Some months ago, I made BoiTaToP, a cuelight system for Theatre Marigny (Paris, France). Based on Teensy micro controllers and OSC communication, it uses a lot of cool stuff : Neopixels, PoE powering and lots of Adafruit stuff...
Not today Justin
occasionally subtle
Noah Kahan
almost home
Cosimo Galluzzi
KIROKAZE
noise dept.

❣ Chile in a Photography ❣
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🩵 avery cochrane 🩵
"I'm Dorothy Gale from Kansas"
macklin celebrini has autism
RMH
EXPECTATIONS
Three Goblin Art
let's talk about Bridgerton tea, my ask is open
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★
we're not kids anymore.
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@jgastonraoul
Some months ago, I made BoiTaToP, a cuelight system for Theatre Marigny (Paris, France). Based on Teensy micro controllers and OSC communication, it uses a lot of cool stuff : Neopixels, PoE powering and lots of Adafruit stuff...
Total Lunar Eclipse on 2015/09/28...
Some pictures of my lighting design for Le Balcon (Peter Eötvös / Jean Genet) by Le Balcon at Athénée theatre.
More infos here and here.
Photos from Meng PHU.
The teaser video from Werther & Werther, my latest theatre lighting design with Arnold.
A simple way to control a moving head with a finger to be used as a follow spot...
Hand skeleton is captured by Leap Motion sensor and sent to Max6 via LeapToOSC.
Max6 scales signal and creates DMX frames which are sent over ArtNet to a Martin Mac600 moving head through an Enttec Open DMX Ethernet box.
A Korg NanoControl is used to control other parameters (like dimmer or colors).
Special thanks to Mano BOURCART and Alexandre GOUJON who helped me to setup this experiment.
More infos here : http://cycling74.com/project/finger-controlled-follow-spot/
Some short video samples of what is possible to do with a camcorder, a projector, some screens and Isadora for effects and mapping.
A camcorder captures some details on stage.
Its output is directly sent to the computer, processed in an Isadora patch and mapped on multiple screens on stage via a single projector.
A simple way to control Led Pixel Mapping using paint...
The black paper sheet is filmed by the camera and the video signal is acquired by a Max6 patch which downscales images to obtain a 4x16 pixels matrix.
RGB values of each video pixel are translated in DMX to control the light pixels of the 4 led tubes.
Any video signal (live or pre-recorded) would have worked, but the paint seemed more fun!
See also : http://cycling74.com/project/paint-controlled-pixel-mapping/
Yesterday, I took some B&W photos during a walk in Paris, testing my new Panasonic 25mm f/1.4 lens.
Some pictures from Pierrot Lunaire at Athénée theatre, my lastest light design for Le Balcon.
More infos here and here.
Photos from Meng PHU.
3 weeks in Crete, 1 computer, 20 offices...
Import XDCAM EX footage in Premiere Pro CS6 for mac
I recently looked for a way to import video footage using XDCAM EX codec in Premiere Pro CS6 for mac.
When I tried to import these files, I always had this error : "codec missing or unavailable".
After some hours of googling, I found an article that solved my problem and may be useful for you too : http://www.jonathangrubbs.com/journal/pro-quicktime-codecs-no-fcp/
You just have to download ProApps QuickTime codecs, to unpack it and to copy QuickTime components to the right place.
Have fun !
First try of video control with ReacTIVision...
The setup includes 3 fiducials on a glass table with a camcorder below, a computer and a TV...
The camcorder films the 3 fiducials and transmits images to computer. ReacTIVision analyses images to detect positions and orientations of fiducials and transmits them via TUIO protocol to PD, which makes a bit of scaling and transmits formatted values to Isadora. Isadora plays 3 videos at the same time and moves them according to the values received from PD.
There is some lags and loose of tracking : I think that's because my hardware setup (table + fiducials + camcorder + light) isn't very optimized...
ELIOS v0.2 has been released !
ELIOS, the ArtNet remote that I develop with my friend Alexandre COLLIGNON, releases in version 0.2.
Elios (a.k.a. Entertainment LIgthing Open source Software) is an entertainment lighting remote using ArtNet protocol (DMX over Ethernet).
Its goal is to facilitate setup and focus of projectors for lighting technicians.
Here are the new features :
refactoring of user interface ;
cues management ;
input and output DMX array view ;
fullscreen mode ;
automatic search for updates.
The remote, using ArtNet protocol is compatible with Windows, Mac and Linux, and all features are accessible from the web interface.
More informations on http://www.eliosoft.net
"Comme j'étais en quelque sorte amoureux de ces fleurs-là", le spectacle pour lequel je développe un dispositif sonore et sensitif depuis maintenant plus d'un an est enfin prêt !
Je vous invite à venir le découvrir au Théâtre de Vanves du 23 au 25 janvier !
Pour réserver, c'est par ici !
My contribution to the 3rd edition of One Day On Earth.
Two friends, just returned from around the world, rediscover Paris through their favorite places on 12.12.12.
I helped to build a servo-driven fountain for the new CRAS at Mains d'Oeuvres...
More informations about the CRAS here : http://www.mainsdoeuvres.org/rubrique90.html
Here is a little example of a simple way to control 2 videos with hands tracking. After being recognized by the Kinect, the user just need his 2 hands to pilot size and position of videos. It's done using Kinect (to track skeleton), Synapse (to acquire data), PD Extended (to scale values) and Isadora (to play and move videos).