An open letter to Lorin Ashton (Bassnectar) from Mimi Page: Â A call for true accountability, responsibility, and healing action on behalf of the music industry.
Dear Lorin,
You have willingly and openly invited healing on your part with anyone you have hurt in your past. While I am aware you are calling every past sexual partner youâve had, you havenât bothered to consider the trauma your actions have caused to your female colleagues. You havenât reached out to me once. I am taking this opportunity to respond to your offer of healing by âcalling you inâ in this open letter. I am a relatively private person and would have preferred to call you and read my letter to you directly. The truth is, I donât trust you. You have claimed to care about the healing of those youâve harmed, but the recordings released prove that you manipulate and gaslight whoever confronts you. IÂ privately confronted you about âButterflyâ back in 2016, so Iâve directly experienced your manipulative behavior. Because you have harmed so many people in your personal and professional life, my hope is that this open letter will bring forth clarity and healing to anyone who reads it. Healing to me, to you, to the young women you have sexually and emotionally abused, to the creative collaborators you have taken advantage of creatively and financially, to the professional team members youâve betrayed and let down, and to the dedicated fan base youâve mislead and abandoned.
While I am processing my own feelings of anger, confusion, and disgust, I am also writing you from a place of love. Tough love, that stands for healing, integrity, and transformative justice. Principles you claimed to stand for as a leader in the music industry. This situation is devastating on so many levels because youâve also created a lot of good in this world. You have inspired millions of people and played a pivotal role in our culture. Youâve provided a platform for so many independent artists to be heard, myself included. I am forever grateful to you for that. But with the platform you helped me build, I am now speaking out on it. My hope is that deep inside your soul, you can listen, learn, and take accountability with an open heart. My own heart is broken, but it is also open. So with this open letter, I will address the evidence of both your âromanticâ victims and my own negative experience with you, from my own perspective. If you can take true accountability and healing action with our best interests in mind instead of your own, then I believe you can still be a catalyst for the true change and healing we need in not only the music industry, but in our world.Â
My personal reasons for coming forward:
In response to your sexual abuse allegations, you have publicly denied âthe rumorsâ yet claim to welcome responsibility and accountability. You have admitted to the possibility of hurting others, yet you have not clarified what pain you have actually caused. You have claimed your own romantic relationships were âpositive, consensual, legal, and loving.â You have claimed you are an âally of womenâ offering free therapy to âtrue survivors of sexual abuse.â As an action, you have chosen to step away from your musical career and abandon your non-profit organization without further clarity or closure with all of us. As a survivor of childhood sexual abuse at ages 5, 13, and 16, I have lived with the PTSD that comes with experiencing both Pedophilia and Ephebophilia. I have spent many years in therapy unpacking my own trauma, healing it, and learning what true sexual health is. As a âtrue survivorâ responding to your statement, you have absolutely no right to define what a âtrue survivorâ is. To do so gaslights the women coming forward about the abuse you inflicted, and manipulates the public into doubting their truth. This creates victim shaming and I wonât stand for that.Â
The legal definition of a child is ages 0-17. Rachel was 17 when you groomed and pursued your sexual relationship with her. The definition of Ephebophilia is an adult who is sexually attracted to adolescents between the ages of 15-19. Ephebophilia is not a sexual preference, it is a sexual perversion. While the argument stands that some teenagers welcome a relationship with an adult partner, many survivors realize they were psychologically damaged by that relationship once they mature in their mid 20s. Clarity and healing takes time, I speak from experience. Thereâs a reason that by law, teenagers are still considered children. While itâs completely healthy for teenagers to date other teenagers, they have no business being sexually groomed and manipulated by adults, especially those with power and influence. Ephebophilia has been glamorized and normalized in the music industry for generations and it needs to finally change. Countless rockstars like you have gotten away with this illegal and psychologically damaging activity with their underage fans. Many of them are still massively successful to this day. As an artist who has built your brand and activism on the principles of compassion, equality, and integrity, why are you grooming and dating your teenage fans? According to your victim Laurenâs statement, you explained why you donât date women your own age. You told her you arenât interested in older women because âthey have too much baggage.â Lorin, it is men like you that create this âbaggageâ for women. And because of this, perhaps it is you who actually needs the therapy you are offering your victims. There is something very wrong with the way you view and interact with our world.
