thank you for articulating something I've been trying to get clear in my own mind for a while now.
my mind palace is made out of drywall and it is occupied by an angry 16 year old american boy who keeps punching holes into the wall and that is why i dont remember things
wangxiangu望仙谷, shangrao, jiangxi province, china
I don't know how I'm ever expected to be normal again after watching this. this video is already lodging itself deep within my vocabulary as I type
Hey it looks like you reblogged "No rush, The bear videogame" slowdown! there no rush here. This is a cigarette, take it. Watch it again before you reblog it again
You are mentally ill, and that's amazing
first project of 2026
”I have this artistic idea but not the skills to achieve it to the standard I want.”
congrats! Now you have a motif! A recurring theme! A focus for your art! Something to haunt you!
Seventeen still lives of dandelions? Three hundred poems about grief? A sketchbook dedicated to your grandmother’s house? Two books trying to unravel the complexities of familial relationships?
Don’t let the fear of it not being perfect on the first try stop you from being Weird About It!
Please view Hokusai's gradual working towards The Great Wave Off Kanagawa, over a period of 39 years.
An early exploration of the themes Hokusai would keep coming back to is Spring in Enoshima, done in 1793 when he was 33. The wave is small and there are no boats, but Mt Fuji is clear in the background, and Enoshima is in Kanagawa, so we are clearly beginning to work towards something here.
A second pass, eleven years later in 1803 when he was 44. The title of this one begins to get more familiar: The View of Honmoku Off Kanazawa. It has a towering wave over a smaller boat, but Mt Fuji is not present, and the boat is considerably larger and has a sail. But the feeling of danger in the wave and the smallness of the boat are here, and of course the general composition is definitely recognizable.
This is A View Of Express Delivery Boats, done in 1805, merely two years later at age 46. Here we find the wave and the boats almost exactly as we'll find them in The Great Wave Off Kanagawa, though Mt Fuji isn't present, and the location is uncertain. And it's a good picture! The wave is threatening, the boats are small -- but the feeling of "ocean" isn't really there yet, is it? It's unlikely this picture would have become a classic for the ages. But that's okay, there's still time.
And here we have it, a full 26 years later, done by Hokusai in 1831 at the age of 72. The Great Wave Off Kanagawa, one of the most recognizable pieces of art in the world. The boats are there, the mountain is there, the wave is there, and the FEELING is there. He did it! He reached the apex of his ongoing motif and theme!
Or did he? Because the whole point of a motif is not that you're striving to get to the perfect version of it, the one idealized image you carried in your head all along, and when it is done, you are also done. Hokusai is on record at the age of 73 saying he'd only just begun to feel like he was learning how to draw things properly, and that "if I keep up my efforts, I will have even a better understanding when I was 80 and by 90 will have penetrated to the heart of things. At 100, I may reach a level of divine understanding, and if I live decades beyond that, everything I paint — dot and line — will be alive." He had drawn The Great Wave, but he didn't believe he was finished -- he thought that he was still just beginning to get started.
And he wasn't finished with his ocean motif, either. Please check out his Mt Fuji At Sea, done in 1834 at the age of 75.
It's all there; Mt Fuji, the ocean, the wave. The boats are gone, but replaced with birds, flying with the wave instead of fighting against it. It's not as famous as The Great Wave Off Kanagawa, but that's not what motifs are for -- each successive work does not have to surpass the previous in terms of success, especially in terms of external success. They're there for you to keep playing with, keep remixing and re-experiencing, for as long as you think you have something to say.
I also want everybody to know that Google and most of the internet think that all of those paintings bar the last one are called "The Great Wave Off Kanagawa", so I had to do a sort of middling deep dive just to find their actual names. And then I was like "I don't think those translations are very accurate", so I went on a second quest to retranslate them, which was particularly difficult with painting three (A View Of Express Delivery Boats) because for some reason he titled that one entirely in hiragana, and it's all archaic words that were very hard to chase down without their corresponding kanji. Google suggested "the push-off is a transportation route", which wasn't particularly helpful.
All of which is to say that I probably spent a bit too much time on all of that, but it was fun; and at least I know what those paintings are called now.
Weird dog i saw im my dream last night
"no added msg" to be honest it could use some msg
"no added msg" and you're proud of this?
Fortunately, I have msg at home, so I can add it myself.
Why aren't we talking about the real reason male college enrollment is dropping? (Celeste Davis, Oct 6 2024)
"White flight is a term that describes how white people move out of neighborhoods when more people of color move in.
White flight is especially common when minority populations become the majority. That neighborhood then declines in value.
Male flight describes a similar phenomenon when large numbers of females enter a profession, group, hobby or industry—the men leave. That industry is then devalued.
Take veterinary school for example:
In 1969 almost all veterinary students were male at 89%.
By 1987, male enrollment was equal to female at 50%.
By 2009, male enrollment in veterinary schools had plummeted to 22.4%
A sociologist studying gender in veterinary schools, Dr. Anne Lincoln says that in an attempt to describe this drastic drop in male enrollment, many keep pointing to financial reasons like the debt-to-income ratio or the high cost of schooling.
But Lincoln’s research found that “men and women are equally affected by tuition and salaries.”
Her research shows that the reason fewer men are enrolling in veterinary school boils down to one factor: the number of women in the classroom.
For every 1% increase in the proportion of women in the student body, 1.7 fewer men applied.
One more woman applying was a greater deterrent than $1000 in extra tuition! (…)
Since males had dominated these professions for centuries, you would think they would leave slowly, hesitantly or maybe linger at 40%, 35%, 30%, but that’s not what happens.
Once the tipping point reaches majority female- the men flee. And boy do they flee!
It’s a slippery slope. When the number of women hits 60% the men who are there make a swift exit and other men stop joining.
Morty Schapiro, economist and former president of Northwestern University has noticed this trend when studying college enrollment numbers across universities:
“There’s a cliff you fall off once you become 60/40 female/male. It then becomes exponentially more difficult to recruit men.”
Now we’ve reached that 60% point of no return for colleges.
As we’ve seen with teachers, nurses and interior design, once an institution is majority female, the public perception of its value plummets.
Scanning through Reddit and Quora threads, many men seem to be in agreement - college is stupid and unnecessary.
A waste of time and money. You’re much better off going into the trades, a tech boot camp or becoming an entrepreneur. No need for college. (…)
When mostly men went to college? Prestigious. Aspirational. Important.
Now that mostly women go to college? Unnecessary. De-valued. A bad choice. (…)
School is now feminine. College is feminine. And rule #1 if you want to safely navigate this world as a man? Avoid the feminine.
But we don’t seem to want to talk about that."
u know what makes me cry..... that one van gogh quote about life changing for the better..... “many people seem to think it foolish, even superstitious, to believe that the world could still change for the better. and it is true that in winter it is sometimes so bitingly cold that one is tempted to say, ‘what do i care if there is a summer; its warmth is no help to me now.’ yes, evil often seems to surpass good. but then, in spite of us, and without our permission, there comes at last an end to the bitter frosts. one morning the wind turns, and there is a thaw. and so i must still have hope.” yeah..... Crying....
Moist Strawberry Vanilla Layer Cake