they should play wuthering heights in the club so the girlies can be freaky and spooky
styofa doing anything
Alisa U Zemlji Chuda

★
i don't do bad sauce passes
Claire Keane
DEAR READER
NASA

titsay
Show & Tell
Today's Document
todays bird
Jules of Nature
One Nice Bug Per Day
$LAYYYTER
Cosimo Galluzzi
cherry valley forever
Sweet Seals For You, Always
KIROKAZE
occasionally subtle
Three Goblin Art

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@lacerot
they should play wuthering heights in the club so the girlies can be freaky and spooky
I wish for freedom and prosperity for all subjugated and oppressed peoples and an end to the putrid sinister rotten states of america and israel. not a single drop of blood should ever have been shed for this death cult and I mourn every life that has been and will be lost to it. we are the nation of endless wars and dismembered children. we are the great evil
look this is getting nowhere how about we just agree to disa- *remembers I should exploit any possible situation to my advantage* if you don't take me to the Monterey bay aquarium I'm going to start screaming
that was lowkey churlish and ribald but i'm still amenable to you
#1 crush. vent doodle
Worlds of Ursula K. Le Guin (2018), dir. Arwen Curry
The next line of her speech is also great: “Any human power can be resisted and changed by human beings.”
Speech in Acceptance of the National Book Foundation Medal for Distinguished Contribution to American Letters
To the givers of this beautiful reward, my thanks, from the heart. My family, my agents, my editors, know that my being here is their doing as well as my own, and that the beautiful reward is theirs as much as mine. And I rejoice in accepting it for, and sharing it with, all the writers who’ve been excluded from literature for so long — my fellow authors of fantasy and science fiction, writers of the imagination, who for fifty years have watched the beautiful rewards go to the so-called realists.
Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom — poets, visionaries — realists of a larger reality.
Right now, we need writers who know the difference between production of a market commodity and the practice of an art. Developing written material to suit sales strategies in order to maximise corporate profit and advertising revenue is not the same thing as responsible book publishing or authorship.
Yet I see sales departments given control over editorial. I see my own publishers, in a silly panic of ignorance and greed, charging public libraries for an e-book 6 or 7 times more than they charge customers. We just saw a profiteer try to punish a publisher for disobedience, and writers threatened by corporate fatwa. And I see a lot of us, the producers, who write the books and make the books, accepting this — letting commodity profiteers sell us like deodorant, and tell us what to publish, what to write.
Books aren’t just commodities; the profit motive is often in conflict with the aims of art. We live in capitalism, its power seems inescapable — but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.
I’ve had a long career as a writer, and a good one, in good company. Here at the end of it, I don’t want to watch American literature get sold down the river. We who live by writing and publishing want and should demand our fair share of the proceeds; but the name of our beautiful reward isn’t profit. Its name is freedom.
Thank you.
get in loser we’re living past the end of our myth
about to take the craziest fucking shower of my life. you can’t even conceive of how disgustingly sweaty I am
The Ronettes on British TV show Thank Your Lucky Stars - Aired: January 25, 1964
Rejoice Chuol by Kenny Germe for Numero Magazine March 2025
Helo beautiful world . I love ever body. Rise and shine
fish rugs by h.h.hooks
Mini tintypes of a girl, 1870s
gorgeous stairs in an abandoned farmhouse
I knew then, with all certainty, she would be a better companion to Claudia than I ever had.
INTERVIEW WITH THE VAMPIRE 2.06 | Like the Light by Which God Made the World Before He Made Light