MR. AND MRS. SMITH (2024-) — "A Breakup" dir. Donald Glover

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MR. AND MRS. SMITH (2024-) — "A Breakup" dir. Donald Glover
Yellowjackets truly has everything. it’s a love story. it’s a tragedy. it’s a 90s high school sitcom. it’s a survivalist show. it’s a supernatural drama. it’s an investigative mystery. it’s a story about the complex dynamics of female relationships. it’s a story about the horrors of being a teen girl. it’s a study of the lasting effects of ptsd. there’s cults. there’s biblical imagery and greek mythos references. there’s milfs. there’s murder. there’s horror. there’s comedy. there’s cannibalism as a metaphor for love. it’s literally got everything.
you're in her dms. i'm in a time loop and dooming my world to end over and over for her because i can't let go of what I want. and neither can she.
Game of Thrones (2011 - 2019) // The Fallen Angel, Alexandre Cabanel // House of the Dragon (2022 - ) (x)
the homoeroticism of formula one. that's it. that's what keeps me going in life.
Pink goes good with green. WICKED: PART ONE 2024, dir. Jon M. Chu
Zinaida Nikolaevna Gippius, from The Selected Works; “Memoirs of Martynov,”
She always made sure the bad was outweighed by so much good. I… Well, I didn’t do that for her. I made it fifty-fifty. Which is about the cruelest thing you can do to someone you love, give them just enough good to make them stick through a hell of a lot of bad.
—The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid
incorrect gossip girl quotes
DAIR in GOSSIP GIRL ⏤ 5.02, “Beauty and the Feast”
sometimes i wish i didn’t care,, but then i wouldn’t be me
you're losing me // bejeweled
the scenes of rhaenyra and alicent going to each other this season, desperately trying to halt fate even though they have always known deep down they are stuck with seeing this to the end. the future visions of the game of thrones universe and how everyone is stuck in their own destined deaths for a story hundreds of years beyond their own lives. alicent and rhaenyra being just two girls wearing blue who might have been soulmates in another life but are now too clouded by their own paths to save each other anymore
Taylor Swift feat. Bon Iver, exile
RHAENICENT APPRECIATION WEEK 2024 [7/7] free choice: cast
I know Anakin's desilusions of grandiosity are the talk of the town, but something something Padmé dehumanization of herself as a result of so much survivor trauma and so many close death calls. She's the senator with the highest murder attempts on her, she gets assesination attempts weekly and brushes them off, and she keeps chasing for justice to the point of collition, she sees people dying around her all the time but she keeps on living and living, at some point she's flirting with death as much as Anakin does in the battlefield. And something something, Anakin, ironically, in his extreme trauma and fear of death taking the people he loves, being the only one to say "You're a person, and your name is Padmé, not queen nor senator, and you're as fragile as any other live being" Something something the irony that person that most adored her being also the one who saw her as a person Something something Anakin commiting atrocities not for a goddess, no for a politician no for royalty, for a person. Something something how contrarian it is, that Anakin sees himself as a weapon, and Padmé's extreme guilt becoming what seems like superiority.
And particularly here in this comic something something how easily Anakin can walk through that storm Padme has created, how easily he can enter into her headspace and she doesn't flinch, doesn't blink, she isn't even surprised because she expects him and he's the only one that knows and can reach her like this, they're just having a conversation, something something.
Something.
I swear this was the end of me, so idc if i'm rambling, this comic kept me up awake for more than one day, because the power would go out every single time i sat to work on it, damnit
i need to sleep asap, and eat, eating first probably
RHAENICENT APPRECIATION WEEK Day 2: Lyrics (Sun Bleached Flies by Ethel Cain)