Va'joedar

[joemanghan]

bright light warm light from tehn on Vimeo.

monome.org

improvised performance by tehn. nnnnnnnn.org

soundcloud.com/tehn/bright-light-warm-light

new monome grid. two-tone aluminum and warm white light.

a list of additional objects seen:

monome meadowphysics monome white whale monome switch mannequins mangrove (x2) intellijel quadra intellijel springray, large spring tank parallelogram mlrv

initially the grid is controlling meadowphysics (scattered cross-influenced clocks) and then white whale (tone and trigger sequences). using the switch, focus is moved to the macbook where mlr is running. output from the modular is sampled, transposed, and looped in many layers. all tones from the two mangrove modules.

[joemanghan]

Human Harp #PlayTheBridge from humanharp on Vimeo.

Bristol's Clifton Suspension Bridge by Isambard Kingdom Brunel has just reached it's150th birthday and Human Harp are celebrating this milestone by creating a musical device that can #PlayTheBridge like a giant string instrument! This trailer gives you a glimmer of what it might be like to play a single suspension-rod. Imagine what it would be like to play an entire bridge! Keep a look out for our "movician" (bridge player) testing our brand new equipment in unexpected locations around the UK and beyond over the coming weeks...

Special thanks to Sennheiser for funding this film and also Laura Hilton and Dave Anderson of Clifton Suspension Bridge Trust, for giving us the opportunity to film this trailer on Clifton Suspension Bridge

#PlayTheBridge A film by Di Mainstone & Jesse D Lawrence Our mysterious movician has travelled far to reach Clifton Suspension Bridge in time for it’s 150th birthday. The air is still but for a low steady hum, as though the structure is gently sleeping. One by one she awakens bridge’s suspension rods with a tap of her song-spoon and they issue a loud metallic yawn. She pauses by the rod which supplies the most pleasing tone, and watches as her bridge-playing apparatus jumps from her bag and attaches itself to the bridge's soaring white shaft. Each device is designed to control a different aspect of the bridge’s voice and is operated by our movician via two retractable cables which she tethers to her harness. As she pulls the harp-strings and moves her body to and fro, she unleashes the bridge’s deep, melancholy song which bounces off the rocky cliffs, across the Avon Gorge to the distant lands beyond. #PlayTheBridge

Human Harp's artistic director Di Mainstone has relocated to Bristol's Pervasive Media Studio to co-create the new harp with local creatives. So far Di has collaborated with students from University of the West of England, Arup engineers, electrical engineer Seb Madgwick, documentarian Jesse Lawrence and film producers Linn Waite & Kate Byers from Early Day films.

Back in London our tech producer Becky Stewart had been overseeing the digital development of our instrument, working with electrical engineer Seb Madgwick and audio coder Adam Stark to create new "digi-bow" that will make the Human Harp more musically versatile. We have also been working closely with David Ross our industrial designer to create more robust housing for our technology. .

#PlayTheBridge

A Short Film by Di Mainstone & Jesse D Lawrence Movician: George Hampton Wale Narrative: Di Mainstone Director of Photography: Jesse D Lawrence Editors: Jesse D Lawrence & Nye Williams Sound: Cassini Sound, Charlotte Barnes, Lukas Greiwe, Martyn Harries and Adam JB Producers: Early Day Films, Linn Waite and Kate Byers

Human Harp Team

Artistic Lead: Di Mainstone Technical Producer: Becky Stewart ARUP Engineering: Roland Trim, Ian Wise and Alan Dennis Electrical Engineering: Seb Madgwick Industrial Design: David Ross & Lea Aubertin Audio Software: Adam Stark & Yuli Levtov Creative Assistants: George Hampton Wale, Lewys Webber, Harry Fricker Queen Mary University of London: Alessia Milo & Louis McCallum Project Support: Kate Warren, Nadia Abdulla Special thanks to: Laura Hilton, Dave Anderson of Clifton Suspension Bridge and Verity McIntosh and Claire Reddington of Pervasive Media Studio

[joemanghan]

Morpheme excerpt [Electric Indigo & Thomas Wagensommerer] from Electric Indigo on Vimeo.

