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oozey mess
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will byers stan first human second
noise dept.

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pixel skylines
Peter Solarz
sheepfilms
todays bird
cherry valley forever
Monterey Bay Aquarium

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Andulka

if i look back, i am lost
Lint Roller? I Barely Know Her
Jules of Nature
Misplaced Lens Cap
Claire Keane

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@koeningzine
credits
Anak-anak Masa Lalu (Children of the Past) by Damhuri Muhammad (translator: Sofia Tantono)
Anak-anak Masa Lalu (Children of the Past) by Damhuri Muhammad (translator: Sofia Tantono)
makcik keropok & phi kowpoon by Hira
my guilty pleasure is pouring amstel into dorito bag and drinking it by Zaki Chan
Mother Tongue by Julianne Estur
The Goddess by M. P. Pratheesh
Beliefs, Autumn Festival & Ghost Month by Christina Chin
Monkey Takes the United States Naturalization Test by Para Vadhahong
issue two contents
KOENING ZINE ISSUE TWO
KOENING ZINE ISSUE ONE
click the link to view!
submissions are open!
KOENING ZINE is happy to announce that we’re open for art, fiction, poetry, and creative nonfiction submissions under the theme of ASIAN FOLKLORE.
please check out our guidelines here, and our form to submit is over here!
our sub period lasts from sept 4-oct 4.
happy submitting!
[ENTRANCE] by Anh Thu
(cw: mentions of childhood trauma)
dear reader, we are back again
look. can you hear her?
she mooooves through the fabric of this Palace
rip ping the air behind her
tearin g to pieces the paper floo r
boards
watch your step.
historic landmines waiting for detonation. don’t you see the SIGN?
i’m hesitating to guide you through,
tattered memories left unkept in a pile,
my apologies. that’s on me.
we can all be messy sometimes.
it manifests as we prowl in the hallways instead,
i advise you not to look sideways,
we are in the wings of Childhood Trauma™, after all. and
there she comes again.
Please move out of her way, please. Arms distance, thank you
do not LOOK at her, lower your handsssss
sWHAT - ARE - YOU - DOING?
IT IS NOT ADVISED TO CLAMP ON HER
LIKE
THAT
PLEASE STOP. NO PLEASE.
I WILL NOT TALK TO HER
ea . Please. Pl
Pl se ease.
I DON’T CARE ABOUT YOUR CREDENTIALS
STAY AWAY FROM ME
FUCKFUCKFUCKFUCKFUCKFUCK|||||||||||||||||||||||||||||||||||||||||||||||||||||
-
Anh Thu
Anh Thu is currently an undergraduate Sociology student that likes to write sometimes. She likes to busy herself with creative projects and hobbies that all contribute to exploring the duality of her mismatched identity, through many forms of expression. Right now she is dedicating all her time to her magazine GENCONTROLZ, which she co-founded and is the co-editor in chief. You can reach out to her online at @anharchive, she's happy to chat!
do you hear the voices in the deep? by Chiara Situmorang
there are berries the colour of bruised
flesh in the woods near the hills.
the recluse harvests them by the bushel,
places them around the bog like a crown
secured around a monarch’s
throat.
people mistake this place for one blessed
by the faeries. the duck’s
egg green lulls the weary
traveler to a long, comfortable sleep.
no trace ever remains but a lingering whiff
of desire and
regret.
when the scientists found the tollund man
the first thing they did was desecrate
him.
who are you, immortal, they asked. how
did you get here? why
is there a rope
around your
neck?
don’t worry—the scientists
will not
escape.
you see, the hills were innocent once. now
they are beautiful—yellow wildflowers
draw breath over still waters, or
at least, still as long as you gaze upon
them. but never
mind that now. it is so soft
here and your feet are
sore.
close your eyes, pray,
listen to the lullabies
they are singing for you. it is alright
to give in.
close your
eyes. are you not
tired?
-
Chiara Situmorang
Chiara Situmorang is a writer, editor, and admirer of the moon. Her work has appeared in Uncanny Magazine, Crow & Cross Keys, and Perspektif, among others. She lives in Jakarta with her three little poodles. You can find her talking to herself on Twitter @chiarastmrng.
The Swamp by Nidheesh Samant
-
It is a winding road with many steep curves. Not that I can see it from the boot of the car, but I can feel it all too well. The rag stuffed inside my mouth prevents the built-up bile from spewing out. My hands and feet being tied up leave me no path to escape. I am his prisoner. And soon to be victim.
