Quaranthings: Korean Dramas
It’s been a while, Tumblr. LOL I haven’t posted in a while – but we are living in a time of pandemic. I have never thought such day would come but here we are.
It has been 41 days since Enhanced Community Quarantine (ECQ) was implemented in Manila – and I have managed to catch up on my Korean drama backlog.
Thanks to streaming sites like Viu and Netflix, I have spent countless hours just catching up on the latest dramas (The King: Eternal Monarch, Itaewon Class) and the ones I have not finished watching (Mr. Sunshine, Reply 1997, Go Back Couple, Kill Me, Heal Me, My Love from the Stars). I also found time to rewatch my favorites (Secret Garden, Innocent Man).
The last one I watched was Mr. Sunshine. The writer, Kim Eun Sook, tells the story of a Joseon slave-turned-American soldier named Eugene Choi and a noble named Go Ae Sin – and the people around them: the mysterious samurai Go Dong Mae; the rich playboy Kim Hee Seong; and the beautiful, rich heiress/double agent named Hina Kudo. Set in the early years of the Korean Empire (led by Emperor Gojong), the drama depicted the political turbulence of the time: the traditional Joseon ways clashing with that of imperialists as well as the personal struggles of each character. Then there’s storge, eros, philia, and agape - I’ll probably write another review of that because in terms of writing, I think this is the best Kim Eun Sook drama.
I have been meaning to write something like this, but I guess I was inspired to share with the world why I love Korean dramas – like it really is a hill I would die on anytime.
Some weeks ago, a Filipino director openly tweeted his disdain for Korean dramas. In his words, he said that Filipino movies and tv are “doomed” because of “K-drama galore: faux Cinderella stories with belofied whiter than white actors. And it’s all about love in the midst of pandemic.”
It came from a director with reputable filmography – I mean I loved two (2) of his films for their social commentary but I have to ask.
How many Korean dramas have you watched – LOL don’t tell me you only watched Crash Landing on You.
HELLO, ITAEWON CLASS WAS IN THE TOP 10. DID YOU WATCH THAT? Did you watch the rags-to-riches story of Park Saeroyi and his quest for justice to defeat the biggest food company, Janga Corporation?
Have you watched Sky Castle? The compelling story of rich families and their schemes to get their children into the best universities?
How about the Reply series? A nostalgic drama that tells the story of families, youth, and the times they lived in – 1994, 1997, 1988 – the nostalgia was fucking rich. I especially enjoyed 1994 and 1997.
Did you check out Another Oh Hae Young: a woman struggling to come into terms with her personal insecurities? Or have you picked up on It’s Okay, That’s Love: a romantic drama that properly tackled mental illness (the lead had schizophrenia).
From personal experience and the vast filmography of Korean dramas I have seen, let me point out why Korean dramas are the best – and why they’re so fucking addicting. I would have to say that this is not a research paper but rather a lengthy analysis based on my 12-year experience as a Korean drama enthusiast.
Every drama starts with a great plot.
Sure, many Korean dramas are romantic. In fact, most of the Korean dramas I have seen in the early 2000s are romantic: Autumn in my Heart; Stairway to Heaven; Winter Sonata; Full House; My Name is Kim Sam Soon; and Princess Hours. There’s also Memories of Bali; I’m Sorry I Love You; and Coffee Prince. These dramas actually launched the Hallyu (Korean wave) that we know today – and their plots have the typical Korean drama romantic equation: guy meets girl – they don’t get along at first – then they fall in love – misunderstandings (or separation) ensues – reunited – fall in love again – they get married or end up together (or a lead dies). Then there are the non-romantic ones (historical): Jewel in the Palace and Jumong.
But as time went on, you see that the genres become varied – we started seeing action dramas (one of my favorites was Time Between Dog and Wolf) and medical dramas. Then there were dramas that also featured how Korean dramas were made (The World We Live In).
