In defense of Belleās yellow dress
Iāve seen a lot of hullaballoo about Belleās dress in the new BEAUTY AND THE BEAST movieāitās not historically accurate, itās too plain, etc. While I agree that from a purely aesthetic standpoint, itās not my favorite gown, from a CHARACTER perspective, I think itās perfect.
Thereās a lot of talk about Belle being āodd,ā but the old animated movie doesnāt really explore that. The new movie shows more of Belleās personality as someone who approaches things in her own way, who is creative, who genuinely does come off as a little different. Look at her other costumes in the movie. She almost certainly makes her own clothes- look at her quirky, practical village dress, with the tucked-up skirt so that she can be more active, or the whimsical flower embroidery on her brown traveling cloak.
We all saw Belle get frustrated by the giant frou-frou dresses that Madame de Garderobe tries to put on her (she literally escapes from under them). I would not be surprised if Belle cut and sewed up one of those old dresses to make one that fit her size, her style, and her desire for free movement. Sheās lived in a village her whole lifeāshe knows nothing about the high fashion of her timeābut she knows what she likes and what she imagines. The dress is very light, flowy, and if you look closely, the layers of the skirt arenāt hemmed, theyāre cut off. Her ear cuff and the simple lines of the dress donāt look like 18th century France, but they do look like Belle.
Maurice says about Belleās mother, āI knew a girl who was so different, so daring, soĀ ahead of her timeĀ that people mocked her until the day they found themselvesĀ imitating her.ā Belle is ahead of her time, and she creates her own style.
Just look at her gorgeous wedding gown at the end of the movie. This is not an 18th century ballgown, and itās VERY different from the dresses that the Princeās guests wear at the beginning of the movie. This is a Belle creation, too.Ā
I actually want to delve into this āahead of her timeā concept a little more. This movie is very obsessed with the concept of ātime.ā From the giant clock tower on the palace to the clock character to the falling rose petals that measure the fleeting time until the curse is permanent, to the way the villagers all instantly snap into action the second the clock strikes, the idea of time and schedule is everywhere. The songs all talk about ātale as old as time,ā āforever,ā etc.Ā
Belle resists that. Sheās the first one awake before the rest of the village springs into motion, singing about how every day is like the one before. She talks the Beast out of trapping Maurice in the castle āforever,ā and then later, gets out of that āforeverā herself. The rules about the curse even change when the Enchantress transforms the dead Beast back into a living Prince when Belle says āI love youā after the time limit has run out. When she reads books, she likes to be ātransportedā to other places and times. Belle defies time, while the villagers and the Beast are all defined by it.
When we first meet the Prince, he is fascinated by fashion, and everyone who surrounds him is dressed in the height of styleāof their time period. His castle is a monument of Baroque art and over-the-top modern styleāand he appreciates none of it. There is so much detail and so much beauty surrounding him that heās become completely blind to it. Belle changes that. She shows him the beauty in everything around him, re-introduces him to what makes his castle gorgeous all over again. In that famous ballroom scene, the ballroom is incredibly ornate, but the Beast is focusing only on her, in her simple, bright gown as a focal point. Sheās given him something to focus on, symbolically and literally.
When Belle comes down the stairs in a dress thatās completely her own style, the Beast doesnāt sneer at her unfashionable dress the way he would have before the curseāheās in awe of her beauty.
And because of all of that, I think Belleās dress is Ā perfect.