Excerpt of the a/v work Morpheme by Electric Indigo [audio] and Thomas Wagensommerer [video], original duration 28 minutes.

All sounds are derived from a 9 seconds long audio recording of one phrase: "To let noise into the system is a kind of fine art in both cybernetic terms and in terms of making music, too." [Sadie Plant] The source text is deconstructed and reassembled on a sonic, musical, linguistic and graphical level.

Morpheme can be performed as a multichannel audiovisual concert.

[joemanghan]

This is how we move from Human on Vimeo.

Human helps people move almost twice as much in six weeks. Every day, people track millions of activities with our app. We visualized data in major cities all across the globe to get an insight into Human activity. Walking, running, cycling and motorized transportation data tell us different stories.

Visit cities.human.co for 30 cities worldwide.

[joemanghan]

Snapple RealFact presented by j.viewz from The Pipeline on Vimeo.

Real Drops. Real Music. See more at Snapple.com/453 bit.ly/SnappleFB | bit.ly/SnappleTW Directors of Photography: Hunter Baker, Roy Rochlin | Editor: Tamar Glezerman | Camera Operator (Performance): Billy Green | Sound Recording (Performance): Tiana J. Kim, Laura Cunningham | Production: Suzanne Rollins, John H. Hodgson

[joemanghan]

j.viewz - rivers and homes. from j.viewz on Vimeo.

FREE DOWNLOAD: soundcloud.com/j-viewz/rivers-and-homes

2000 photos, 300 fans (no computer fakery..) | MTV OMA's Nominee, UK VMA's Nominee Taken from the album rivers and homes: jviewz.com

Directed by Shelly Carmel, Eran Amir, Jonathan Dagan. DOP: Hunter Baker | Editing: Elan Golod | Styling: Karin Elgai Production: Matt Leiderman (USA) | Eran Amir (Israel) Color Correction: Jonathan Dagan | Color Correction (Photos): Yair Cohen Post: COPA Network | AC: Sam Pyra, Peter Steusloff, Taylor Baker Lighting & Grip: Mark Solomon, Zach Stoltzfus | HMU: Liz Furlong

[joemanghan]

j.viewz playing Teardrop with vegetables from j.viewz on Vimeo.

Facebook: facebook.com/j.viewz | Massive Attack Cover Played on Fruits & Veggies. Shot By Roy Rochlin

[joemanghan]

What Need Angel from Peter Crnokrak on Vimeo.

What Need Angel is a synesthetic transcription of the brainwave response of a five year old boy while listening to music. The project aims to develop a systematic methodology that allows for primal biological experiences to be visualised to facilitate the understanding of the emotional responses to stimuli.

The computational video uses dynamic particle animation segments that are woven together to form a seamless, though at times jarring, reflection of the music listening experience. Particle behaviours such as size, speed, colour and direction of movement are all determined by the user’s passive brainwave responses to music stimuli.

The project was accomplished using a commercially available electroencephalograph headset that measures qualitative and quantitative changes in neural activity when a stimulus is experienced. The first session involved the recording of EEG responses to music in a darkened room. In a second session entirely devoid of music, the boy was exposed to a continuous array of visual stimuli such as solid colours, gradient colours and variably animated geometric shapes. The neural responses to the visual arrays that matched the EEG audio responses were used to devise an architecture for the visual transcription of the music experience. The key to the piece was devising a visual system who’s form and compositional dynamics matched the response to music.

[joemanghan]

SUN from Michael König on Vimeo.

Edited time lapse sequences of the sun’s atmosphere observed by the Solar Dynamics Observatory spacecraft between 2011 and 2015.

