For those who may be new to some of my earlier music, please enjoy this best of compilation.Â

blake kathryn
đȘŒ

pixel skylines

gracie abrams
YOU ARE THE REASON
$LAYYYTER
2025 on Tumblr: Trends That Defined the Year
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Color Me Curious
d e v o n
TMBGareOK. The Official They Might Be Giants tumblr
Lint Roller? I Barely Know Her
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macklin celebrini has autism
The Bowery Presents

bliss lane
Show & Tell

if i look back, i am lost

shark vs the universe

#extradirty

seen from United States
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seen from Bangladesh
seen from Mexico

seen from United States

seen from Thailand
seen from Portugal

seen from Liberia
seen from Paraguay

seen from Peru
seen from CĂŽte dâIvoire

seen from Austria
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@jonabyron
For those who may be new to some of my earlier music, please enjoy this best of compilation.Â
Wesley Anne Show â Dec 7
After many years in hiatus Iâm returning to the live stage, starting with a comeback show at Wesley Anne, December 7. Iâm really excited to play again after all these years, and Iâll be playing a mix of old songs, including some new tracks that I feel are refreshingly different. Support comes from die wunderbaren deutschen Musiker, Sleepwalkerâs Station and Torben Tietz.Â
Visit the Facebook eventÂ
Buy ticketsÂ
1996 Japanese Fender Jaguar. Blonde with red torty pickguard. Pickups professionally rewound to early 60âs specs. Come to Papa! âșïž
New songs are pouring out. I thought it was last year in NZ when I would find my hunger again, but really it is now.Â
Thank you to all my friends who have been so patient and waited so long for me to feel the love again. itâs been a long and challenging road but music heals all. Music always heals all in the end.
Itâs time to create some new music and put some old music to rest. Iâve been away for much too long.
Much love - J.B x
Jona Byron's cover of 'The Times They Are A Changin' was featured on The Astronaut Wives Club on Thursday night (Season 1, Episode 8 - "Abort"), and while I'm
Flattering little article about my Dylan cover for the recent ABC Studios TV series.Â
A song I wrote during my NZ fellowship, filmed on my iPhone, right at the end of my trip while staying with relatives in Hamilton.Â
Radio interview with Hugo Mason
An interview with Hugo Mason while I was recently at New Zealand Pacific Studio. This interview took place in Eketahuna, NZ on the 18th June. Hugo is a lovely chap and I really enjoyed our chat. Thanks Hugo ;)
The Bones of Creativity & Recital at NZPC
I think as an artist itâs important to ebb and flow with the changes you are faced with while in transit. My time in New Zealand has been both extremely challenging and also artistically and personally rewarding.
I am near the end of my second and final week of my music fellowship with New Zealand Pacific Studio, at the beautiful artist residency here in Eketahuna. Itâs a lovely spot, just out of Masterton and about 2 hours from Wellington.
I came here to work on new material, and for the past two weeks I have done just that. Mind you, it wasnât exactly an overflow of creativity. I was so run down from my journeys, that when I arrived I really just got some much needed rest, and after a few days I began sketching out a few lyrics and revisiting some song ideas I came up with while up in the mountain at Welcome Flats Hut. After about 5 days I wrote my first song titled âBefore The Curtain Drawsâ, which I played for Hugo Manson on his radio show; a radio station which is built into the Eketahuna Op shop. Hugo is a lovely chap, and we chatted for a while about music, my Grandfather and my travels.
The next few days back at the retreat I worked on other new material and perfected 3 more new tracks, âDulliâ, âThe Way Weâre Strongâ and âGive Up All You Knowâ. Songs that feel very personal to me, yet also have surprised me considering a couple of them are very uptempo in an R&B / Soul kind of way. I donât know what kind of album will come of these new songs, but whatever it is, it could end up sounding like a cross between soul, slow dark jazz and folk. I suppose itâs important for a songwriter to remember, that whatever instrument they are writing on (mine currently being my mini Maton acoustic guitar) doesnât necessarily mean they should imagine the end production being played on the same instrument. I imagine many of these songs could be easily transposed for piano, for example.
Tomorrow, Sunday 24th May, I have an intimate recital here in the studio loft, and whoever is local (from Masterton or nearby) can come by and enjoy the new tunes. I will also play a few old favourites and discuss my creative process while at New Zealand Pacific Studio.
