hello vonnie
Discoholic 🪩
Lint Roller? I Barely Know Her
Alisa U Zemlji Chuda
Game of Thrones Daily
styofa doing anything
if i look back, i am lost
#extradirty
Monterey Bay Aquarium
noise dept.
ojovivo
Peter Solarz
Love Begins
blake kathryn
PUT YOUR BEARD IN MY MOUTH
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JBB: An Artblog!
Cosmic Funnies
RMH
Xuebing Du
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@kittypridestuff
[Firestorm Shenanigans]
The first time Tashigi tripped over nothing in front of Smoker, he caught her instinctively without missing a beat. They stared at each other for like a minute before Smoker admitted he had a friend "back in the day" who couldn't walk in a straight line without face-planting
Elsewhere, Rosinante sneezes and glares into the distance bc apparently somebody is talking shit
~🥜❦
THEY ARE MY ROMAN EMPIRE 😭😭❤️❤️
For those who are unaware, Oda revealed in I believe Data Book Yellow that he heavily based Whitebeard on a man he knew, a gruff old bartender dependent on oxygen who liked to yell at whippersnappers and tell old war stories. Apparently the guy was delighted when Oda told him, and with that retrospect you can just tell in how Oda presents Whitebeard he respected him a lot.
There's a quote from Oda in the SBS for volume 82 that suits Whitebeard particularly well, and it becomes especially poignant when you know he was based on a real person
"I love me some old dudes! I feel like age adds a new sense of depth to characters, both male and female. One Piece has tons of really interesting old people! But in the real world, age tends bring people down to a weaker state… and I've always disliked how there are some young people out there who just can't have a little respect for these aged individuals because of this. So with One Piece, I've brought to life one of my countless fantasies: which is for there to be super cool old people who've maintained their strength throughout the years.One day, you also will grow old. It'd be great if all of you could remain just as strong as the One Piece oldies are!"
Slightly better quality video of Smoker and Tashigi in the new One Piece Base Shop exclusive animation.
Directed by Megumi Ishitani & animated by Masami Mori (soty).
OPLA: Letter from Eiichiro Oda
A Special Letter from Eiichiro Oda (CREATOR) | Presented at Jump Festa 2026
From @Eiichiro_Staff | ONE PIECE Official Twitter/X Account
Out of context One Piece: a collection, part 2
Because the joy this anime brings is never-ending.
Part 1 / Part 3
This is so Tashigi coded I had to draw her like this
From One Piece - Episode 1150.
i truly truly will never stop being tickled by how law's braincell count just plummets into the negatives whenever he's around luffy and kid SPECIFICALLY at the same time. like if it's one or the other he copes more or less just fine. kid's a shit-starter but he's predictable and easy (and fun) to rile up. luffy runs on baffling logic but he's fundamentally easy to get along with so long as you maintain your zen and understand that he usually doesn't MEAN to get under anybody's skin. separately they aggravate law in different ways. but when they're together kid's penchant for starting dickswinging contests (or inability to not take the bait of one) collides with luffy unhesitatingly answering with a one-up that no sane person would conceive of and what the hell is law supposed to do against THAT fuckin wombo combo. get left behind and called a bitch for it? not goddamn LIKELY!!
No one is safe from Luffys charm.
Based on my own post.
I have wanted to make this sense I watch that episode but only got myself to make it now.
Better late than never.
Kid: Im going to kill Strawhat Luffy! Luffy: *Hug* Kid: Im going to kill Buggy the Clown!!! Law: I thought you said your going after Str- Kid: I SAID IM GOING AFTER BUGGY!
This may be the most self awareness I've seen from Luffy in the whole series 🤣
Strategic mid-fight discussion
The joke is they're all stupid
Interesting (non)reaction by Zoro here, and I really want someone to calculate the force it would take to decapitate a solid wooden chair in one blow
And this is a panel I think is worth talking about in more detail, because it’s a good example of a lot of the small things Oda does well.
It starts with the black flecks trailing behind Vivi. Oda uses them a lot in panels with emotional weight as a kind of less obtrusive DON effect, but in this instance they show the motion of Vivi’s jump without the use of speed lines or some sort of after image.
The subtle motion to the skirt of the tablecloth and the tilt of the wine glass (show in the next panel to be completely knocked over) also sell the sense of motion, and contrast with the nonchalance of Crocodile’s pose. He hasn’t moved, but just about everything else in the panel has. He alone remains in control. There is both a sense of timing and a sense of weight to the action on the page.
And lastly there’s the technique Oda uses to draw sand, which is so dynamic and does a lot to add to the cool factor of Crocodile’s character. Oda doesn’t get enough credit for his ability to convey different textures in black and white, and he nails Crocodile’s sand ability
It’s interesting to me to see the various ways Hiliruk affects different characters over the course of this flashback. To Chopper he was kind, and encouraged Chopper’s natural inclination to kindness by telling him that a good heart is a doctor’s most important quality. To Kureha, a natural-borne cynic, he impresses upon the need for idealism and dreams. Later on with Dalton, his willingness to stand up for what’s right inspires him to finally rebel against Wapol’s tyranny.
Kindness. Idealism. Standing up for what’s right no matter the cost. These are the things that Hiliruk passes on, and these are the things that he believes will heal a broken country.
Maybe he’s not such a quack after all.