Korean dramas have varying plots that get recycled in many instances but with great plots also come characterization. The characters we see in dramas remind us of real people – we always relate to a character and we all get frustrated when they make stupid decisions (the Noble Idiot Syndrome) that really do not make sense. At the end of the day, we want happy endings for those who deserve happiness – we want justice served, we want closures, etc. because that’s how humans are.
In many romantic dramas, plots are reused but no character is the same. They would have similar traumas but never the same, carbon-copied character. There are villains you want to kill and then there are villains you sympathize with – because you realize that humans are multilayered, complicated creatures.
Another observation I have with Korean dramas is their careful attention to details. When writers create the script, they somewhat have actors in mind to play the character. In Korean dramas, they don’t really care about love teams. In the Philippines, we produce dramas based on the hottest pairs. In Korea, they don’t give a shit about that. Dramas are produced with the intention of creating a meaningful production so actors are chosen based on whether the writers and producers think they can bring their characters to life, not because they are the hottest commodity. In some dramas, actors have to audition, but in many instances, scripts are sent to actors with potential to perfectly portray the character.
Prior to filming, writers, actors, and production staff would spend a day or two in story conferences – actors would have the opportunity to discuss with everyone how he or she thinks his/her character is like. The directors and writers would provide their input on how the characters should talk, act, etc. Actors would also take the extra mile to learn a skill or two for the characters they played. They would have dialect coaches, language instructors, etc. Writers would consult with professionals – for instance, in many medical or legal dramas, they would hire doctors or lawyers on board to verify accuracy of terms. During broadcast, you would even see the jargon on screen to simplify them for the audience. In historical dramas, you would also see the terms used (in Chinese characters) and explain them in hangul.
During filming, you’d see how the staff has placed much attention on details – from the wardrobe to the set. You would also see themes, symbols, etc. The production aspect is really like how movies are: vivid, deliberate, beautiful. Who would’ve thought red pinwheels would make me tear up?
Each drama has a particular soundtrack – can I just say that Korean dramas have the best soundtrack. Each song played in a specific scene perfectly conveys the mood and feelings of the character. I have cried so many times listening to Park Hyo Shin’s “Snow Flower” (I’m Sorry I Love You) or Ji Sun’s ”Goodbye Without Saying Goodbye) (My Name is Kim Sam Soon). On my Spotify account you would see I have played Goblin, DOTS, and CLOY OSTs countless times.
In the past, dramas are not really pre-produced (meaning script came a week or two before filming). There are dramas wherein halfway through the broadcast, they had to switch writers because the earlier writer had a falling out with the production – so you’d see that the quality suffers (story plots would go crazy lol). There are dramas wherein they had to replace the actors because of scandals or accidents. In the last 5 years however, Korean dramas have become pre-produced: meaning the dramas will be filmed 6 months-2 years before being broadcasted. I guess this aspect has contributed to the fact that many Korean dramas are already available on streaming sites.
Each drama gives us a slice of the Korean culture – food, drink, skincare, attraction, and history. And noraebang (karaoke). Every romcom Korean drama has to have a scene at the noraebang...or jimjilbang (sauna).
Modern and traditional Korean dramas have to feature food: Korean barbecue, stew, side dishes. LOL you name it. There’s also soju, beer, and makgeoli. BEER AND CHICKEN.
In most modern Korean dramas, makeovers are a must. You would see product placements of known Korean products: Laneige, Etude House, Nature Republic, etc. The characters would go shopping in a particular shop like The North Face. Their coffee dates would be in one of these (Caffe Bene, Dal.Komm, HOLLYS, Zoo Café, Mango Six). They would buy their cakes or bread from Paris Baguette or Tous Les Jours.
Then there are road trips – many Korean dramas would feature a particular attraction, province, or city. Who can forget Nami Island (thanks Winter Sonata) or Namsan Seoul Tower (Boys Over Flower) or Petite France (Secret Garden, My Love from the Stars)? Of course, you can’t forget Busan (Reply 1997) or Jeju (Warm and Cozy) or Gangwon-do. It is definitely a K-drama fangirl’s dream to be able to visit in one of these places so we can relive our favorite Korean drama moments.