Itâs been a wonderful experience being here, and has reminded me of the importance of nurturing that artist within. Artistâs everywhere need to take care of the artist within, and find the space and time to really process the work they do, and remember who they are. The process has even inspired me to start a network for artists, which I will talk about some other time.
Finally I really want to thank a few people. Firstly, Lisa Bearsley, who has been the house manager here and is also an artist in residency. Lisa has been lovely, kind and giving and weâve had long discussions in front of the fireplace, about life, art and many things. Itâs been a pleasure. I would also like to extended a deep thank you to the people who run New Zealand Pacific Studio, Jodie Dalgleish (who offered me the fellowship) and Lynette Dewes, who has been popping by to check everything is in running order. Thank you both dearly for being so awesome, and of course a big thank you goes out to my sponsors! I couldnât have done this without you.
JB x
Artist Fellowship & Retreat
I was recently, and very kindly, offered a music fellowship at NZ Pacific Studio, just out of Wellington. I saw the Ad for house manager and applied, and although I didnât get the house manager job, they decided to offer me a two week music fellowship in this beautiful artistâs retreat; where I can get some much needed rest, and finally get some real work done on my new compositions.
As it states on their web site âOur artists-in-residence and sponsored Fellows can engage with different organisations and individuals in many ways, from giving readings and performances to facilitating workshops and collaborative projects. They bring to NZ Pacific Studio a plethora of skills that open up opportunities for people to come together, learn new techniques and processes, and explore what they have in common, for the future.â
Iâm really excited to be a part of this community, and I feel quite blessed since arriving in Wellington, truth be told. Itâs been tough at times, yet also personally rewarding and I look forward to exploring some new material in a very special environment.
www.artistresidency.org.nz
The Times They Are Changinâ - Reworked
I recently reworked my 2009 version of Dylanâs The Times They Are Changinâ for U.S TV series, The Astronaut Wives Club. ABC Studios contacted me while I was traveling through New Zealand to let me know they had decided to use my version, so I cut my trip short and made my way across the country to my laptop, to remix and upload the track. The new version has string arrangements, new piano, some sound design added, and is a completely new mix.
One of my previous unreleased tracks has been featured on the new Popboomerang PB: 100 compilation album. Itâs a nifty little collection of PB artists, offering songs that you wonât hear anywhere elseâŠincluding this super chirpy little number! ;)
Folking up Aarhus, Denmark - Melodica Festival Aarhus 2012
This past weekend I was one of the headline acts at Melodica Festival Aarhus 2012, and what a wonderful weekend it was. I donât want to ramble on, but it was such an enlightening experience to once again be around talented artists from all over the world and get to play in front of so many appreciative fans of acoustic music. Yes them Danish sure know how to drink, dance, shout and open their hearts and even their homes to such old troupadours such as myself. Especially thanks to Mads who opened his home to us and listened to our drunken stories until 6am! My performance at the festival went down better than I expected, and I was joined on stage by Jonas Dahl and Halla Norðfjörð on Man Kingdom which was a nice touch. I also played a brand new song called âHold The Silenceâ and itâs the second only song I have written in almost 2 years! Basically, since I left Iceland I have written nothing, but had a bunch of ideas. I played it on electric guitar and it rocked out nicely, emotionally!
In fact, this was the first gig I have played in a while. The past year has been a rough rough time, in my personal life in many regards and I am now coming out of a very difficult period of my life here in Berlin and getting ready to set sail once again come this July! I will be going on tour with Douglas First and Jonas Dahl throughout Europe, and I can hardly wait! It is time for music and sunlight to grace my life again, and God knows I deserve it! Â
Thanks for the amazing pics by BjĂžrn Giesenbauer.
Man Kingdom featuring Jonas Dahl & Halla Norðfjörð
Saturday 19/5
14.00 - 14.10 Welcome 14.10 - 14.40 Melodica Allstars Denmark 2011 (Randi Gustafsson, JĂžrgen Clausen, Maria Ărndrup & Maria Manuela) 15.00- 15.30 Kristian Mikkelsen (DK) 15.50 - 16.20 Douglas First (F) 16.40 - 17.10 Eva Lucia (DK) 17.30- 18.00 Jona Byron (AUS) 18.00 - 19.00 Break 19.00 - 19.30 Prita (AUS) 19.50- 20.20 Snejgast (DK) 20.40 - 21.10 Tone (DK) 21.30 - 22.00 Mijo Biscan (AUS)
