© Kinshuk Banik
This is not an original work. This is the first draft of a translation of Jibanananda Das's "Shikār".
Hope this translation would reflect the original thoughts and intentions of the poet.
Monterey Bay Aquarium
Keni

if i look back, i am lost

JVL
hello vonnie
Peter Solarz
🩵 avery cochrane 🩵

Andulka
Aqua Utopia|海の底で記憶を紡ぐ
NASA

⁂
KIROKAZE
DEAR READER
untitled

blake kathryn
art blog(derogatory)
sheepfilms

★
Stranger Things
Cosmic Funnies

seen from Philippines
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from Malaysia
seen from United States
seen from United States
seen from United States

seen from United States

seen from France
seen from Malaysia
seen from Colombia

seen from United States

seen from Latvia

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@kinshukbanik
© Kinshuk Banik
This is not an original work. This is the first draft of a translation of Jibanananda Das's "Shikār".
Hope this translation would reflect the original thoughts and intentions of the poet.
© Kinshuk Banik
This is my first attempt at Contrapuntal Poetry. I found out just a few days ago that this thing exists, and I'm really happy to see that I can do the same thing as a poet that I can as a composer, given that I work hard and develop enough skills to execute it.
The punctuation marks and capitalisations are put in with the syntax of the entire poem in mind, not the individual parts.
I'd take my freedom to express some ideas I had about poetic counterpoint.
It would be really successful over "normal" poetry when recited/performed.
If it can be in 2 voices, it can be in any number of voices.
Since we are bringing in counterpoint, we may as well bring the musical jargon to it as well. If free counterpoint is possible, so is creating ricercare, canon and fugue out of it.
For a canon, one voice shall start and other voices follow with almost strict imitation.
For a fugue, one voice starts with a subject and the others enter with replies or responses to it. The subject reappears several times and its complete, incomplete or overlapped entries (stretto) drives the pace of the piece forward.
The reference is from Your Lie in April.
So here we have April again. Read this, watch the show, cry all day.
© Kinshuk Banik
A collection of some pretty old works (more than 2 years older)
Will you be there when the stars fall? ✨
That would be a great prompt
you can make nearly any object into a good insult if you put ‘you absolute’ in front of it
example: you absolute coat hanger
as well u can just add ‘ed’ to any object and it’s sounds like you were really drunk
example: i was absolutely coat hangered last night
#i was gazeboed mate #i was absolutely baubled
Meanwhile, “utter” works for the first (e.g., “you utter floorboard”) but somehow “utterly” doesn’t seem to work as well for the second (“I was utterly floorboarded”).
Utterly doesn’t work for drunk because it’s the affix for turning random objects into terms for *shocked*, obviously.
… huh. I thought that might just be the similarity to “floored”, and yet “I was utterly coat hangered” does seem to convey something similar.
I have to tell you, I am utterly sandwiched at this discovery.
Completely makes the phrase mean “super tired”.
“God, it’s been a long week, I am completely coat-hangered.”
Something is
Something is wrong with our language
Is it a glitch or a feature?
Feature
this neat feature is called collocative substitution, and it occurs when certain words are strongly linked to certain context and/or phrases. when you read/hear a pair of words that usually wouldn’t go together, your brain fills in the context with what would normally be inferred, given the originally phrased pairing. thus, finding out that there’s a term for this phenomenon may indeed leave you utterly sandwiched. lesser known or less strongly linked phrases and pairings may not be able to translate substituted words to appropriately fit the inferred context, so you were not utterly floorboarded at the club last night, but rather you were absolutely floorboarded, and as this explanation continues to drag on, you may by the end of it find yourself completely coathangered from read it all.
I, like all linguists I have met or even heard of, have a deep intricate love-hate relationship with the English Language because of complete and total coathangering like this
official linguistics post
Reblogging for future reference
Blood in Moderation (world building)
The lands Vanberg are extremely mountainous both to the west and the north. With old forests blanketing the ranges and cave networks intermixed with the ruins of ancient man. Some area’s still largely untamed, as these wilds have proven difficult to master; the vestiges of Abufan men still roam.