Music: Una by Murcof Taken form the Album Utopía (2004) | CD: BAY38 CD, Digital: BAY38 E theleaflabel.com/en/releases/view/98/murcof/utopia

Images courtesy of: NASA's Goddard Space Flight Center, Scientific Visualization Studio nasa.gov/centers/goddard | sdo.gsfc.nasa.gov

Editing: Michael König | koenigm.com

Additionally EARTH is now provided in Full HD: vimeo.com/32001208

This montage features excerpts of 4K full-disk pictures in extreme ultraviolet channels, mainly using wavelengths of 30.4 nm (50,000 Kelvin) partially in combination with 17.1 nm (6.3×105 Kelvin), and offers a glance at spicules, solar flares, filaments and an overview of the sun’s atmosphere.

The footage was captured by the Atmospheric Imaging Assembly (AIA) maintained by the Joint Science Operations Center (Lockheed Martin Solar and Astrophysics Laboratory in collaboration with Stanford University)

Scenes in order of appearance:

1. Long shots of solar activity | October 2013 2. Boiling solar prominence | February 2013 3. Close up active regions | October 2013 4. Launching filament | November 2011 5. Twisting prominence | September 2012 6. Close up solar activity | October 2014 7. Solar prominence | July 2013 8. Lunar transit | January 2014 9. Solar prominence dance | December 2012 10. Solar activity | October 2013 11. Plasma eruption | September 2012 12. Coronal rain | July 2012 13. Close up active regions | October 2013 14. Trebuchet eruption | February 2011 15. Solar prominence | October 2013 16. Venus transit | June 2012 17. Extreme solar eruption | June 2011 18. Filament eruption & ’canyon of fire’ | September 2013 19. Erupting solar filament | March 2015 20. Comet ’lovejoy’ passes sun | December 2011 21. Earth eclipse and dark prominence | September 2012

More information on the Solar Dynamics Observatory mission: en.wikipedia.org/wiki/Solar_Dynamics_Observatory

[joemanghan]

Handpan #01 from Joe Manghan on Vimeo.

Handpan #01

[joemanghan]

Handpan #01 from Joe Manghan on Vimeo.

Handpan #01

[joemanghan]

Immersion from RDV on Vimeo.

rdvcollectif.com for Hors Piste Tokyo 2012 horspistestokyo.com/

Damien Roche Nicolas Paolozzi Jean Michel Mercier

[joemanghan]

Projections in the Forest from 3hund on Vimeo.

Behind the scenes: vimeo.com/3hund/behindthescenes

The projection mapping "bioluminescent forest" is made by artists Friedrich van Schoor and Tarek Mawad. The artists spent six weeks in the forest fascinated by the silence and natural occurrences in nature, especially the phenomenon "bioluminescence". They personified the forest to accentuate the natural beauty by creating luring luminescent plants and glowing magical mushrooms that speaks volumes to any visitor that enters the minds of the artists through viewing "bioluminescent forest".

More information on the project: bioluminescent-forest.com Friedrich van Schoor: vanscore.com Tarek Mawad: tarekmawad.com

Many thanks to Achim Treu, Composer and Sounddesigner. private homepage: ufohawaii.com commercial homepage: treumedia.de

[joemanghan]

Koyaanisqatsi - Kizökkent világ from Merényi Zoltán on Vimeo.

A dialógusok és valódi cselekmény nélküli film máshol még soha nem látott perspektívából mutatja meg a természet csodáit, a felhőket, a viharokat, a naplementét és az éjszaka fényeit, hol lassítva, hol felgyorsítva az eseményeket, majd az ember alkotta létesítmények művészien fényképezett részleteiben gyönyörködhet a néző, a milliós nagyvárosok forgatagában, a szinte néptelen sivatagok látványában, a különböző népcsoportokhoz tartozó emberi arcokban, de láthatunk balettszerűen mozgó gyártósoron dolgozó robotokat, az ipar képeit, és láthatjuk az emberi pusztítás nyomait is. Koyaanisqatsi hopi nyelven annyit jelent: egyensúlyából kibillent világ - kizökkent világ. Reggio filmje hol megnyugtatja a nézőt, hol csodálkozásra készteti, de mindenképpen gondolkodásra serkent. Célja, hogy meglássuk a világ hétköznapi csodáit, és megértsük, hogy milyen veszélyek fenyegetik változó világunkat, ha az embernek köszönhetően kibillen a kényes egyensúly!

