@junkdaehyeon - Tumblr Blog

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Egypt,. Deir El-Adra, copt village near Minya. 1997, A. Abbas.

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laclefdescoeurs

The morass, 1885, Anton Mauve

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Amrapali (1966) Vyjayantimala

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Instagram makeup tutorials be like 😂

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Try to breathe in sync

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Men are using a powerful hashtag to fight back against emotional abuse

According to NCADV, 4 in 10 people have experienced some kind of coercive control from an intimate partner. Sadly, #MaybeSheDoesntHitYou is raising much-needed awareness for a widespread problem.

anzozi-everywhere

All right pals. I know people are going to roll their eyes at this and see it as an MRA thing, but this really isn’t about undermining abuse suffered by women. It’s about acknowledging that men can be abused, because people of all genders are capable of being abusive and some men have abusive partners. It’s about emotional abuse, which is notoriously hard to speak up about, affecting men, a group who are notoriously loath to speak up about being in an abusive relationship. So this is #important honestly. Emotional abuse is serious and real and can happen to anyone. It can be perpetuated by people of ALL genders, regardless of wider social dynamics, and absolutely no one deserves to go through it. I’d have preferred the hashtag not to be about straight relationships and to acknowledge that abuse can be perpetuated by people of all genders, but nonetheless, this is really important.

awesomeeverysingleday

abuse is abuse regardless of gender identity

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where can i cop this

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http://www.makeisrael.com/shop-1/jbq7psuq48ckzk39udjyxlz4fhzk0v

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thank you!!!!

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Women’s Noir - A list of films made during the Hollywood studio system that mix the genres of film noir and “women’s pictures” (melodrama) and place a woman who is more than a man’s love interest, girl friday, or femme fatale at the center of the narrative.

Ladies in Retirement (1941, Charles Vidor) The Seventh Victim (1943, Mark Robson) Christmas Holiday (1944, Robert Siodmak) Mildred Pierce (1945, Michael Curtiz) My Name is Julia Ross (1945, Joseph H. Lewis) Shock (1946, Alfred L. Werker) The Spiral Staircase (1946, Robert Siodmak) Strange Impersonation (1946, Anthony Mann) Shock (1946, Alfred L. Werker) It Always Rains on Sunday (1947, Robert Hamer) Born to Kill (1947, Robert Wise) The Man I Love (1947, Raoul Walsh) Possessed (1947, Curtis Bernhardt) Deep Valley (1947, Jean Negulesco) Lured (1947, Douglas Sirk) Sleep, My Love (1948, Douglas Sirk) Secret Beyond the Door… (1948, Fritz Lang) Raw Deal (1948, Anthony Mann) Sorry, Wrong Number (1948, Anatole Litvak) Caught (1949, Max Ophüls) The Reckless Moment (1949, Max Ophüls) Beyond the Forest (1949, King Vidor) Flamingo Road (1949, Michael Curtiz) Whirlpool (1949, Otto Preminger) No Man of Her Own (1950, Mitchell Leisen) The File on Thelma Jordon (1950, Robert Siodmak) Born to Be Bad (1950, Nicholas Ray) Woman on the Run (1950, Norman Foster) The House on Telegraph Hill (1951, Robert Wise) Clash by Night (1952, Fritz Lang) Don’t Bother to Knock (1952, Roy Ward Baker) Sudden Fear (1952, David Miller) One Girl’s Confession (1953, Hugo Haas) The Blue Gardenia (1953, Fritz Lang) The Bigamist (1953, Ida Lupino) Dangerous Crossing (1953, Joseph M. Newman) Private Hell 36 (1954, Don Siegel) The Scarlet Hour (1956, Michael Curtiz) Crime of Passion (1957, Gerd Oswald)

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As I have been watching a lot of film noir lately and have discovered even more women’s noir, this list has been updated with new titles! It continues to be updated frequently on Mubi if you would like to follow it on there–just click the link above (the list title, not the individual links to the films).