Hey, kid! We gotta go. Harv’s goin’ crazy! He’s gonna have me fired if I don’t get you in the truck right now!
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@kachowboy
Hey, kid! We gotta go. Harv’s goin’ crazy! He’s gonna have me fired if I don’t get you in the truck right now!
You guys have the gall to say Pixar plays it too safe when Cars 3 was about a white-coded male lead and a poc-coded female support having a conversation about the way that privilege can impact one's perceived ability to succeed and create this self-fulfilling prophecy of people in minorities not succeeding, followed by the lead realizing that his privilege gives him an opportunity to uplift a talented person from a less privileged situation who may have not gotten the chance otherwise, and ends with a female POC-coded character becoming the new main lead of a multi-billion dollar franchise, and all of this is done completely organically in a way that feels natural to a story about the next generation
and what did you all do???
YOU SLEPT ON IT IS WHAT YOU DID
I am not speed
Ok ok, the Lightning/Francesco phone call scene is still iconic
Lightning + showing off his new paint jobs to Sally in Cars & Cars 3
Hot take: Tokyo Mater is better than Cars 2 and Fast and Furious: Tokyo Drift put together. LOOK AT ME. I’M M O D I F I E D.
@a113cowgirl
THIS IMAGE IS EVERYTHING I AM
Lightning: Mater, do you even know where Europe is?
Mater: I know it’s a place… I’m pretty sure
Sally + Calling Lightning “Stickers”
A Bug’s Life (1998) dir. John Lasseter
let’s get into it
another one
Welcome to Radiator Springs
im sure this has been said before but thE PIT CREW COULD HEAR MCQUEENS MENTAL BREAKDOWN BEFORE THE CRASH. THEY WERE WEARING HEADSETS
very smol indeed