Sunday 20/5
13.00 - 14.00 CD Release: Kasper Bai - âEn UdmĂŠrket Ordning" 14.00 - 14.10 Welcome 14.10 - 14.40 Kasper Bai (DK) 15.00- 15.30 Our Blanket Skies (D) 15.50 - 16.20 Brett Winterford (AUS) 16.40 - 17.10 Carsten Henze (DK) 17.30- 18.00 lĂčisa (D) 18.00 - 19.00 Break 19.00 - 19.30 Benjamin AggerbĂŠk (DK) 19.50- 20.20 John BĂŠk/Svend Seegert (DK) 20.40 - 21.10 Town of Saints (NL/FIN) 21.30 - 22.00 Melodica Allstars International (Torben Stock, l.f.singer, Jonas Dahl, Halla Norðfjörð)
Red Tide - Out Now!
Red Tide by Jona Byron
Red Tide is an EP featuring tracks from a long outstanding album project, SkĂĄlĂĄ, which is an album I wrote and recorded during my visit to Iceland in July to September, 2010. I basically locked myself away in friend Svavar KnĂșturâs cabin/holiday house in the remote north of Iceland for the best part of three months and got to work.
During my time in Iceland I took time to explore the magnificent yet barren country and became transformed by itâs wonder; both in itâs people and places. I traveled to different towns with Svavar, playing shows with him and sharing stories with some of the warmest human beings I have ever come across.
I wrote and recorded over 16 tracks while in the cabin in SkĂĄlĂĄ (a place near the tiny town of HafsĂłs), however I never managed to finish recording everything and vowed to finish overdubs when I returned to Berlin that year. However, on my returning to Berlin, I found myself on tour with the Melodica Festival and it took me some time to find an apartment and become settled. I was suddenly in survival mode and had gone from one extreme (totally immersed in landscapes, isolation and creativity) to the other, where I found myself in a cold city, low on funds and low on energy. Thus, the album project came to a halt, but slowly I began to chip away with overdubs at home, finishing songs such as Red Tide, Guardians, Man Kingdom and others. After a while, I landed a job as a teacher at an international school (still there today) and found my time even more limited, but as with all great things, time is gold. So let me present you with all I can present you with right now, until the album is finished in all itâs glory.
When I applied for a master recording grant through Vic Arts, to help finance the project, they asked me to describe what was unique about the album and how it would connect to an audience. I wrote... âThe unique element of the project lies in the themes of Iceland and the cultural significance of the material in relation to Iceland and Australia, nature, the cycle of life and death and the animal kingdom and manâs place in it. It will hopefully create some awareness of environmental factors also while keeping the audience entertained and inspired. However the album remains a personal journal of my experiences and stories.â
Iâve always seen music as a photograph, made in the moment and perfected later. Red Tide is that snapshot of Iceland, a mystical, unspoilt wonderland of breathtaking beauty, and when I hear these songs I am transported backâif only for a moment.
Red Tide was released on the 24th Dec 2011. You can preview/download the album now on Bandcamp. The digital EP also comes with bonus digital photographs and album artwork.
Life in Reverb
There are so many quotes about time âTime waits for no man.â, âDonât count every hour in the day, make every hour in the day count.â and so on, but one of my favourite quotes on the subject of time is âWe may be through with the past, but the past isnât through with us.â by Paul Thomas Anderson. So it proves often true with artistic projects. Â
Life in Reverb is my first retrospective album. A massive collection of home recordings and demos made between 1998 - 2005, starting with my first home recordings in Melbourne. I was 26, and in 1998 I began writing and recording my first solo album (Rising the Strays) on two 4-track Tascam tape machines. The first part was made on a machine I borrowed from the University I attended in 1998, the other machine was borrowed from a friend in 1999. It was just me and my Maton acoustic guitar, and my new experiences on paper. Â
The past was certainly not finished with me and gradually over time, the early music I made in Melbourne slowly made its way back to me. When I put this compilation together, I didnât posses a single copy of âRising the Straysâ or even a copy of my 2002 EP 'Songs from the Blue Paradeâ, however Adam Dempsey did. Adam kept everything. He sent me rips of both albums and my dear friend and ex girlfriend, Sarah Corner, gave me copies of some of my other demos before I left Australia in 2010. Â