As a female artist and collaborator of yours for over 8 years, I wish I could speak up in defense of your character and your treatment of women through the reflection of own relationship and your treatment of me. I can not do this. While I hate seeing your career destroyed, I canât help but honor the karma. I have carried your baggage for far too long. You have leveraged your power and your fame over me during every creative negotiation we have ever had. Always manipulating me into taking less of a writing percentage than my actual creative contribution because you claimed your platform, âthe bassnectar factorâ as you called it, would benefit me as a âsmaller artist.â You hid behind a public mask of humility and activism when in private you lead with entitlement and greed. As a collaborator of yours, I am also a survivor of you. Not of your sexual abuse, but your psychological manipulation and financial abuse. You have taken advantage of my vulnerability and creativity since I was in my early 20s. You used your charm to manipulate me into thinking you cared about me while you stole my creative credit and royalties. You used your fame and influence to manipulate me into feeling grateful for the benefits I did receive from working with you, gaslighting my own reality and pain. You strategically belittled me creatively and financially in order to assert your dominance and control in ways where I was brainwashed into continuing to work with you. You have said some incredibly inappropriate and hurtful things to me over the years which negatively affected my self esteem to the degree that I almost quit music. Like so many others, I put you on a pedestal and looked up to you before I experienced your darkness. Even when I experienced your darkness, it was like I was under a spell. I have been conflicted for years and your name has been brought up in my own therapy sessions many times. You are a master manipulator, and I believe that is your greatest talent. In light of these allegations from both your victims and collaborators, so much becomes clear. The spell you cast not only on me, but the world, has been broken.
Your undeniable abuse towards women:
The evidence and statements being released by women who you say have been your âconsensual, legal, and loving partnersâ provides contrary evidence to the innocence you claimed in your public statement. In an audio recording with Rachel, you verbally admit to her statutory rape when she was 17. She explains to you that at age 17, she âhad no idea who she was.â She expressed that she was impressionable and that a relationship with someone your age with such an extreme power dynamic was beyond inappropriate for her. You validate this by agreeing with her and regretting your actions. You then offer to take accountability directly with her, but ask if that accountability means being âraped and beat up in a Tennessee jail.â This type of response to someone youâve harmed is not called accountability, Lorin. This response is called gaslighting and manipulation, and it is equally abusive. It subliminally asks your victim to doubt the severity of her own experience and put your well being above her own.
In an email correspondence that Rachel shared during her senior year in high school, you congratulate her good grades on a school paper. You then request she spend 4-5 hours writing you an essay for your own pleasure. In a second email, you admit âshe is overloaded with school workâ but confess you are âso curious about what goes on outside of school in her social life.â You then tell her she âso rarely reaches outâ and you âwant to hear her voice.â Rachel wasnât a groupie who pursued you as so many of your defenders claim. You groomed, pursued, and manipulated her. This isnât the behavior of a mentor, a teacher, or a caring friend. You were an adult celebrity taking advantage of your teenage fan. This is called predatory behavior. You were a grown man in your mid 30s who chose to groom and sleep with an underage teenager, knowing full well how old she was at the time. In seeking the truth for myself, I spoke at great lengths with Rachel over the phone and heard her entire story. I also spoke to Lauren and have heard hers. While I was disgusted by the trauma you inflicted on these women, I was equally inspired by their grace, wisdom, and bravery to stand up to you.Â
Rachel (age 17), Lauren (age 21), and another young women have claimed you put thousands of dollars in cash in their purses and backpacks after their sexual encounters with you. They all have clarified that they did not ask for this money, were surprised and confused by it, and had to hide it from their parents and friends as they were sworn to secrecy by you. According to them, you were paranoid and made them communicate with you through encrypted apps so that your communication was hidden. In Laurenâs public statement, she claims she was âsexually groomed and manipulatedâ by you as your fan. According to her story, she was hand selected via Instagram and won a meet and greet with you. After thanking you on Twitter, you provided her your private email and asked her to continue communicating with you. When telling you her age, you said you were âsurprisedâ because she âlooked younger than 21.â You then requested she travel alone to visit your home. When telling you she wanted to inform her parents so they knew where she was, your response was that her parents âhad no business knowing the details of her personal lifeâ. If she was to inform them of her travel, she was to lie about your identity and say she was âdating a teacher named Gabe.â While demanding her sexual exclusivity with you, you refused to be sexually exclusive with her. You also requested she consider you a âlife coachâ as you would help guide some of her âbiggest decisions.â Some of your advice included informing her that âevery man she would ever meet would only want to have sex with her and would do anything to get it.â You offered to âprotect herâ from this. This is not a loving relationship Lorin, this is a manipulative, controlling, and psychologically abusive relationship. There are many other women you have harmed who have privately come forward but are too afraid to publicly share their stories. Several of them have stated that they were under the age of 18 when they had sexual relations with you. The amount of young women youâve harmed is mind blowing, and they are all your âtrue victims.â In order to take true accountability, you have to be willing to own up to your actions and take legal responsibility for what you have actually done.Â
Our professional relationship:
Iâve spent the past few days going through my own emails and memories with you, trying to find clarity and understanding of who you really are and how you could have harmed so many people in the ways that you have. While going back to my early correspondence with you, I was disturbed to find the same style of inappropriate communication with me. Our relationship has always remained professional and Iâve considered you more of a dysfunctional âbig brotherâ type throughout the years. An email you sent me back in 2012 reminded me that this wasnât always the case. I had completely blocked out this email because it made me feel so uncomfortable at the time. I now remember that I chose to shelve this away in my psyche because I was conflicted with how excited I was to get the chance to work with you.
