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てらす or Terrace by Karin Hosono
Alexander Koester (German, 1864 - 1932) Flowering Field Date Unknown
At the end of the day you have to understand some people are mentally ill like really really mentally ill on a level you can’t understand. I see this a lot when someone does something weird or incomprehensible and people are shocked trying to figure out their intentions and why they’d do it and it’s like there’s people who are psychotic or delusional or have rapid mood swings you’ll never be able to comprehend and very often people with other mental illnesses who are able to function more acceptably have a bad lack of understanding of that and compare what they can do and act like as the standard not understanding that’s not the same playing field
People facing addiction, eating disorders, abuse, etc as well will do things you’ll never understand. Getting in the habit of not judging or at the very least not making the lives people who aren’t harming you worse, is actually, a pretty good thing to do
Sometimes you need to read something twice to get it. You might need to watch a movie three times to understand it. You might have to have that album on repeat for a week until the lyrics make any sense. You're allowed to engage with it and can keep engaging with it until it means something to you. People will see a painting at a museum and laugh about not getting what the big deal is but like you can come back, you can see it at another time, and maybe that next time it'll be different for you. I'm of the belief the "media literacy crisis" would solve itself if more people just sat down and did it again. Watched, read, played, listened, etc like I don't think people are getting more ignorant necessarily I just think we're not glorifying personally replaying things nearly as much as we should be.
Incidentally, one cannot read a book: one can only reread it. A good reader, a major reader, an active and creative reader is a rereader. And I shall tell you why. When we read a book for the first time the very process of laboriously moving our eyes from left to right, line after line, page after page, this complicated physical work upon the book, the very process of learning in terms of space and time what the book is about, this stands between us and artistic appreciation. When we look at a painting we do no have to move our eyes in a special way even if, as in a book, the picture contains elements of depth and development. The element of time does not really enter in a first contact with a painting. In reading a book, we must have time to acquaint ourselves with it. We have no physical organ (as we have the eye in regard to a painting) that takes in the whole picture and can enjoy its details. But at a second, or third, or fourth reading we do, in a sense, behave towards a book as we do towards a painting.
- Vladimir Nabokov, Lectures on Literature
Not letting people experience the consequences of their own actions is a form of people pleasing because it comes from a desire to avoid conflict & keep their approval at the expense of your own boundaries and self respect.
kate bush featured on top pop (tv), march 1978 ꩜
Peony (detail), c. 1986. Zhang Shaoshi (1913-1991)
a slumber i never wish to awaken from
available as art print for those who sign-up on patreon
Connect colors and emotions, make wild wishes, and draw the invisible with three new exercises in making poetry comics:
https://incidentalcomics.substack.com/p/wishes-lies-and-dreams
Heidelberg, Germany (by Tobias Reich)
Cliffs of Moher, Ireland (by Alexandru)
me reading the tags people put in my notifications
Ichijô Narumi aka Narumi Ichijô (Japanese, 1877-1910, b. Kanbayashi, Japan, d. Yodobashi, Japan) - 水に裸女 (Female Nude Seated in Water), 1906, Color Lithograph: Ink on Card Stock, Publisher: Japanese Postcard Club.