The worst part is that I know what is approaching, and where I am being taken. What I do not know is how long I have left. Not knowing something is a journalist’s biggest kryptonite. Ironically, it is knowing too much that is going to get me killed. I wonder how he is going to do it. Blow a hole through my brain with one clean shot? Or maybe, he will chop up my body with his carving blade. In all honesty, he can employ any of his many murderous methods. He is after all, the Butcher of Bombay. I never realized that I who had given him the name, would end up as one of his victims. Imagining all the gruesome possibilities has given birth to a fresh batch of puke, drawing tears from my eyes.
I’ve stopped moving now. I can listen to the engine shutting down, the car door opening and getting slammed shut. The approaching footsteps grow louder until they stop right outside. The trunk snaps open and there he stands, looking straight at me with his gelid grey eyes. His bushy moustache crescents over his sneering mouth.
“Get out now.”
I twist and writhe my body, struggling to get my feet on the ground without the support of my hands. The Butcher sighs and drags me out of the trunk with one hand, tossing me into the mud. He snatches out the rag from my mouth in disgust and tosses it away. A new stench invades my senses, quickly replacing the reek of stale vomit. I can smell a foul mixture of decay and putrefaction in the miasma permeating the air. I scramble to my knees. The stench and the mushy ground indicate only one thing. He has brought me out to the swamp.
My investigations have led me to believe that my tenebrous surroundings hold many graves. It is the Butcher’s place of choice to conduct his misdeeds. I had never found the exact spot in my searches, but considering how desolate the location was, I was not surprised. I can see now why it’s such an ideal spot for the Butcher. It’s remote. It’s eerily silent. And most importantly, the bodies dropped here will slowly be swallowed in by the quagmire, eliminating all evidence. The cold bastard continues staring at me, fiddling with his gun.
“So, do you like the place? You have worked so hard to find it.”
I smile wryly.
“It suits you, inspector. Definitely your style.”
He seems satisfied with the suppressor fit on his gun muzzle.
“I’m impressed. Even staring in the face of death hasn’t rid you of your sense of humour. I must say I will miss reading your columns. Even though you chose to slander me in almost all of them.”
I shrug my shoulders in response.
“I would hardly call the truth slanderous. I only wanted the world to see the real you.”
The inspector places a hand on his forehead and guffaws heartily.
“You see where that lead you.”
I smile to myself. He isn’t wrong. I knew the risks when I took it upon myself to expose the misdeeds of the police force. If only I had focused on my cardio as well.
Earlier tonight, an anonymous caller had tipped me off, giving me the location of Inspector Shikhawat’s secondary flat. It was off-grid and I knew that had to be where I would find the records of his shady dealings. I managed to sneak into the apartment through the balcony. Confident that the inspector wasn’t around, I began combing the place for clues. I was looking for any sort of proof that could substantiate the claims I made in my columns. No sooner had I unearthed a folder of suspect bank statements, than I heard the turning of the lock on the main door. My informer had betrayed me! I tucked the folder into my tee and snuck out of the balcony as the door slammed open. I was careful enough not to be spotted. Alas, his keen ears caught my descent. He was already on to me by the time I reached the ground floor. I rushed into the stormy night trying to lose the Butcher on my tail in the lonely winding streets. That is when my lack of cardio came to bite me in the ass. I ran out of breath within a few minutes. He caught up to me and struck me down with a heavy fist. I regained consciousness only in the darkness of the boot of his car. I had lost the evidence, and now I was about to lose my life.
The inspector aims the gun directly at my head. From my periphery, I notice movement in the shadows. Is my mind playing tricks on my eyes in my final moments? The Butcher growls at me.
“Have the courtesy to stare death in the face. But then again, what would you know about it?”
I turn back towards the stocky man.
“You’re right. I have no idea about being so nonchalant about ending innocent lives.”
The inspector sniggered, toying with his pistol.
“Still hanging on to your humour, eh? Very well. Rather have a man smiling than slobbering and grovelling at my feet. Any last requests?”
I strain against the constraints on my arms. No good. There really is no way to escape. Suddenly, my eyes catch another movement in the shadows, a vague figure slithering across the ground. I wet my parched lips.
“I want you to admit to the killings. I wanted to publish the proof to the world, but I guess I will have to settle for your confession.”
The inspector retrieves the folder of his misdeeds from inside his jacket and waves it teasingly in front of me.
“Sorry, you aren’t going to get this. However, I’m not cruel. I shall grant you your final request. Yes, I killed dozens of innocents. Right here, in fact. Right where you kneel. And yes, I did it for the money. What can you do about it? What can anyone do about it?”