[joemanghan]

Yaybahar by Görkem Şen from Olgu Demir on Vimeo.

Yaybahar is an electric-free, totally acoustic instrument designed by Gorkem Sen. The vibrations from the strings are transmitted via the coiled springs to the frame drums. These vibrations are turned into sound by the membranes which echo back and forth on the coiled springs. This results in an unique listening experience with an hypnotic surround sound.

What you hear in this performance is captured in realtime without any additional effects and with no post audio processing.

For contact: [email protected] yaybahar.com

Facebook: facebook.com/pages/Yaybahar/371861612976976?fref=ts Youtube: youtu.be/45m0TkLpmQg Soundcloud: soundcloud.com/gorkemsen/yayb... Twitter: twitter.com/YAYBAHAR

Credits ------------- Instrument: Yaybahar Performence: Görkem Şen Video: Levent Bozkurt Video Editing: Olgu Demir Sound Mix: Mert Aksuna Place: Alişler Yurdu

2014

[joemanghan]

Flying Lotus - Do The Astral Plane

[rorymccarthywrites]

15 THINGS THAT PEOPLE THAT ARE ON FIRE ARE SICK OF HEARING:

1) Wow, aren’t you hot? YES I’M HOT, I’M ON FIRE

2) Why did you allow yourself to be set on fire? DO YOU THINK I DID THIS DELIBERATELY

3) why don’t you put some water over yourself? DO YOU THINK IF I COULD I WOULDN’T HAVE ALREADY DONE THAT

4) Stop, drop and roll! WOW YEAH I HAVEN’T HEARD THAT ONE BEFORE

5) Have you ever just tried not being on fire? WHAT THE FUCK

6) Ah! Get away from me, you’re so hot! DO YOU HAVE ANY IDEA HOW OFFENSIVE THAT IS

7) Wow, that’s a really nice Ralph Lauren jumper and you’re just ruining it THAT IS THE LEAST OF MY PRESENT CONCERNS

8) Well I’ve had pretty hot days too - I once went on holiday to Australia you know - but you don’t hear me screaming about it, I just got on with my life I AM ACTUALLY ENGULFED IN FIRE, THERE ARE LARGE FLAMES COMING OFF OF ME

9) well I knew you were gay but I didn’t know you were a ‘flaming’ homosexual! FUCK OFF YOU HOMOPHOBIC WANKER BUT BEFORE YOU DO COULD YOU PERHAPS CALL THE FIRE BRIGADE

10) ugh, you smell like burnt hair I CAN’T HELP THE FACT THAT MY HAIR IS BURNING

11) hey, could you move to a different seat? I’m trying to watch Marvel’s Guardians of the Galaxy and there are large plumes of black smoke arising from your body WHY DON’T YOU MOVE, I’M TRYING TO ENJOY MY LAST MOMENTS WITH A FILM THAT CAST VIN DIESAL AS A TREE

12) ouch! I just scolded myself on your left elbow! COULD YOU PERHAPS NOW IMAGINE HOW I FEEL?

13) your screams are worrying my Chuwawa, Scampers! I DON’T GIVE A FUCK ABOUT YOUR DOMESTICATED RAT OF A ‘DOG’ WOMAN, I AM BURNING, TO DEATH

14) as a kid, did you really relate to people like Joan of Arc? I HAVEN’T ALWAYS BEEN ON FIRE, NOR WAS I AWARE THAT SUCH A FATE WOULD ONE DAY BEFALL ME

15) hey, why did you just drop onto the floor? It’s pretty lazy to just give up. Hey? Hey? Mark? Hello? …Mark? Mark, hello?