(Email Context: I had just sent you my vocal hook for our song âButterfly")
As a female artist who has endured the gender inequality in this industry, I am used to putting my head down and tolerating inappropriate jokes and conversations with men as long as it never escalated to a place where I felt unsafe. Fortunately our collaboration was remote, and I was in the safety of my own home studio when I read this. Your email response to my creativity was not only disrespectful, it was completely inappropriate. Itâs alarming you felt entitled to speak to me in this way, being that I was a professional collaborator and I barely knew you at the time. I responded to your email with a âhaha thank youâ but I wasnât laughing. I was extremely uncomfortable and afraid to tell you how I felt because of your power and celebrity. I wanted to work with you and was afraid I would jeopardize that so I put the opportunity to work with you above my own comfort. I regret doing this. I am only sharing this email now as it corroborates the evidence of your language and inappropriate communication with the other women who have come forward and shared their own email correspondence with you. They are being attacked and doubted for sharing their truth, and I wonât stand for that. Iâve spent the majority of my time these past few weeks processing this horrific situation. Iâve had a lot of tears and a lot of sleepless nights, as I know so many others have. In the process, I had an epiphany. Your email of wanting to âfuck my voiceâ was actually a metaphor, foreshadowing our future dynamic as collaborators. You did end up âfucking my voice,â not as an artist but as a human being. While my voice in our collaborations soared throughout stadiums and radio stations around the world, my actual voice was silenced.Â
In 2012 when we negotiated our splits for âButterflyâ, you manipulated me into believing that music didnât make money anymore because of music piracy. As a young artist that was new to the industry, you told me that touring was the main source of income for artists, and buying me out of 100% of my share of the master royalties of âButterflyâ would be in my best interest. I spent 3 months alone in my apartment writing and creating âButterflyâ for you. Your offer was to pay me $1,000 for each month I worked on the song. You convinced me that because music didnât make money, âButterflyâ may make nothing. A $3,000 buyout would ensure that I would be protected and taken care of financially. I had requested an equal split of the writing and publishing of âButterflyâ because I had clearly created the majority of the song. You took that opportunity to lecture me on what âequalâ actually was working with an artist of your caliber. That because of your administrative fees and expenses due to your platform, a 50/50 split of writing and publishing wasnât fair to you. Regardless of my creative contribution, 33% was the number I actually deserved. As the main composer and co-producer of our song, you knew I wrote and created the majority of the creative content in âButterfly.â Not only did I write and perform the vocals and piano, I composed, produced, and sound-designed the synths and ethereal pads. You never gave me credit for this. Not in the liner notes, and not in the press. You took full credit of the production of our song, allowing me to be viewed as a vocal feature with a piano performance. When your album Vava Voom came out, I saw that every male producer who collaborated with you had an âandâ producer credit. I was young and naive at the time, I didnât know what a producer credit was and you knew this. As a self-proclaimed feminist and someone promising to protect me in this industry, you knew better. You should have done better.