Almost as a response to his words, a strong gust of wind hits us in the face. A dismal wailing fills the emptiness of the swamp. The wind intensifies as a mass steps out of the shadows from behind the inspector. Its slimy body slithers towards us, squelching through the boggy ground. I can make out an obscure face with a pair of drooping yellow eyes trained on us. The inspector lets out a gasp and begins firing at the moving lump. The bullets seem to have no effect on it. He empties his clip, unable to make a single dent.
The voice is garbled but I can make out the two words clearly. “Not again!”
The stocky man trips over his own feet. There he lies trembling uncontrollably on the ground. He seems to have frozen in shock. Somehow, my fight or flight instinct activates, letting me break free of the constraints on my hands. I immediately begin fumbling around the ones tied to my feet. The greyish slime slowly begins creeping over the inspector. Within seconds, it swallows up the man whole. My heart continues pounding. I’m still unable to get my legs free in face of the approaching doom. However, the slimy mass stops in its tracks. It lets out another wail. This time, it does not seem dismal. To my surprise, I see the inspector’s folder of misdeeds shooting out from inside the slimy entity. It lands directly in front of me. The mass slowly retreats into the shadows, dissipating as it goes along.
I stare at the folder, contemplating in silence. It looks like the truth will make its way into my article after all. And yet, the truth I know will remain stranger than fiction.
-
Nidheesh Samant
Nidheesh has been previously featured in Railroad Tales by Trevor Denyer, The Lost Librarian's Grave by Redwood Press and will feature in the upcoming 99 Tiny Terrors by Pulse Publishing. You can find Nidheesh’s blog at thedarknetizen.wordpress.com and twitter @darthnid.
Sagipin Mo Ko: Nalulunod Na Ako by Gabby de Guzman
-
(tw: suicide attempts, no graphic/gory images)
1. Stay with me now.
Long time no see! Sorry we couldn’t have met under more desirable circumstances. My life is in your hands, and while we should be focusing on me, you’re an old friend, and all I want to do is to talk about you.
How are you doing? Are you OK? Are you happy? You haven’t changed too much since we were 16, hopefully? Is your father still like that? Do you still want to go far, far away from here? Let me look at you one last time. God, I wish I paid attention to you more. I wish I talked to you more. I wish I had better questions.
2. Can you look at me?
I think I can finally see you for everything you are in this light.
It’s a little embarrassing you are seeing me like this. I confess. I was always so scared, you know?
Of what? you ask.
Of living. Of growing up. It seems that everyone knows exactly what they want to do, who they are, and where they need to go, and I’m just standing in the middle of it all, watching them as I try to piece myself together. Everybody’s moving forward. I’m struggling to even stay afloat.
I guess I got tired of it.
3. Are you hurt?
An observation from my Anthropology Class: humans are obsessed with leaving their mark, praying their footprints are just deep enough to last in the soil.
Millenniums ago, people sat in a cave with nothing but fire, smearing their hands with blood and paint, firmly pressing their palms against a cold cave, leaving a piece of themselves: I was here. I existed. Don’t forget me. How different was I? Clutching onto Mother Earth, trying to stay afloat, gripping tightly onto the cattails, your hands.
I don’t remember much during my walk here. I remember people walking by, turning a blind eye. I remember looking up, wondering what the universe was thinking, what her intentions were. And now, in my last moments, I look at you. What can I remember about you? You like rabbits. They are your favorite animal. I used to tease you about it. Now, I think they’re not so bad. Quite cute. More similar to us than we think. We are both meek and small. We are both part of an intricate legacy in which we can never escape. Yet somehow, we were both still here on this earth, thriving, while the lions and tigers face endangerment.
4. Stay with me?
Can you stay with me? you keep asking, pulling me out of the thick marsh. I let out a hollow laugh, like the air has been knocked out of my lungs. Like when you and I used to play-wrestle all those years ago when we were younger, and you finally got a good punch out of me, and you’d say sorry, and hold me in your embrace like you really meant it. That’s the last time I ever felt truly doted on. At least so openly and plainly and shamelessly. Everybody is so scared as an adult now. But I suppose you love me the way a grown-up loves: in which we don’t talk for years, but the moment I even try to endanger myself, you come back to save me from ending it all.
5. Help is on the way.
OK. I nod.
I pull myself up. I can survive. I can stay with you. I can make it out alive.
-
Gabby de Guzman
Gabby De Guzman is a high school student. When she's not crying over her neverending stack of homework, she's writing about her feelings and posting it on the internet. She can be found on twitter @deguzwrites or on instagram @gumagana. She has been previously published in Juven and Stone of Madness Press.