- Forgive me, Your Highness, I did not see you. - Your aim would suggest otherwise.
EVER AFTER: A CINDERELLA STORY (1998) dir. Andy Tennant

Kiana Khansmith

❣ Chile in a Photography ❣
trying on a metaphor
Sweet Seals For You, Always
occasionally subtle
Show & Tell
sheepfilms
Today's Document

Love Begins
todays bird

ellievsbear
official daine visual archive
cherry valley forever

blake kathryn
No title available
YOU ARE THE REASON
wallacepolsom
EXPECTATIONS
One Nice Bug Per Day
Lint Roller? I Barely Know Her

seen from Netherlands
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seen from United States
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seen from Switzerland
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seen from United Kingdom
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seen from United States
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@kaafka
- Forgive me, Your Highness, I did not see you. - Your aim would suggest otherwise.
EVER AFTER: A CINDERELLA STORY (1998) dir. Andy Tennant
Fursonas are too hard to decide; it's time for radish plantsona.
gorgeous summer berry display at the market
Ray Bradbury - Dandelion Wine
being a horror fan will have you saying sentences such as “i liked it a lot, super gross and sad”
Also true crime
no thats a different and worse thing i am not associated with you
Brutal chicken shop with William Mitchell facade. Coventry. October 2015.
“You never come closer to owning the whole world than when you wake up before everyone else.”
— Åsa Larsson (b. 28 June 1966)
I could more easily forgive his vanity had he not wounded mine.
Here
i wish he would come down from heaven & kill every instagram fitness liquid diet ozempic green juice low calorie food blogger
Properly written texts are like spiders’ webs: tight, concentric, transparent, well-spun and firm. They draw into themselves all the creatures of the air. Metaphors flitting hastily through them become their nourishing prey. Subject matter comes winging towards them. The soundness of a conception can be judged by whether it causes one quotation to summon another. Where thought has opened up one cell of reality, it should, without violence by the subject, penetrate the next. It proves its relation to the object as soon as other objects crystallize around it. In the light that it casts on its chosen substance, others begin to glow.
Theodor Adorno, Minima Moralia
Basket of Pansies (detail), Vincent Van Gogh.
"Hate is a very exciting emotion haven´t you noticed? Very exciting."
Gilda ( 1946 ) | dir. Charles Vidor.
A promotional photo for the Finnish National Opera Ballet's "The Little Mermaid."