Watching our song "Butterflyâ find itâs wings was a dream, but also a complete nightmare. It became the staple of your live show, to the degree that Butterfly confetti fell from the sky. I had fans tattoo butterflies and my song lyrics on their bodies. âButterflyâ was ranked the #4 best song of your entire catalog by Billboard. It was in rotation in terrestrial and satellite radio, licensed to network TV shows, films and video games, and was even featured in an art instillation at the Disney museum. While I did get my 33% cut of my writing and publishing, I watched you absorb 100% of every sale and stream. I saw how many sales âButterflyâ sold in the mechanical royalty statements from Amorphous Music, your own record label. That small $3,000 âbuyoutâ you gave me under the pretense you were âhelping meâ covered 2 months of my rent. Had you given me an equal share of my writing and publishing and literally any percentage of the master royalty of âButterflyâ, it would have drastically changed my life. Had you given me the creative credit I deserved on our song, doors would have been a lot easier for me to open as a female producer and composer in this male dominated industry. I continued to work with you over the years because I was brainwashed into believing this was how the music industry worked. I was brainwashed into feeling âgratefulâ for the opportunities I received and the success I did generate from your platform. I convinced myself that I was less than you, and I had to pay my dues like everyone else in order to earn my worth as your creative equal. This equality never came. While I continued to fight for a small share of my writing and publishing on every song we did, you still refused to offer me a percentage of the master royalty. To this day you still collect 100% of the master royalties on every one of our collaborations.Â
I tried justifying our creative dynamic by your invitations to perform live with you. While it was only 3 times, those performances were, and will forever be, some of the most beautiful and magical moments of my life. What was odd to me was the way you financially treated me when I performed live with you. At Lighting in a Bottle I performed for free and got changed in a port-o-potty. After my performance you thanked me and handed me a bottle of wine as compensation. At Red Rocks and Bridgestone Arena you offered me $1,000 as an appearance fee. A fee that I had to deduct the airfare of my manager, my wardrobe, and all my food and traveling expenses from. Iâm not sure how much income you take home after each one of your sold-out stadium shows, but Iâm sure you could have afforded to treat me a little better. At the end of the day, I actually ended up paying out of my own pocket to perform with you. With whatâs come to light, I now understand that youâve had huge expenses paying out thousands of dollars to these young women, several underage, with the hopes of buying their silence and loyalty. As your female collaborator, I can verify that you are no feminist. You are a hypocrite, and the way you have treated me as an artist is absolutely disgusting.
In 2016 I was unaware of the extent of your corruption behind the scenes, but I found the courage to confront you about my own situation. I texted you that I was uncomfortable about our business dynamic with âButterflyâ and we hopped on a call to discuss it. We had a long conversation about my feelings, and you validated my belief that you were wrong and that you should have given me producer credit. You agreed that my deal wasnât fair and said that you wanted to make it up to me. While I was grateful for this, the end of our conversation ended up haunting me for years. When talking about âfairness,â you lectured me on the difference between us as artists. You told me that if I were to release a song of ours by myself, that it wouldnât sell nearly as many copies as it would if you released it. That your âBassnectar factorâ was the reason for the success of Butterfly, not the creative content of the song. I agreed that you clearly had the bigger platform, but argued that my creative contribution to your art not only rewarded you financially, it helped define your brand in a new way. That the majority of your music is intense and aggressive, and my feminine, ethereal, and peaceful aesthetic helped diversify your musical catalog. I opened up and told you that if you had treated me equally and hadnât taken 100% of my master royalty, my life would look very different because of the success of our song. That I have bills to pay just like any other person, and that my husband also battles multiple sclerosis which is a hardship we privately face. Your response to me was cold, and cruel. You told me that the music business is really hard. That many of your friends are extremely talented like me, and that you tell them all the same thing. That if itâs too hard for me to keep going financially in this business, that I pursue music as a hobby and find something else for work. Even so, you would find a way to make âButterflyâ up to me. You would get with your team and figure out a way to make me âhappy.â Lorin, I canât tell you how painful this conversation was, it crushed my soul. Writing one of my favorite songs with you and watching it receive commercial success while you took 100% of my royalties was one trauma. Seeing my worth through your eyes was another, it damaged my self-esteem. For a while, I did contemplate quitting music. If it werenât for the love and support of my family, friends, fanbase, and my own inner work in therapy, I probably would have quit music.Â
A week later you got back to me after discussing my request with your team. You indicated that you couldnât renegotiate the terms of Butterfly, that the deal of that song was over and done with. What you did offer was a deal for a new song. This song would be credited as âBassnectar and Mimi Pageâ so I would receive a producer credit. I would also receive 25% of my royalties across the board. I asked you why I wouldnât receive 50% if I actually write an equal share, or even 33% like you offered me in Butterfly. You refused to negotiate and stated thatâs the offer that was on the table. You then sweetened the deal by offering me an advance of $10,000 of this song, with no deadline to create it. At the time I not only needed the money, I foolishly believed that you actually wanted to create another song with me. Over the past 5 years Iâve sent you so many creative ideas for this song, and your response to me has always been the same. You were âtoo busyâ to work with me. The only song we created together since then was âWas Will Be,â a last minute topline request with another small publishing cut and no master royalty. As always, this collaboration was attached with more empty promises to write our âactual songâ with no followthrough. With whatâs come to light in the accusations against you, itâs alarming to see where so much of your time has actually gone. Like your female victims, I canât help but look at that $10k you gave me as hush money for my own silence against the issues I confronted you with. Watching other legal cases appear by other artists over the years brought me a lot of clarity on how youâve been taking advantage of not only me, but other artists this entire time. I never spoke out publicly about my dynamic with you because I valued the peace and healing of the fans who enjoyed our collaborations. Now that you have destroyed not only your reputation but the trust and peace of your community, I am choosing to share my story now. Not just on behalf of me, but all the artists you have taken advantage of and ripped off throughout your career. There are so many.