The Vangnese of these regions are a mixed lot of poor stock, often times adhering towards the ways and traditions of the Abufan parts of their blood. A superstitious and backwards people of low worth and intellect; the lowest of lowborn men.
Legends of demons made flesh proliferate their beliefs. Of creatures that mimic the human form, starving and merciless.
These men, more the most, due well to hide those among them gifted with magics; viewing mages as sacred. Their only way of communing with the weather and to ward against these ‘demons.’
Removing magic touched children from these secluded villages and towns has always proven a difficult costly venture for law-men. Mages often times going unknown of well into adulthood. Most posses illegal guns and are not afraid to use them.
© Kinshuk Banik
My second attempt at contrapuntal poetry. I decided to spice this one up a bit by setting it as a sonnet. For those who like to see it in usual column form, here is that:
This also establishes the fact that form matters, and reaffirms the old principle: "Constraint sets one free."
This contains a reference from The Picture of Dorian Gray.
do u have any poets or writers u look up to? love your work btw, it motivated me to write in a while LOL
I'm so honored that I motivated you to write! In answer to your question, there are SO many writers/poets I look up to:
Dead Writers - Shirley Jackson, Vladimir Nabokov, Elizabeth Bishop, Sylvia Plath, Angela Carter, Anna Akhmatova, Jean-Paul Sartre, Jean Anouilh
Alive Writers - Anne Carson (I bow to her) Dante Émile, @boykeats , @blossomfully , C.T. Salazar, Ocean Vuong, @falderalfire on IG, Ollie Schminkey, Naomi Shihab Nye, Margaret Atwood, Beau Taplin, Scherezade Siobhan
And there are probably SO many more who I'm forgetting to mention!
© Kinshuk Banik
This is my first attempt at Contrapuntal Poetry. I found out just a few days ago that this thing exists, and I'm really happy to see that I can do the same thing as a poet that I can as a composer, given that I work hard and develop enough skills to execute it.
The punctuation marks and capitalisations are put in with the syntax of the entire poem in mind, not the individual parts.
I'd take my freedom to express some ideas I had about poetic counterpoint.
It would be really successful over "normal" poetry when recited/performed.
If it can be in 2 voices, it can be in any number of voices.
Since we are bringing in counterpoint, we may as well bring the musical jargon to it as well. If free counterpoint is possible, so is creating ricercare, canon and fugue out of it.
For a canon, one voice shall start and other voices follow with almost strict imitation.
For a fugue, one voice starts with a subject and the others enter with replies or responses to it. The subject reappears several times and its complete, incomplete or overlapped entries (stretto) drives the pace of the piece forward.
The reference is from Your Lie in April.
© Kinshuk Banik
Couldn't sleep well that night, long time ago.
Younger writers. Please, just know that you could not skip to different songs on a cassette tape, that’s CDs. With tapes you pressed fast forward or rewind and prayed.
Also, VHS tapes did not have menu screens. Your only options were play, fast forward, rewind, pause, stop, or eject.
Y’all are making me feel like the crypt keeper here, I’m begging you 😭
reblog to instantly disintegrate some of your peers to dust
© Kinshuk Banik
Seeing dawn after staying up all night
sometimes you need dialogue tags and don't want to use the same four
Reblogging for later use
A Writer's Advice: John Steinbeck on Falling in Love
Nobel laureate John Steinbeck (February 27, 1902–December 20, 1968) writes this beautiful response to his eldest son Thom’s 1958 letter, in which the teenage boy confesses to have fallen desperately in love with a girl named Susan while at boarding school.
