...anyway

lily/20/america i love watching movies and dying

[pariztexas-deactivated20210721]

I just missed your heart.

Hanna (2011) dir. Joe Wright

[freshmoviequotes]

Pariah (2011)

[womanaction]

blade runner 2049: BBBBWWWWWWWWAAAAAAAAAAAAAAAAA

me, sobbing: thank u sci fi man

[mcavoy]

James McAvoy explains the appeal of doing animated vs live action films.

[freshmoviequotes]

Thor: Ragnarok (2017)

[summers-in-hollywood]

Elizabeth Taylor, 1948. Photo by Philippe Halsman

[filmrevues]

The Virgin Suicides (1999) - dir. Sofia Coppola

What started off being an incredibly strong debut of a female filmmaker ended up being the true emergence of Kirsten Dunst as an actress and sex symbol. The film is, in its own way, perfect. Sure, it’s a little much of what it is, but the care and fastidiousness Coppola brings to the table eventually wins out.

Dunst, on the other hand, is breathtaking from the word go. The rest of the sisters really never stack up (proving to be the film’s biggest flaw), to the buxom Lux Lisbon. Also. the film has one of the greatest lines in any film ever - and I mean that sincerely - when Josh Hartnett leans over and says, “you’re a stone fox.”

7.3

[mydarktv]

Wes Anderson // Filmography

[hayaomiyazaki]

- Isn’t blue supposed to be spiritual? - What makes you think I’m spiritual?

A Single Man (2009), d. Tom Ford

[oak23]

“What is she saying?”

“I didn’t catch it…”

“What is she saying?!”

“She - she is saying ‘Thank you’…”

[buffysummers]

We rip out so much of ourselves to be cured of things faster, that we go bankrupt by the age of thirty, and have less to offer each time we start with someone new. But, to make yourself feel nothing, so as not to feel anything… What a waste. Call Me By Your Name (2017) dir. Luca Guadagnino

[filmsby]

Call Me by Your Name (2017) dir. Luca Guadagnino

[absencesrepetees]

under the silver lake (dir. david robert mitchell, 2018)

mining a noir tradition extending from “kiss me deadly” and “the long goodbye” to “chinatown'’ and ’‘mulholland drive”, mitchell uses the topography of los angeles as a backdrop for a deeper exploration into the hidden meaning and secret codes buried within the things we love.

[samaraweaving]

We’re afraid that we will never escape our past. We’re afraid of what the future will bring. We’re afraid we won’t be loved, we won’t be liked. And we won’t succeed.

Lady Bird (2017) dir. Greta Gerwig

[365filmsbyauroranocte]

L’avventura (Michelangelo Antonioni, 1960)

[vivienvalentino]

Eternal Sunshine of the Spotless Mind (2004) dir. Michel Gondry 

[timotay-chalamet]

Armie Hammer for GQ Mexico March 2018 by Nino Muñoz