After speaking with several of your victims, Iâve been horrified to learn that âButterflyâ was the song that lead many of them to the actual discovery of you as an artist. That the beautiful and euphoric qualities of âButterflyâ didnât only function as a catalyst for peace and healing like I intended. Many of these women were mislead into believing those gentle, peaceful, and ethereal vibrations actually came from you because you took full credit for the song. My most grotesque epiphany of all, is that you never did care about me or actually value my talent and wellbeing as an artist. Instead, you used my artistry as bait for the facade you projected to the world, ultimately luring more young women to you. As a survivor of sexual abuse, music has always been my saving grace and escape from the horrors of my own reality. I canât tell you how traumatizing it is for me to be associated with you after realizing what youâve done. I am deeply disturbed and depressed in regards to our creative relationship. I am grateful that our songs have brought peace and healing to so many, and I will forever stand by the love and light that I personally contributed to it. I wonât let you take that away from me. Had you lived your life with the actual care and integrity that you claimed to lead with, we could have created so many more beautiful songs together. Instead, you chose the darker path and in the process, took advantage of my talent, my time, and my respect for you.Â
Our last and final collaboration was on your new album âAll Colors,â and this was the final straw for me ever working with you again. During a pandemic that is killing people, destroying our economy, and shutting down our industry, you sent me an email âchecking inâ. Like always, your emails have tons of smiley faces indicating you âlove me.â You reminded me we that we âstill need to do our songâ but asked for a âlittle favorâ on your new album. You wanted me to replace a vocal sample of another girl singing âdreaming of you.â No writing, no harmonies, no creative contribution, not even the consideration of me knowing what I was contributing to as you wouldnât let me listen to the song. Just âa little favorâ of singing and recording for you, for free. I almost said no, and I wish I had. The only reason I didnât, was because you had just offered me a spot to perform my own acoustic set on the main stage at your festival Deja Voom. A gesture that shocked me and actually meant a lot to me. After years of you blowing me off creatively and taking advantage of me financially, that was a gesture that felt like it validated my worth to you. I will humbly admit that deep down, I have always wanted you to care about my art and creativity. So, like always, I did the mental gymnastics in my head and justified the reasons why I should do your little favor and I did it. I did it against the wishes of my own manager and attorney, thatâs how strong your influence has been over me. After I sent you my vocal file, I also took the opportunity to tell you that we experienced a food shortage during this pandemic and I learned how to garden in hopes that I could feed not only myself, but my neighbors. This must have struck a chord, because you changed your mind about asking me for free work and you sent me this email:
Itâs almost August and Iâve yet to receive your $250 for pumpkin seeds. In regards to my creative contribution on your new album, I found my vocal sample on the end track you called âOptimism.â I wasnât credited as a featured vocalist, and I checked the liner notes and there was no reference that I even sang on the song. After 8 years of working together, you didnât even give me a shoutout on social media, telling our mutual fans about my contribution being that they loved our past collaborations so much. After all these years, and the massive amount of income you have earned off the back of my own creativity, this is what you have reduced my talent to. During the horrific times we are living in, your expectation of an independent artist giving you free work is absolutely despicable, and $250 for pumpkin seeds is ridiculous. It is clear the amount of healing I have needed to do in regards to reclaiming my self esteem. I am saddened by the dynamic I allowed myself to participate in with you for so many years. I have been battling a lot of shame for this. Thanks to several of your colleagues who have experienced similar dynamics with you, I have found a lot of healing. I am saddened to see this is a trend with so many of your collaborators, but Iâm also grateful to be in their company as we all try to find the light in this darkness. I am now shifting my perspective and looking at all of us as hard workers who believed in the original vision you claimed to have for humanity. We took your creative and financial abuse because we are all trying to survive in this dark and difficult industry and shine our light within it. One day I hope the industry changes, and hopefully this entire situation will be a catalyst for it in some sort of way.Â
