https://soundcloud.com/kenji/in-the-forest-1
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@kenjioh
https://soundcloud.com/kenji/in-the-forest-1
I think lots of composer of my generation or later have some influence from video game music. I wanted to be a video game music composer when I was in high school. well, I have written for some gigs which would fall into video game category. I recently scored some video game. It was a real fun to write orchestral music allowing myself being "cheesy". Actually, I would like to say I tried to produce sophisticated music within the aesthetics.... and the limitation and the budget :p I would like to do more of this kind of gigs. Please contact me.
https://soundcloud.com/kenji/o-magnum-mysterium-1
Being a Hafu for me (half Japanese are called Hafu in Japan) was not as tough as this author's childhood. I rather had very nice, fun, cultured childhood in Japan as Hafu. But yes, I agree there is an issue in Japan. Not being full Japanese instantly makes you a part of a minority in Japan because most of population there is Japan-born Japanese having Japanese parents who speak Japanese, which is official language only in Japan. Despite of their looks, lots of Hafu are fully Japanese, who speak fluent Japanese as their first language, and have knowledge of the culture as much as average Japanese does. a Hafu as mixed of Japanese and other asian country, such as China, Korea etc, even doesn't look different than average Japanese.
It is gradually getting better. But, regarding this issue, I'm worried about how the drift to the right we're having in Japan after the earthquake and tsunami affects. At the same time we must try hard to preserve Japanese culture, even though we need to open up more to the world. It doesn't mean to assimilate into the world, but to understand other cultures, our position in this world, and most importantly ourselves as Japanese. I think that knowing, getting involved, and enlightening our own culture is a way to improve the situation in the event.
Btw, being a Hafu myself, I don't support the idea of renaming as "Double". Though I like the concept behind the word "Double", still "Hafu" doesn't sound negative with understanding of Japanese language and culture. It's not reasonable to claim that you're 100% fully Japanese and to modify their language without understanding the language and culture.
Japanese version of this article
Got a gift from Japan. When he painted this piece and shared on Facebook, I really liked it and commended that I really liked it. Then he got the frame and sent it to me across the Pacific ocean!! How nice!! (at Silver Lake)
SFCM composition student Kenji Oh, & violin faculty member Wei He work with students from the Shanghai Conservatory of Music for the premier of Kenji’s work this week during the SF-Shanghai International Chamber Music Festival.
Great time I had with the talented musicians last week.
311
311. Three years ago, on March 11, 2011, The disaster happened. I was in LA. I couldn't stop checking news sites, video clips. I couldn't sleep well for a while. People asked me if my family, relatives, friends were okay. My aunt and her family lost their house but they managed to evacuate. I didn't lose any family, relatives, or friends. So I said I was fine when people asked me if I was okay. But the truth is I was not okay at all. I was so depressed and frustrated about that I was able to do nothing. I was feeling so helpless.
Last night, I opened a link that one of my friends posted on Facebook. It was an edited clips from TV news showing the disaster happening. I couldn't finish watching it. Actually, I watched maybe just 10 sec or so and closed the browser tab. It was still too painful for me to contemplate. 3 years ago, I couldn't stop watching them. Now I can't keep watching them. I should've not watched those videos too much back then. This might be a minor PTSD kind of thing. I may have been imagining it too vividly because I personally experienced the Great Hanshin Earthquake myself at the center of the disaster. I was crying after just 10 sec of the video clip.
Another friend posted on facebook; she realized it's okay to say "not okay" even though there are many victims, people who lost their beloved ones, people who experienced worse than her. I too was pretending I was okay without knowing I was really not okay. After last night, now I'm not sure I'm completely okay still. Maybe I don’t have to be completely okay with it yet. I don’t have this strong feeling about the Great Hanshin Earthquake. Maybe because it was 19 years ago, and we couldn’t watch TV that I didn’t get exposed to tragic images too much, like I did 3 years ago.
3 years... is it really? time flies so quickly. The disaster has changed my way of thinking significantly. My music, of course, has been impacted. The first piece I wrote after the disaster was “3^(1+1)”. I think it now has a power to remind people what we should not forget about. I want to gain my confident as a musician that I’m not helpless, and do what I can do as a musician.
3^(1+1) for Orchestra https://soundcloud.com/kenji/3-1-1-for-orchestra
The closing concert of the San Francisco-Shanghai International Chamber Music Festival on March 14 will feature masterpieces by Brahms and Mendelssohn, a premiere by the dean of composition at the Shanghai Conservatory of Music and The Garden, a new work by Kenji Oh, winner of the Conservatory’s...
About this blog
About this blog
I have mainly two intensions of doing this blog. Firstly, it's to organize and deepen my thoughts about music and culture by writing them here. Secondary, it's to keep up my Japanese writing skill. Though I used to post blog entry on my website sometime in English, sometime in Japanese, sometime both, I will write only in English here. I also started new blog in Japanese here. I'm going to translate entry here in English to Japanese there, entry there in Japanese to English here so that Japanese learner and English learner would be able to practice reading in the languages they study. I believe it would be helpful for them that I also write tricky part of translation.
