The skirt I made for funaday, perfect for dancing
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@kickslikeawhores
The skirt I made for funaday, perfect for dancing
Casey Legler
If you’ve played just about any of Nintendo’s Super Mario Bros. games then you’ll be all too familiar Bowser, fearsome “King of the Koopa” and Mario’s spiky antagonist. But did you ever stop to consider him as something cute? Nope, neither did we. At least, not until we saw this awesome crocheted sweater, made by craft maven Jennifer Olivarez of Squirrel Picnic.
Jennifer was challenged by Lisa Egolf to crochet a sweater for her pet turtle, named Myrtle: “so that he would be easy to spot when she lets him loose to play in the courtyard of the school where she teaches science. ‘I think bright yet manly colors would be best,’ she said, because after all this Myrtle is male (don’t judge). So I set out to design the most masculine turtle sweater I could.”
When considering tough chelonians, Jennifer immediately thought of Bowser the video game villain. We love that this sweater makes Myrtle look terrifically tough and yet also incredibly cute. It’s a winning combination and Myrtle looks ready to take on the world or at least seriously menace some fresh veggies.
But the best part is that Jennifer also shared a thorough step-by-step guide for making this awesome turtle sweater over on her website. So now anyone else make one too, and that includes you.
[via Kotaku and Laughing Squid]
If I had a turtle...
For the longest time. Oh, oh, oh.
No Soy Tu Chiste por Daniel Arzola
my gender and my sexuality do not define my capacity
no one has the right to hurt you because you are different
i am capable of love in all its forms
we are not your fantasy, this is our reality
and like the whole “no soy tu chiste” is “i am not your joke”
if you go to his blogspot there are a few more like “love is four letters and many forms” and “i have the right to be how i feel i am”
Photos of couple swapping clothes. Mesmerizing scroll through and watch people's gender presentations blend and meld. via http://sincerelyhana.com/projects/switcheroo/
My electric scooter wheelchair was at 910 SW Yamhill on the street. Someone drove it away. An officer from Securitas said that when he went past the address at around 7:30 pm it was there, but when he came back around the block it was gone. The guitar player across the street said that he saw...
make some fucking art.
Mobius Bagel
It looks so much tastier than an ordinary bagel!
"the two halves are congruent. They are of the same handedness."
full tasty instructions: http://www.georgehart.com/bagel/bagel.html
No Seconds
Ladies and Gentlemen, the Prime Minister of Australia kicking ass and taking names (mostly Tony Abbott’s). [x]
June 1987, Madonna was rushed to the Cedars Sinai hospital for an X-ray after her then-husband—Sean Penn hit her across the head with a baseball bat. At the time, they had been having a heart-to-heart talk about reconciling. Madonna did not make an official complaint because Penn was about to serve a short jail term for attacking a film extra and violating the probation he’d been given for punching a fan. It was a decision she would come to regret. In the late afternoon of December 28, 1988, Penn scaled the wall surrounding the Malibu house and found Madonna alone in the master bedroom. According to a report filed by Madonna with the Malibu sheriff’s office, the two began to quarrel. Penn told her he owned her “lock, stock and barrel”. When she told him she was leaving the house, he tried to bind her hands with an electric cord. Screaming and afraid, Madonna fled from the bedroom. Penn chased her into the living room, caught her and bound her to a chair with heavy twine. Then he threatened to shave her hair. Penn was “drinking liquor straight from the bottle” and the abuse went on for nine hours, during which he smacked and forced Madonna to perform a “degrading sex act” on him. He went out to buy more alcohol, leaving Madonna bound and gagged. Some hours later, he returned and continued his attacks, then finally untied her. Madonna then fled the house and ran to her car. Penn ran after her and was banging on the windows of her Thunderbird while she spoke to police on her mobile phone. Fifteen minutes later, she staggered into the sheriff’s office.
tw: abuse
Seriously, trigger warning: relationship violence, physical abuse, sexual abuse
Trigger warnings added/bolded by me. You never hear this stuff in the media, or are reminded about it, and that’s why I want to reblog this. But I have mixed feelings about this one because this is so violent, it’s surprising even to me and I sort of knew about it. It just shows to me how people and by extension the media system tries to ignore this stuff in stars (who are supposed to be aspirational/role models), especially when they’re white and mainstream, because it conflicts with our habits of idolatry in stardom and also makes us think about things that are not welcome in media because it’s obviously shitty but also really suspect so it opens up the conversation to all kinds of feminism issues that just become ignored because rape culture etc. So yea.
