The Museum at the End of the World
Chapter One
Pairing: Marcus Pike x f!Reader
Chapter Rating: T
Tags/Warnings: Older!Marcus Pike, Apocalypse AU, reader almost dies at the very beginning but she's fine, lots of mentions of food and being hungry because food is scarce, reader has lots of trust issues
Summary: You are lost, starving, and stuck in a snowstorm after fleeing a bad situation, when you see it: a cozy little farmhouse with smoke coming out of the chimney, and a large barn with the letters 'ART MUSEUM' painted on the front. The man who lives there and tends to the museum is unlike anyone you've ever met in this hellscape of a world...
A/N: WELL HELLO FRIENDS. It's been a little while since you've heard from me, but I promise I never left ;) I've just been low in the motivation and ideas departments when it comes to writing. But then my one true love Marcus Pike (aka clean-shaven Pedro) returned from the war and I started rotating him around and around in my mind again, and I simply MUST put this man in situations. I "told" myself this bedtime story the other night instead of sleeping and I hope you like it!
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Chapter 2 >>
You find him in a farmhouse north of Philadelphia.
You aren’t sure exactly where; you’ve considered yourself “lost” for at least a day and a half now. You can’t remember how many days it’s been since you left the Colony. A week? Two weeks?
The only thing you know is that you ran out of food three days ago, and it’s not like you’ll find anything to scavenge in this weather. You wish you hadn’t had to leave so quickly, leaving your cherished hunting rifle propped against the wall of the detached garage you had called home for the past year. If you had just taken the extra few minutes to run back and grab it, you would at least be able to bag a squirrel or two now.
Stupid.
Snow whips around you as you trudge through the deepening snowdrifts. Occasionally, you grab handfuls to stuff in your mouth, but it does little to help the intense headache that’s set in from the exertion of walking through a blizzard. You thought your heaviest parka would be enough–and maybe it would be, if you weren’t so close to starvation–but the cold is beginning to overwhelm your body, and as the sky begins to darken, your footsteps have slowed considerably.
When you see the little white farmhouse, it’s almost completely dark, but not so much that you can’t see the gentle plume of smoke rising out of the brick chimney. It’s not safe to approach a random settlement, you remind yourself. That’s like, Apocalypse 101. It’s the stupidest, most reckless thing you can do. You have no idea who’s inside. You have no idea what they will do to you.
You should turn around and leave. You should go knock on the door. No, leave. With your mind so foggy with hunger and cold and unable to process your conflicting urges, you just… stand there.
So… tired.
It isn’t until the cold snow begins to trickle into the neck of your parka that you realize you’ve fallen to the ground. You stare blankly at the large barn that sits a few yards away from the farmhouse. Someone has painted the words ‘ART MUSEUM’ in big, black letters on the front of it.
Weird.
When you wake up, you’re warm and dry.
Or maybe you’re dead.
No–if you were dead, you wouldn’t be able to smell woodsmoke, or hear the crackle of a nearby fireplace.
With a panicked inhale, you shoot upward, frantically trying to get your bearings and determining your best route of escape.
“Easy, easy.”
Your head whips in the direction of the voice. A man stands across from you, as far as he can physically get from you and still be in the same room. He holds both hands up, spreading his fingers in a show of peace. His eyes are cautious, but gentle, and his brow is creased as though he were anxious.
“Easy,” he repeats. “I found you out in the snow and brought you inside. I won’t hurt you.”
“Why?” you rasp.
The man seems confused by the question. “You were going to die,” he says with a shrug. “You don’t have any food in your pack. When was the last time you ate anything?”
Suspicion flares in your gut. “You looked through my stuff?”
He grimaces a little. “I can’t just bring someone into my house without knowing anything about them.”
“What were you looking for?”
He shrugs again. “Weapons. Drugs. I don’t know.”
“I don’t have any.”
“I know that, now.”
The two of you regard each other warily for a few moments, not speaking. Something about him makes you want to trust him, but trust is a hot commodity these days, for how scarce it seems to be.
“You must be hungry,” he says, breaking the silence. “At this point in the season, I’ve got venison jerky and… more venison jerky, but in your condition I’m more worried about it making you sick.”
“I don’t care,” you say quickly, the prospect of anything edible making your hands shake with anticipation.
“I’ll give you a little,” he decides, “and I think I have some cornmeal. I can make some poor man’s polenta.”
“Some… what?”