New York November 10, 1958 Dear Thom: We had your letter this morning. I will answer it from my point of view and of course Elaine will from hers. First — if you are in love — that’s a good thing — that’s about the best thing that can happen to anyone. Don’t let anyone make it small or light to you. Second — There are several kinds of love. One is a selfish, mean, grasping, egotistical thing which uses love for self-importance. This is the ugly and crippling kind. The other is an outpouring of everything good in you — of kindness and consideration and respect — not only the social respect of manners but the greater respect which is recognition of another person as unique and valuable. The first kind can make you sick and small and weak but the second can release in you strength, and courage and goodness and even wisdom you didn’t know you had. You say this is not puppy love. If you feel so deeply — of course it isn’t puppy love. But I don’t think you were asking me what you feel. You know better than anyone. What you wanted me to help you with is what to do about it — and that I can tell you. Glory in it for one thing and be very glad and grateful for it. The object of love is the best and most beautiful. Try to live up to it. If you love someone — there is no possible harm in saying so — only you must remember that some people are very shy and sometimes the saying must take that shyness into consideration. Girls have a way of knowing or feeling what you feel, but they usually like to hear it also. It sometimes happens that what you feel is not returned for one reason or another — but that does not make your feeling less valuable and good. Lastly, I know your feeling because I have it and I’m glad you have it. We will be glad to meet Susan. She will be very welcome. But Elaine will make all such arrangements because that is her province and she will be very glad to. She knows about love too and maybe she can give you more help than I can. And don’t worry about losing. If it is right, it happens — The main thing is not to hurry. Nothing good gets away. Love, Fa
Since my father won't say something this good to me, and I know some similar unlucky ones are among you, here's the father of another boy saying it.
© Kinshuk Banik
Moon and Chopin's nocturnes are the best.
Particularly, Nocturnes op. 9 no. 1 and op. 9 no. 2.
Things they don't tell you about being a first time wheelchair user in highschool
Literally everyone will ask if you broke your leg(s). Everyone. Even people you don’t know. Theyll ask a lot and think you’re extremely fragile.
bruises show up within the first day of rolling around, and they can really suck
people will try to grab your chair if they think you’re struggling and it can be hard not to snap at them for it
static electricity is a huge issue. You will probably either continuously shock your leg when you’re rolling around or do what I did today and zap someone so hard as you pass that both of you nearly keel over
people will call you out as a faker if you do anything even remotely fun ever on your wheelchair. Wheelies? Obviously your legs are fine lol not like you have to go down fucking curbs /s
puddles are the worst and if there’s a curb with a puddle all around and you have some ability to walk its a better idea to just stand up and navigate the chair than to fall backwards into said puddle
weird looks from people are inevitable, especially from people who don’t like you
bus drivers will often push your chair and give you advise you don’t want to hear, even if you tell them nicely you can push yourself. Its really hard not to get mad at them for it
no wheelies in school. Though if you do it in the elevator when no one else is with you you can’t really get caught.
speaking of wheelies, always be ready to throw at least one arm behind you in case you fall. They say tuck your chin in but its easier and more reliable to throw your hands back and keep your neck up so you don’t hit the floor. Sore arms are way easier to put up with than head injuries
don’t even bother to try and roll back up curbs. You will either be there for an hour or fall backwards. I managed to do both.
90% of classrooms that aren’t special ed are not very wheelchair accessible.
people will automatically assume you’re faking something if you’re not considered dumb enough in their standards to fit in with disabled students (aka high class ableism at its finest)
people are going to give you weird looks if you don’t suddenly start sitting with the other disabled kids
standard backpacks usually dangle way too much to keep on you easily, so try to pack light
built in storage on wheelchairs cannot sufficiently carry books
don’t try to hold an umbrella. Period. Especially not with your teeth. It doesn’t work.
don’t try to give the bus driver your ticket while you’re stuck on the ramp. And speaking of, its easy to start falling down the bus ramp so be careful, and when in doubt throw on the breaks
and finally if you’re like me pray to god you don’t go nonverbal when someone is trying to push you and you don’t want them to because it is hard to get them to stop if you can’t speak
able-bodied people can and should 1000% reblog this, some of these things I’ve seen on tips about using a wheelchair but a lot of these weren’t things I’ve seen