I once had the attitude that no one should hear this era of my songwriting and recording career, that it was a somewhat embarrassing evolution, full of lengthy lo-fi melancholic songs that were better left on some CDRs buried under some books somewhere, to remain forever lost. I was yet to learn the art of audio production, however, back then I was more concerned with capturing the 'vibeâ than the quality, and you can often hear this in the recordingsâŠtape hiss and background noise is often present in many of the demos. However, time has a funny way of making you appreciate your roots. I am now 39 years old and this collection boasts 39 songs. That was not planned, funny that. Â
Itâs hard to recall over 12 years of musical evolution and development. However, this is not the start of my recording work, I was fascinated with writing and recording back in Western Australia during my teenage years and early 20âs and recorded my own songs using 2 tape deck machines, and I would bounce tracks together that way. But we donât have to go that far back, because my musical journey really began when I arrived in Melbourne, and this is just the first chapter. I recorded a plethora of material during my 12 years in Melbourne, both as a solo artist and with bands such as 'The Dirty Royalsâ, while working on other projects like The boats and Glass Mountain. There is a lot of music in the vaults but not all of it needs to be heard because the recording process is often a songwriterâs rite of passage. Â
This retrospective album is a collection of audible photographs of a life between 1998 and 2005. A life that was discovering a new city, new friends, new love and new experiences. It was the most important part of my journey in Melbourne because it was the period where I was growing the most as a musician. After 2005, I made new choices, my life took a different turn and I became a different songwriter. But during this era (1998 - 2005) I was hungry and in love with my musical freedom. I was a dreamer and certainly a little lost, but mostly lost in discovering the unknown terrain of musical exploration. - Jona
Life in Reverb is now available on Bandcamp currently as a digital download only. The 39 track album is âŹ17 and includes a PDF booklet of liner notes / credits, album cover and bonus photographs.
Life in Reverb by Jona Byron
One night on earth by BjĂžrn Giesenbauer Via Flickr: Jona Byron at the 6th Melodica Festival Hamburg Opening Night / Compilation Release Party www.melodicafestival.org
Thank you BjĂžrn Giesenbauer for taking this wonderful pic! This was snapped while I was performing at the Melodica compilation #2 CD Launch in Hamburg last weekend.Â
To order the CD please follow this link.Â
Hamburgians
My recent show at 'Salon-Konzerte im Haus 73' was my first gig in a while, since winter in fact! I'm not so proud of that, but the fact is I'm also not so great at speaking Deutsche (yet) and this has possibly been an eliminating factor in scoring new gigs in Berlin, or maybe I'm just getting too old! haha! Who knows?
However, I always seem to be appreciated in good ol' Hamburg and really enjoy playing there. Getting to Hamburg on the weekend was the first step. When in Germany you quickly learn to travel via mitfahrgelegenheit, and the best way to do that is by car. Basically the way it works is simple, car owners place their adverts on the mitfahrgelegenheit web site and travellers wanting a ride search for one suitable for them, it's a bit like paid hitchhiking. I usually always take a lift by car, but this time I decided to join a group taking the train. However when I arrived to the main station in Berlin (Hauptbahnhof) following specific instructions...the guy wasn't there and left without me, high and dry on Saturday. I was without a lift and pretty pissed mind you, so I took a train to Ostbahnhof and bought myself a bus ticket and joined my girlfriend Dulli at 4pm who was also taking the bus. It was nice to travel together anyway, the only down side for me was that I would now have no time to relax (or eat) before I played as the bus arrived in at 7:30 and I was to sound check at 8:00pm.