The man grins lopsidedly. “I mean, it’s just cornmeal and water. But it feels better to call it ‘polenta’ rather than ‘gruel.’”
You don’t respond, still watching him and trying to calculate whether this man is a threat. When he reaches into his coat pocket, you flinch, and he stops.
“I’ve got… I’m taking out some food for you. Okay?” He moves again, slower this time, and retrieves a small bundle of a handkerchief. “Venison, like I said.” He pauses, seemingly unsure of what to do next. “I could uh… throw it at you? If you don’t want me to come over there.”
“It’s fine,” you shake your head. “I mean, you… can. Come here, or… throw it, I don’t care,” you stammer out quickly.
Keeping his eyes fixed on you, the man slowly approaches, one hand holding out the bundle, the other still held outstretched in front of his chest in a show of supplication. You swallow awkwardly as saliva pools in anticipation. He’s moving too slow. When he’s just a few feet away, you lunge forward and snatch it from his hands, making him back away slightly with wide eyes.
You don’t care, not anymore. You rifle through the handkerchief and find a few precious morsels of jerky, stuffing them in your mouth all at once and swallowing almost without tasting.
The man huffs softly through his nose. “I’ve got more in the kitchen. And I’ll heat up some water for the uh, cornmeal.”
You nod, and he holds up both his hands again. “I’ll be right back. Just… stay there and get warm. I promise, you’re safe. I promise.”
The man vanishes, and in a couple of minutes, you can hear the metal clink of a pan being set down. You sit, staring at the place he vacated, willing yourself to stay alert and vigilant just in case, but the fire is so warm and your eyes are heavy and you really do feel safe for the first time in… well, you really don’t remember.
The next time you wake, daylight is creeping in through the windows and the man is gone. Next to you, though, is a bowl of whatever it is he made with the cornmeal, and more jerky, both of which you eat with gusto. Just as you’re scooping out the last little bit of the bowl with one finger, a floorboard creaks behind you, and you whirl around to face the man again, with one cornmeal-covered finger halfway in your mouth.
“You like it?” the man asks with a small, cautious smile.
“Mmhmm.” You awkwardly lick your finger clean and wipe it on the front of your coat. “It’s… sweet.”
“I still have a little bit of wildflower honey, I had forgotten.”
Honey? That he had forgotten about? Who IS this man?
“Honey.”
He shrugs. “Otherwise it really is more like gruel than polenta.”
“How…” you shake your head in confusion. “Where did you get honey?”
“I trade for it.”
“You trade.”
“Yes.”
The silence hangs awkwardly between you, and the man shifts uncomfortably from one foot to another. “I’m glad you’re up. I usually open the museum at dawn, and I’m running a little behind.”
“The… what?”
“The museum,” he repeats, as though that clarifies anything. “I need to feed the horses first, though. Do you drink coffee?”
You nod dumbly, unable to process the rapid-fire change in topics.
He springs into motion, heading toward the doorway to what must be the kitchen. This time, you follow him. Cautiously, of course–always staying at least six feet away as you watch him pour water from a large cistern into a cast-iron kettle and place it onto a wood stove. Then, he rifles in a cabinet and withdraws a faded, stained tupperware full of dried meat.
“More jerky?”
“You shouldn’t… you shouldn’t be sharing this much of your food with a stranger,” you say, frowning, but your hand still reaches toward the food.
“Good point. I’m Marcus. What’s your name?” He extends his free hand with an expectant look.
Your frown deepens. You don’t just… give out your name like that. Doesn’t this man know anything?
After another uncomfortable silence, the man… Marcus… withdraws his hand with a nod, and suddenly, you realize you feel incredibly guilty.
“S-Sorry–” you try, but he interrupts.
“No, it’s fine. I get it. Trust me.”
You take a small piece of jerky and chew on it, mostly as an excuse not to have to continue speaking. When the kettle sings, you let out a quiet sigh of relief. Marcus pours the boiling water into a worn-looking french press, and you watch his hands as he presses the lid down, then pours the steaming liquid into two mismatched mugs.
“I’d offer you cream and sugar, but I’m trying to cut back.” He looks at you, and when you don’t laugh, he huffs softly to himself anyway. “Kidding. But it sure was a struggle switching to black coffee when… well, you know.”
You know.
That’s how most people your age talked about life now–two distinct periods of time: Before, and whatever this is. Now. You know.