And it established a chummy insiders’ nomenclature that carried over to such dessert options as “Babe’s chocolate cake” — a reference, it turns out, to the slugger Ruth, not the socialite Paley — and “Mrs. Carter’s butter tart.” Our server wasn’t sure whether the tart (excellent, by the way) paid tribute to Mr. Carter’s mother or grandmother or some other family matriarch, but whatever the case, its name suggested an invitation to an inner circle, a moment of contact fabulousness. Some diners won’t care. Plenty of others can’t wait.
The server in question here was me. I waited on Frank Bruni and three others on his second-to-last visit to Graydon Carter’s Monkey Bar back in 2009, and unwittingly provided him with the kicker to his one-star review (the restaurant had been aiming for two).
I had been told one story about the goddam tart’s name in the kitchen, and one story before my shift started, by the managers. I joked to Frank Bruni about the lack of clarity, and it ended up as the very moment that encapsulated, for him, the silliness of these faux-clubby restaurants. To be fair, he had a good point.
This doesn’t mean, however, that I didn’t have a sneaking suspicion that I had been too candid with Bruni, and that I didn’t wake up at 6 a.m. the day the review came out, to read through the whole thing sighing with relief, only to reach the last goddam paragraph. Upon arriving to work that night, I was marched down to the kitchen to explain myself and probably came very close to losing my job had I not told one small lie: that I had corrected myself, and perhaps Mr. Bruni didn’t hear or didn’t care to hear.
This, to me, is one of the stranger outcomes of restaurant reviews: that waiters are sometimes treated like they work in the public interest, or something. Stay with me. There’s a fiction central to working as a restaurant reviewer, that you’re anonymous to the service staff and are treated the same as anyone else might be, and therefore your reporting on the matter ought to reflect the reality of what any diner might experience. And yet, every kitchen I’ve ever seen the inside of had a picture of Frank Bruni, until it was Sam Sifton, and now we must assume that Pete Wells’ mug hangs in their place. And restaurants shift to DEFCON 4 whenever a Times critic steps through the door: managers go apeshit running between kitchen and floor, chefs become incredibly agitated, and waiters are very closely monitored. If you’re Pete Wells you don’t just eat out at a restaurant; you turn it into a complete shitshow.
To report on what the service staff does at a restaurant is highly important: there’s really nothing worse than poor service at an expensive restaurant. On the other hand, each error is easily identified, as the kitchen knows exactly which dishes went out which nights and which waiter had that Very Special Table that night, and it all comes back to you if you’ve fucked up — or even if you haven’t, which I’d argue, I really hadn’t.
Another restaurant I worked at had a long-running manhunt to identify who had said something boneheaded to a critic. I had friends who worked at Roberta’s, and I heard that plenty of heads rolled after a service error was highlighted in this Pete Wells blog post.
Fortunately I don’t work at restaurants anymore and I don’t think that I’ll have to any time soon (in fact, sometimes I get to write stuff for the Times and I want to make it very clear that I take no issue with them, but with restaurant reviews in general). But as people argue over whether the New York Times is being classist in its scathing review of Guy Fieri’s restaurant (I think not), I’d like to point out the quieter classism that is inherent to the restaurant review in general: that very dispensable service employees are outed for minor errors by critics whose audience consists of those who can afford to eat at these places.
You must pretend that you think you’re off-record — or more precisely, not even near a journalist at all — even when you know that all your actions are on-record. The chef gets a phone call with the critic, for fact-checking purposes. The waitstaff certainly doesn’t. Not that they should. And I have no suggestions for making this system better.
But having been on the raw end of this deal, and having done some reporting myself (where I have held back on details that were immaterial to the story, but would have put people in trouble at work), I can’t help but wonder about the ethical issues, even if they’re relatively minor.
(via willystaley)
I like 'stuff', isn't 'stuff' great? I wouldn't know what I'd be without all of my 'stuff'. Thank god for stuff.