It is painful, but also healing to write this letter to you. I feel like a giant weight is being lifted from my soul. It is healing to see corruption being outed on a mass scale in our society, and ironic that you were one of those activists that spent so much time outing that corruption. For years youâve used Twitter as a platform to call out the corruption of political leaders. Now that you are the subject of your own corruption, youâve gone silent and disappeared. I will remind you we are experiencing a pandemic and the state of the world is in a very dark and fragile place. Your fans no longer have a safe space to turn to and this hurts their mental health. A lot of your fans are getting bullied for following you, having your tattoos, and being a part of your community. While you take your millions and âgo off the gridâ I wonât stand for your hypocrisy. I have received over a hundred emails from fans expressing their own private traumas and being survivors of sexual abuse themselves. How damaging it has been to discover they have been mislead by you all these years. You have accumulated your wealth and lifestyle from the money and dedicated support of your fanbase. You have built the diversity of your brand off the backs of collaborators like me, Dylan, and so many others. You owe us way more than an apology. The time you have spent manipulating and abusing your teenage fans could have been better spent creating with the artists who have contributed so much to you and your community. How youâve treated Dylan (ill-Gates), an artist who inspired and nurtured your own talent, is utterly repulsive. The sad reality is, your behavior isnât just a reflection of the darkness within your own psyche, itâs a reflection of the power-hungry, abusive, and narcissistic behavior in the music industry. We need a deep healing and change in perception with the ways business is run inside the music industry. We need a safer space for artists to create and fans to experience our art. Music is a sacred, it brings healing and unity to our world. We need to make an example of the mess you have created and transmute it for positive change.
As you walk away from your musical career, you also walk away with not only my royalties, but all your collaborators royalties as your future financial stream. I wouldnât label your career cancellation as âunemployment,â I would label any future income as theft from those of us you collect from. As a collaborator of multiple songs, the only control I have to help save the integrity of my songs and heal this community is a promise to donate my own small writing and publishing percentages to non-profits that support sexual abuse survivors. After learning that you have spent thousands of dollars to silence your own victims, you need to rectify this behavior with all of us. You manipulated our bad business deals by using your fame to convince us the âexposureâ we would receive would benefit us. While it did in the past, it is now traumatizing us. As a survivor of sexual abuse and an actual ally of women, I find it unacceptable for you to have committed criminal behavior with my royalties being a source of your income. I donât find it acceptable that you continue generating any future income from my creativity moving forward. I want my royalties back and I want to use my royalties for goodness. Iâd love to partner with a non-profit or even start my own with the royalties youâve taken from me and will continue to take from me. Iâd love to incorporate your past collaborators, ambassadors, and fans in whatever healing endeavors I pursue from these royalties. My goal would be to focus on sound healing and meditation for survivors of sexual abuse and use the symbol of the Butterfly as the emblem. This would redefine my song and represent that we actually transformed some of this darkness into beauty. This is one idea I have of how you can take accountability and healing action directly with me, on behalf of everyone in your community.
The abusive dynamics in the music industry have existed for far too long, we can use this experience to help stop it. While you were a part of this problem, I hold space for your healing and redemption. You can take true accountability for your actions and use this experience as a catalyst for massive change. The only way we can create actual change in this world is by living by example and being the change we need to see. Lorin, please step up. Stand in your integrity and take true responsibility and accountability for your actions no matter what the cost to you. At the times you caused harm to others, you didnât consider the cost to them. Own up now to what you did, publicly admit it, and take the healing actions required to make true amends. Use your wealth and platform for the goodness you originally intended, itâs not too late.
            Sincerely,
                Mimi Page
