Each Malec scene: a series — season 1, episode 6: Of Men And Angels
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Each Malec scene: a series — season 1, episode 6: Of Men And Angels
Steven Yeun as “K” in Okja (2017)
!!
I love em
I don’t feel like it was too much,” Yeun said. “I’ll be honest with you and put a full disclaimer here: I might not be objective, but I truly feel like people didn’t know what to do with Glenn. They liked him, they had no problems with him, and people enjoyed him. But they didn’t acknowledge the connection people had with the character until he was gone. I look at what happened and I think, That wasn’t any more gory than what we’ve done before, per se. No one got their face ripped in half! People got their guts smashed out and their heads caved in. But this one felt gratuitous because one, it kept going, and two, I think they took away someone that I didn’t realize I had made such a connection with until they took him away.” Yeun said he loved his time on the show, but added a caveat: “Internally, it was incredible,” he said. “Externally, it was tough sometimes because I never felt like he got his fair due. I never felt like he got it from an outward perception. I don’t say this as a knock on anything. He always had to be part of something else to legitimize himself. He was rarely alone. And when he was alone, it took several years to convince people to be on his own.” That secondary status applies to media coverage as well: as Yeun observed, Entertainment Weekly ran its first cover story featuring Glenn on his own in response to his death. (Other actors, including Andrew Lincoln, __Norman Reedus,__ and Danai Gurira have enjoyed cover stories of their own in the past; their characters remain alive on the show.) “I didn’t think of it as racism, where it’s like, Oh, this is racist,” Yeun added. “I caught it in a way of Oh, this is how we’re viewed all the time—as part of some glob, some amorphous, non-individualistic collective. We’re like a Borg, and so because of that, they’re like, ‘Well, we don’t need to give the shine to that character. There’s all these other characters who are so cool!’ I’d always hear people go, ‘I love Glenn, he’s my favorite character.’ But the merchandise would go one way. That really might be the market, so I’m not going to sit here and be like, ‘Why didn’t they make Glenn merchandise?’ But there was a disparity. They didn’t know what Glenn was, and only in his death did they realize, ‘Oh, that’s what he was. That’s the connection I had, and that’s why it hurts me so much to see him die.’ A lot of the other characters are awesome characters, but they’re exactly that—they’re awesome and they’re to be in awe of: I wish I was that guy or that girl. With Glenn it was, I think I’m like that guy. You take that guy out of the equation and you do it in such a brutal fashion, there’s got to be some gut reaction to that.
Steven Yeun for Vanity Fair (via na-bruma-leve)
I’ll be honest with you and put a full disclaimer here: I might not be objective, but I truly feel like people didn’t know what to do with Glenn. They liked him, they had no problems with him, and people enjoyed him. But they didn’t acknowledge the connection people had with the character until he was gone. I look at what happened and I think, ‘That wasn’t any more gory than what we’ve done before, per se.’ No one got their face ripped in half! People got their guts smashed out and their heads caved in. But this one felt gratuitous because one, it kept going, and two, I think they took away someone that I didn’t realize I had made such a connection with until they took him away. I loved being on that show. Internally, it was incredible. Externally, it was tough sometimes because I never felt like he got his fair due. I never felt like he got it from an outward perception. I don’t say this as a knock on anything. He always had to be part of something else to legitimize himself. He was rarely alone. And when he was alone, it took several years to convince people to be on his own. I’m thankful to EW for that wonderful cover they ran at the end, but we’ve had many covers before then that he never got to do on his own. Not until the last year did they give him his own cover, and then give him the one as he died. 'Well, we don’t need to give the shine to that character. There’s all these other characters who are so cool!’ I’d always hear people go, 'I love Glenn, he’s my favorite character.’ But the merchandise would go one way. That really might be the market, so I’m not going to sit here and be like, 'Why didn’t they make Glenn merchandise?’ But there was a disparity. They didn’t know what Glenn was, and only in his death did they realize, 'Oh, that’s what he was. That’s the connection I had, and that’s why it hurts me so much to see him die.’ A lot of the other characters are awesome characters, but they’re exactly that — they’re awesome and they’re to be in awe of: I wish I was that guy or that girl. With Glenn it was, I think I’m like that guy. You take that guy out of the equation and you do it in such a brutal fashion, there’s got to be some gut reaction to that.
Steven Yeun on Glenn never getting his fair due
(via mockingjayne12)
Raphael confirms he’s asexual
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Goodbye Forever
what can i say except “you’re welcome”
if they didn’t treat him like this after he got hurt, i’ll stab someone
when you love him
That little fond and astonished head shake Magnus does when Alec says something loving