PITCH BLACK (2000) dir. David Twohy
Claire Keane
we're not kids anymore.
ojovivo
Jules of Nature
No title available
PUT YOUR BEARD IN MY MOUTH
taylor price
I'd rather be in outer space 🛸

Origami Around
hello vonnie
Misplaced Lens Cap
sheepfilms

roma★

★
h
One Nice Bug Per Day

Kaledo Art

oozey mess

pixel skylines

ellievsbear
seen from Malaysia

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seen from Türkiye

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@kingdaigo
PITCH BLACK (2000) dir. David Twohy
Magawa, a rat trained to detect landmines, retired in 2021 after five years of service. During his career, he helped clear more than 20 football fields’ worth of land in Cambodia, significantly contributing to the safety of local communities.
His work earned him several accolades, including a prestigious award from the UK veterinary charity PDSA.
Source: HELLSING ヘルシング
by Kouta Hirano
OMG
These glorious bastards at Titmouse actually put Garrison and Red Monika from Joe Madureira's BATTLE CHASERS in a cameo at the Slayer's Take?! I had to hastily edit together the two shots of animation they show up in (it's one sequence, but Monika's facing the other way until Garrison is obscured by others).
I love this show so much.
わんわん!
Medieval Punisher, Ghost Rider Knight, Berserker Wolverine
by Nick Acuna
There’s a protest going on against AI art over on artstation, so I feel like now is the time for me to make a statement on this issue!
I wholeheartedly support the ongoing protest against AI art. Why? Because my artwork is included in the datasets used to train these image generators without my consent. I get zero compensation for the use of my art, even though these image generators cost money to use, and are a commercial product.
Musicians are not being treated the same way. Stability has a music generator that only uses royalty free music in their dataset. Their words: “Because diffusion models are prone to memorization and overfitting, releasing a model trained on copyrighted data could potentially result in legal issues.” Why is the work of visual artists being treated differently?
Many have compared image generators to human artists seeking out inspiration. Those two are not the same. My art is literally being fed into these generators through the datasets, and spat back out of a program that has no inherent sense of what is respectful to artists. As long as my art is literally integrated into the system used to create the images, it is commercial use of my art without my consent.
Until there is an ethically sourced database that compensates artists for the use of their images, I am against AI art. I also think platforms should do everything they can to prevent scraping of their content for these databases.
Artists, speak out against this predatory practice! Our art should not be exploited without our consent, and we deserve to be compensated when our art is exploited for commercial use.
小崎 さん