The Bowery Presents
Claire Keane
I'd rather be in outer space 🛸
Aqua Utopia|海の底で記憶を紡ぐ

roma★
𓃗
cherry valley forever
Sweet Seals For You, Always
he wasn't even looking at me and he found me
hello vonnie
sheepfilms

shark vs the universe

ellievsbear

Product Placement
taylor price

blake kathryn
🪼
d e v o n
No title available
almost home

seen from United States
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seen from India
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seen from United States

seen from Italy
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seen from United States
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seen from United States
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seen from Australia
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@kcnidi
Fiona Apple in Spin Magazine ✨️
a street light in Wroclaw, Poland.
This collection of nineteenth-century vaseline glass catches the light and creates a lustrous pool of yellow-greens. The effect is enhanced by the subtle arrangement of yellow-green flowers: fennel, euphorbia and lady's mantle.
Color in Decoration, 1990
Great photo of one of the workers constructing the Empire State Building, 1930.
Photo: Lewis W. Hine via Granger Art on Demand
Look at this photo. If LWH took it, it was probably with a view camera, like a Graflex 4x5. You have to imagine what the negative will catch. You have no direct view, the camera does. You line up all the angles you want, squat into position and snap the camera. You don't know what you captured until you process the film and print it.
You want to take a second photo? Put the slide into the film holder, pull the film holder out and flip it. Reinsert the film holder, put the slide out and you are ready to snap image #2.
Still with all this physical action photographers like LWH imaged this image before he set the shutter speed.
These are Masters at work. Like Michelo on his back. Vision beyond what they See.
I-85
Milking time