About the author
Composer living in San Francisco. I write music for various kinds of media including concerts, films, theaters. Not to mention music, my interests are culture, tech, global dynamics. I have a same-sex fiance that I would like to cover topics about LGBT.
The same post in Japanese.
The 2014 Grand Sumo Tournament Begins at Ryōgoku Kokugikan (両国国技館)
For more photos and videos from the Grand Sumo Tournament, explore the Ryōgoku Kokugikan (両国国技館) location page.
Another year of the Grand Sumo Tournament began a week ago at the Ryōgoku Kokugikan (両国国技館) in Tokyo, Japan.
The tournament, called honbasho (本場所), is a series of six seasonal tournaments, each of which lasts 15 days. The opening tournament in January, known as hatsu basho (初場所), as well as the third tournament in May (natsu basho – 夏場所) and the fifth tournament in September (aki basho – 秋場所), all take place at the Ryōgoku Kokugikan sporting arena. During the tournament period, Sumo wrestlers compete once a day to win a majority of the matches, which will ensure their promotion to a higher wrestling rank and their advancement to the next tournament.
The honbasho tournaments are the only opportunities for sumo wrestlers to gain their rights and ranks as professional wrestlers. For them, winning the tournaments is the most significant goal of their wrestling careers.
Embrace your culture in this flattening world.
Japanese translation of this article is here.
Here are things I recently found that I'm very glad of:
That I was born and raised in Japan, one of the countries where people have highly sophisticated time-proven cultures.
That I didn't get trained as musician when I was kid. That is, my musical fundamental didn't get invaded by western culture, significantly
That I started singing in high school choir. It was not too late to acquire aesthetics of western music (I believe. :p)
That I self-taught composition until 2010. and it was not concert music, but completely computer based, open-ended music :p
Yes. I am very glad about those fact. In real, I am having tough time to get my English solid, to improve my keyboard skill, however, they are small things comparing to things I have instead, by those facts. Those facts formed me as a composer as I am now.
I used to be envicious of people who started learning piano early in their life, have perfect pitch, of people whose native language is English, etc, and used to be not aware what I had instead. I think the reason I got aware of what I have as Japanese is that I moved out of Japan, studying one of the cores of western culture. The trigger of this thoughts was attempts to express my background as Japanese in my composition.
Long time ago, I asked this composer from Japan who studied music composition at good school in CA and living in CA, how she thinks about utilizing Japanese ethnic elements in music composition. Her answers were "evasion", "kind of cheating", "fake", "imprudent" etc. I may have had a similar feeling (but much less though) back then, and maybe that was why I asked the question. It was after writing Tsuki no Uta.
I don't have that kind of feeling anymore. I realized I've gone through lots of Japanese cultures for long time, even though I have no experience on Japanese traditional music. I have so much from Japanese culture in me. After composing The Garden for String Trio, I've become more interested in Japanese-ness in me. (The piece is about Japanese temple garden. It will be premiered on March 14, 2014)
Especially after World War II, Japanese has been having inferior feeling to Western culture, subconsciously. Yes. I think most of us still do. And we're gradually losing our culture. Luckily we have not completely lost our cultures, and I've got aware how Japanese cultures are beautiful and sophisticated. No wonder Japan has been increasing its popularity around the world in so many fields. Here are color videos capturing Japan in 1930's.
I'm not saying Japan is better than some country. Most of us must have something you're not aware of, in yourself. Language, food, customs, play songs... everything you've been through makes you. That is your culture. I think as an artist, embracing your own culture is becoming more and more important nowaday in this world flattening. I do love the concept of the flattening world, but I also want the world to keep colorful.
I'd like to say that artists or non-artists should grow their appreciation for their own culture, so that they can appreciate their ancestors, society, and even other cultures more.
As a composer, it is one of my missions to explore my own culture and compose pieces based on the culture, to preserve, to spread, and to appreciate it.
Lastly, here is well made video clip of current Tokyo where modern culture and traditional culture are in harmony.
Japanese translation of this article is here.
Premiered on June 11, 2013 in Brooklyn, NY Choral Chameleon Vince Peterson, conductor Text by A. E. Houseman Stars, I have seen them fall, But when they drop and die No star is lost at all From all the star-sown sky. The toil of all that be Helps not the primal fault; It rains into the sea And still the sea is salt. **Program note** This poem by Alfred Edward Housman(1859-1936) conveys a feeling of helplessness and emptiness with vivid visual images in a pessimistic tone. Because the images are so vivid and beautiful, they make a strong contrast with the poem’s message and tone. And the strong contrast makes the images more beautiful, the message indomitable. I tried to enhance this mutual effect by highlighting those beautiful images and underlining the shadow behind the images. Though my initial impression of the poem was pessimistic beauty, I still see its optimistic side as well. Even while no star is lost at all, we wouldn’t prefer starless dark sky anyway. Even while still the sea is salt, salty ocean is the origin of lives. Houseman left this optimistic possibility and it makes the poem ambiguous, and the ambiguity makes the poem even more beautiful. The harmonic language in this piece has reflection of this ambiguity.