All of Korean dramas I have seen put emphasis on family – the importance of filial piety is always highlighted. The characters are often portrayed as dutiful daughters or sons. Conflicts often ensue when the character is challenged to choose between the parents or the love of his/her life (well in most Korean dramas that’s the case lol). Many dramas portray characters who try to be the good daughter-in-law and yet nothing is ever good enough. Then there are subtle flexes on Korea as an emerging superpower as seen by drama characters (chaebols) who head conglomerates. There is always a character who is filthy rich and can afford a billionaire lifestyle. Product placements include big companies like Samsung, Hyundai, etc.
Slice-of-life dramas also depict the realities in Korean society. Because This is My First Life and Something in the Rain aptly depicted the realities of harassment in the workplace from a woman’s experience. Many Korean dramas also relay harsh realities: meritocracy in the workplace; young adults juggling multiple jobs to make ends meet, etc.; even real estate situations are featured. Often you would find characters renting a small room because that’s all they can afford. From the dramas you would also notice that Koreans are not very kind towards single mothers or orphans. Then of course, there’s the North and South Korea situation: Crash Landing on You, Doctor Stranger, Spy Myeong-Wol, Descendants of the Sun are a few dramas that discussed this theme. The Reply series is a nostalgia drama featuring families that lived through some of important events in South Korea like the Seoul Olympics (1988), Asian financial crisis (1997), Sampoong Department Store collapse (1995), and the historic World Cup (2002).
Korean historical dramas are also interesting on their own – I guess until now, the Japanese occupation of Korea is still a sensitive matter for Koreans. Many of the dramas that feature such themes always depict the resilience and resolve of Koreans as they try to fight off the enemy. Yes, the scenes are depicted artistically, and the thought lingers long after the episode is over.
In terms of marketing, the government has also been proactive. With the Korean Wave (Hallyu), Korean dramas, as well as films, music, food, etc. have become an important commodity overseas. In 2016, Korean Culture Center wrote that Descendants of the Sun was sold to 27 countries, posting a profit of over KRW 10 billion (Php 412 million). The government acknowledges the important contribution of Korean dramas in tourism. Numerous papers have already been published showing the effect of hallyu in the South Korea tourism industry.
To make the long story short:
Korean dramas have gone beyond “faux Cinderella stories with belofied whiter than white actors”. I mean, if you want to produce a quality drama, it takes time and effort. Personally it has become a great escape from the realities I face. I do not welcome opinions that clearly spring out of snobbery and disdain for another person’s craft. Perhaps the director can look beyond the Top 10 (since that’s what he mentioned) and check out the wide selection on Netflix. Viu is also a great platform (I’ll start on World of the Married – been hearing and reading about it lol)
Hallyu did not flourish overnight, and the Korean drama industry – while a great model to cite – is also not perfect. There have been numerous cases and instances when staff are overworked or not paid long after the production is over. The #MeToo movement has also exposed some actors who have harassed fellow actors. If we want Filipino dramas to enjoy the same spotlight as that of the Korean dramas, we should be frank about the outputs we have had. We have potential, but it really is up to the decision-makers (at least from the network perspective since it’s all about profits and star value rather than quality production in the Philippines) to come up with a formula that would revitalize Filipino dramas. I can’t say the same for Filipino films because we have great films – the dramas need much work to be profitable. I mean, are we really satisfied with a few dramas being sold overseas? When will we produce dramas that are at par with our Korean chingus? If you want Filipino dramas to be streamed on Netflix or Hulu or Apple TV – maybe we can look at genres beyond police brutality or infidelity or hacienderos harboring a secret child somewhere.
Anyway, Korean dramas are awesome – and that’s the tea.
