kinga kozłowska

[kingakozlowska]

[kingakozlowska]

[kingakozlowska]

December 2018: La Quiñonera; Mexico City. played a live set at the opening night of “Roza, quema y tumba” exhibition // Maleza collective

[kingakozlowska]

[kingakozlowska]

[kingakozlowska]

[kingakozlowska]

[kingakozlowska]

February 2017, live set at Chmury (photo by Olga G.)

[kingakozlowska]

[kingakozlowska]

June 2016, live set outdoors (photo by D. Pietraszewski, Trzecia Fala)

[kingakozlowska]

CTM 2016 — MusicMakers Hacklab, Future Rituals Finale. photos by Andres Bucci + photos from the Native Instruments HQ by Camille Blake

[kingakozlowska]

A collaboration with Łukasz Dybalski, a visual artist. 

I played a set during the closing night of his exhibition and then recorded a track in which I tried to create a narrative about the process of illumination. It is loosely based on one of the “trance” pattern-sequences on my korg electribe. The installation, in the space of which i performed, consists of “narwhal’s tusks”. In my interpretation the whales are beginning to see the rays of light from down under the water, they start to follow and probably/eventually get to the sun.

full track:

[kingakozlowska]

[kingakozlowska]

tiny audiovisual composition I edited from recordings made in Hailuoto.

[kingakozlowska]

soundcheck: DIY light synthesiser + delay and reverb effect pedals

In July 2015, after attending a DIY light synthesizer building workshop, I performed an improvised set in collaboration with the instructor and other workshop participants. You can find more information and documentation of the project/process here.

[kingakozlowska]

In September 2015 I contributed a track to a mixtape released by Warsaw-based cassette label Jasień - http://jasien.8merch.com/kaleidofon_c40-id6545

Kaleidofon. by Teenage Lightning

[kingakozlowska]

field techno practice in the woods of Hailuoto, Finland (video editied by Marine Drouan): 

• gather 9 people for field techno practice • assemble as many possible battery powered speakers (with cables or bluetooth) • collect multiple analogue, digital, portable noisemaking objects • if you don’t play - dance or record • if a consequent rhythm or vibe is established - dance all together • don’t stress for results, let it happen • listen to the environment, incorporate the non-human • use your voice once in the session • have 2 people record your shit and 2 cameras • publish with hashtag #fieldtechno

Hai Art - Soccos

Hailuoto - Finland September 2015

with: Andrew Jarvis, Anne Lepère, Antoni Michnik, Antye Greie Ripatti, Izabela Smelczynska, Kamila Staśko-Mazur, Kinga Kozlowska, Marine Drouan, Paweł Paide Dunajko