Dulli and I arrived in and headed straight to the venue (Haus 73) and I discovered a full room of punters awaiting some folk action. It was a lovely evening, the weather was coolish and a young lady named Janina Dunklau (Hamburg) played some intense minor folk songs as my support. I felt a bit tired but I soon found my fire and opened with 'Spells', one of the more angst upbeat songs written in Iceland last year. It felt like a good call and then the night was away, I felt relaxed and enjoyed joking with the audience. I bashed out all the Iceland material, played 'Beautiful Bird' for Elisa (was nice to see you mate) and improvised a song with my loop pedal and alles gut. I decided to call the Hamburgers, Hamburgians "Calling people Hamburgers is just plain weird!", and a local shouted out "...and Berliners are wieners!" which was pretty funny actually. I think the song of the night was the old Woody Guthrie tune 'So long it's been good to know ya', which is a song my American friend Ian Fisher sometimes plays, and he was right, it's one hell of a crowd pleaser...the whole room was singing along! By the end of the night I received an encore, which was a lovely surprise and ended with a fierce version of 'Changing of the Hours' and then a few of us gathered for beers outside in the beer garden and spun some tales of...Hamburgians and what not.
The next morning D and I were feeling a little under the weather, but we left the band apartment and enjoyed a wonderful German breakfast at Haus 73 (those guys really are very hospitable) and then we were off to a church service where I played songs between the sermons (that I only understood 15% of and my songs were printed in the service phamflet) as I was asked by Jens (one of the organisers) if I could be the entertainment for the service.
Then it was time to head back to Berlin and Dulli and I made our way to the main station in Hamburg and had to meet our lift coordinator, as people can travel on group tickets for cheap. We met this old guy who spoke German but had a weird Eastern European accent and were given instructions (more than a few times) by these very strange men (who seemed like mentally challenged train spotters) to catch the Berlin train (a different train, and not ours) on the other platform. Then we were shuffled onto our train and had to sit in the entrance compartment as all the seats were taken. This is especially difficult with a guitar. The trip was not so fun back and it took almost 5 hours and was raining all the way. No pain no gain I suppose.
However, I am glad I played this show and I want to thank Thore and the guys involved in the Hamburg Project and Haus 73 for booking me. The fact is, I have not had an easy time settling into Berlin. The first 7 months were spent applying for jobs only to be rejected because I did not have a VISA (catch 22 really, considering you need a job to get the VISA!) and I lived in an empty apartment through a gruelling winter, living on the bones and relying on my family (who have been incredible) for support, and taking whatever cash paid work I could find. One of the blessings in my life during this time has been my girlfriend Dulli, whom I met in November last year and has been an angel to me through some very difficult times.Â
I came to a crossroads recently and had to make a decision on whether to stay in Berlin or return home to Australia (and have been very homesick for a while now). I was recently offered a wonderful full time teaching job, teaching English at a bilingual Gymnasium school (the best schools in the country for children of academic grades). I emailed some friends back home to try and get some advice as to what to do, and they all told me to taken the job! Even Nick from the boats! I was expecting them to tell me to come home, but I guess they see this as a good experience as I do. And I'm sure it will be, I'll even be starting a school band with some of the kids! So, I'll be in Germany a while longer it seems, and I look forward to the next part of my journey.
Bless
Jb x
Melodica Festival Berlin 2010 Documentary
In October 2010 the first Berlin Melodica festival was held over 2 days in a tiny cafe called Hubertus Lounge. Our friend and fellow organiser/musician Matthias Brasch (Our Blanket Skies) had been in touch with Torben Stock (organiser of Hamburg Melodica) and had been hard at work for some time making preparations for the festival. Artists from Berlin, Denmark, America, England, Australia, Italy and elsewhere came to join in the circle of friendship and music.
It was an unforgettable event documented on video by several spectators. However this particular documentary is special, in the fact that is was documented by 2 of the artists that played, myself and Jonas Dahl. I filmed as much of the festival as I could, but managed to film a lot more after the festival, when 7 of the solo artists (including myself) went on a Melodica Festival Tour of East Germany.
A big thank you goes out to my dear friend Jonas Dahl, who put a lot of work into this documentary before he left for Denmark early this year.
Part 2 of the documentary follows Mijo Biscan, Jonas Dahl, Renny Field, Mari Mana, Jona Byron, Our Blanket Skies (Matthias Brasch) and our tour manager Magdalena Von Saleski on a 6 day tour of east Germany. We played shows in Potsdam, Magdeburg, Leipzig, Jena, Erfurt and finished with our final show back in Berlin. It was an adventurous, humorous and exhausting time.