Scenes from today's stupid mental health walk.
Claire Keane
hello vonnie
wallacepolsom
đŞź
taylor price
Stranger Things

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Kaledo Art
Lint Roller? I Barely Know Her
AnasAbdin
dirt enthusiast
Monterey Bay Aquarium

#extradirty
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TVSTRANGERTHINGS
DEAR READER
I'd rather be in outer space đ¸
Mike Driver
let's talk about Bridgerton tea, my ask is open

ellievsbear
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seen from TĂźrkiye
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seen from Malaysia

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seen from Brazil
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@kaziglu
Scenes from today's stupid mental health walk.
Nasty Fishmonger playing for Queer as Folk in the Wee Red Bar, Edinburgh.
Phone pictures from a gay and stupid walk I took for my gay and stupid mental health.
I went on a gay and stupid walk for my gay and stupid mental health yesterday.
Caroline Bird, "The Final Episode"
My brother cracked my rib one morning and gave me half of his orange in the evening.
I remember being younger and sometimes wishing to be a single child, to have all the attention and gifts and time but when he was away from home for the first time, I remember crying and stroking his side of the sofa as if blurting out my first wish- for him to be home, without thinking twice, without a shadow of doubt. Even the genie cried. Growing up with a sibling is like being the only people on a stranded boat, constantly figuring out how you can live with them and questioning how you could ever live without them.
One evening, in a fit of anger, I told him how I never wanted him to be my brother and he yelled that he didn't ask for it either. The air smelled like kerosene and my chest was filled with arsenic. I was raging and threw his favorite toy aeroplane down the window, 7 stories of guilt and shame. He cried all night and I wanted to cut off my right hand, the hand that hurt my baby brother. I didn't know if he was ever going to forgive me or even talk to me. The next morning at breakfast, he didn't look at me or say a word, I felt like my chest was about to explode and guilt clouded my vision. But then, I felt a hand quietly holding half of an orange my way.
The only people on a stranded boat. How do you live with them? How could you ever live without them?
-Ritika Jyala, excerpt from The world is a sphere of ice and our hands are made of fire
Edit: I added a visualizer for this on my YouTube channel. Check it out here
Conjoined whitetail fawns.
Image courtesy of Dr Gino D'Angelo from the University of Georgia.
Twin souls, we two.
Wendy Cope, Serious Concerns; from âAs Sweetâ
Franz Kafka, Letters To Milena
âWe are close. An inhuman closeness.â
â Nikolay Punin, from a diary entry featured in Anna of All the Russias: A Life of Anna Akhmatova
Lamb with two heads, Nordland, 1900-1930s
âSharon Olds, âThe Knowingâ from Blood, Tin, Straw
Iâm a ghost that everyone can see;
â Franz Wright, from âEmpty Stage,â in The Beforelife: Poems (Alfred A. Knopf, 2001)
Orestes by Euripides (Translated by Anne Carson) from An Oresteia
Gretel, from a Sudden Clearing
No way back then, you remember, we decided, but forward, deep into a wood
so darkly green, so deafening with birdsong I stopped my ears.
And that high chime at night, was it really the stars, or some music
running inside our heads like a dream? I think we must have been very tired.
I think it must have been a bad broken off piece at the start that left us so hungry
we turned back to a path that was gone, and lost each other, looking.
I called your name over and over again, and still you did not come.
At night, I was afraid of the black dogs and often I dreamed you next to me,
but even then, you were always turning down the thick corridor of trees.
In daylight, every tree became you. And pretending, I kissed my way through
the forest, until I stopped pretending and stumbled, finally, here.
Here too, there are step-parents, and bread rising, and so many other people
you may not find me at first. They speak your name, when I speak it.
But I remember you before you became a story. Sometimes, I feel a thorn in my foot
when there is no thorn. They tell me, not unkindly, that I should imagine nothing here.
But I believe you are still alive. I want to tell you about the size of the witch
and how beautiful she is. I want to tell you the kitchen knives only look friendly,
they have a life of their own, and that you shouldnât be sorry,
not for the bread we ate and thought we wasted, not for turning back alone,
and that I remember how our shadows walked always before us, and how that was a clue,
and how there are other clues that seem like a dream but are not,
and that every day, I am less and less afraid.
âMarie HoweÂ
Henry Kondracki (British, 1953), Casablanca at the Cameo, 2023. Oil on canvas, 102 x 122 cm.