Marcus is still looking at you. You drop your gaze, and sip the coffee. It’s strong. Something about how the taste of coffee has been one of the few things that has always been the same calms you, and you feel just some of the tension leave your shoulders.
“I’ve gotta feed the horses before they revolt,” he suddenly announces, setting his mug down. “The weather is shit, and you’re still recovering your strength, so you should stay here, but…” He trails off, bashfully. “When you’re feeling up to it, you can come see the museum.”
Still not understanding what he means, you shrug and nod. “Yeah. Sure.”
Marcus beams, and that’s when you realize he’s really quite beautiful.
You nap a while longer while Marcus is outside feeding the horses, and whatever else he’s doing out there. He comes back covered in snow, brushing it off his shoulders by the front door and hanging his coat.
He rubs his hands together and breathes into them as he walks into the living room, making an exaggerated ‘brrrr’ sound. “Once this clears up I can go trade for some bread and butter, but for now, I’m afraid it’s venison jerky for lunch again,” he jokes. He grabs a handful for himself and extends another little bundle out for you.
“How are you feeling?” he asks. “Up to a little walking around?”
“To see the… museum,” you deadpan.
“Yes!”
It’s only when you leave the little farmhouse again that you remember the large barn you saw just before losing consciousness. On the front, large black letters read ‘ART MUSEUM’ just as they did in your fleeting memory. In the light of day–and without the delirium of hunger–you realize it used to be an airplane hangar.
As you approach, you notice the smaller sign near the door. It reads:
ADMISSION: Trade*
RULES: Be respectful of all visitors and occupants of the property
Must ask before accessing Archives and Rare Books
*Can be physical item, trinket, information, story, etc.
Thank you for your support of the arts
“It’s great, right?” Marcus is saying as he trudges toward the front door. “I stumbled upon this place through sheer providence, and I couldn’t believe my luck.” He unlocks a heavy padlock and opens the door with a flourish, gesturing for you to come inside. You stare at his hand, still not trusting him enough to enter an unfamiliar building before him.
Marcus seems to get the hint, and steps through the door himself, leaving it open for you to inspect. You peek your head inside, and…
Well, you aren’t sure what you expected, but for some reason, you hadn’t taken ‘Museum’ literally–and yet, here you are, standing in an old airplane hangar whose walls are completely covered with artworks of every style and time period you can imagine. The large open space is filled with sculptures, vases, and other artifacts, and on the left side of the hangar is a large, overflowing bookshelf.
For the moment, you’re too stunned to speak, but as usual, Marcus does it for you.
“It’s not exactly climate-controlled, of course, but this is better than any of the situations they came from.”
“You… you did all of this?” you whisper, taking in the museum with a look of sheer bewilderment.
“It’s been my life’s work–well, this life’s work, at least,” Marcus corrects himself. “Most of the major cities, I mean… you know how they are.”
You do. You have firsthand knowledge, although you don’t feel like sharing that information with the man.
“Sure, some museums were completely destroyed by the blasts, but some are still intact, just… inaccessible.”
You snort. That’s one way to describe it. Any portion of the cities that remain unburnt are treacherous, full of desperate people who can’t leave, and large syndicates of raiders and thieves who hoard what resources are left.
Marcus gestures at the walls. “When I started, I tried to keep them all organized, I really did. A wing for the Expressionists, a wing for Postmodernism, and so on, but things have gotten a little jumbled over the years.”
“You. You go to the cities. And you. Take the art.” you sputter, still focused on the insanity of it all. “And you bring it. Here.”
“It’s not stealing,” Marcus protests, his voice rising in pitch as he shuffles nervously on his feet.
“That’s not what–” You laugh in disbelief. “How the fuck do you get safely through any of these cities?”
“...Carefully.”
“Why?!”
Marcus shrugs. “I guess… when I started, it was because I wanted to preserve our history, but it’s grown to be so much more than that, it’s–” he sighs. “I want the world to have something beautiful. To know that it’s still possible.”
You stare at him. “How… how have you survived this long?”
“How do you mean?”
“You give food away. Way too much of it. You spend your time sneaking into the most dangerous areas of the country and for what? To sit here by yourself in this… graveyard of humanity?”
Marcus looks affronted, and you try to force yourself not to feel bad for clearly hurting his feelings. “It’s not just for me,” he says indignantly.
As if the universe was waiting for this cue, the doorknob behind you turns, and you jump backwards as the hangar door slowly swings open.
