Head of sleeping Medusa, 1st century BC - 3rd century AD,
Peridot intaglio Ring Stone,
Length: 11/16 in. (1.8 cm),
Courtesy: Metropolitan Museum of Art, New York
𓃗
Mike Driver
he wasn't even looking at me and he found me

tannertan36
almost home
Not today Justin

bliss lane
No title available
The Bowery Presents
Cosmic Funnies

Product Placement
noise dept.

ellievsbear
h
NASA
let's talk about Bridgerton tea, my ask is open
No title available
Xuebing Du
★

roma★

seen from Netherlands
seen from United States
seen from Brazil
seen from United Kingdom

seen from United States
seen from United States

seen from United States
seen from United States

seen from United States

seen from Malaysia
seen from Germany
seen from United Kingdom

seen from Singapore

seen from Portugal
seen from United Kingdom

seen from United States
seen from Türkiye

seen from Singapore

seen from South Africa

seen from Singapore
@lakehag
Head of sleeping Medusa, 1st century BC - 3rd century AD,
Peridot intaglio Ring Stone,
Length: 11/16 in. (1.8 cm),
Courtesy: Metropolitan Museum of Art, New York
"CIMG0058" (2006), VINCENT DIAMANTE
"I want to be with you the rest of my life."
Farewell my Concubine (1993)
What does this byline even ACTUALLY mean because what it looks like to me is a really lousy way of saying that mid career, established, and legacy artists with proven institutional and auction records are being bought while emerging and new artists are put into a “wait and see” category. All this says to me is that the middle and bottom continue to fall out which is plainly obvious from secondary market successes of artists long dead and those results are covered with the necessary caveat that this does not necessarily mean the rest of the market is recovered or “business as usual.” All these people accept these blockbuster fairs as normal and not a really strange, inorganic way to find artwork for any collector at any level. Bring back the survey of artists where the majority admitted they live in near constant survival mode while simultaneously having robust exhibition records.
Fairview Street, Burlington, Wisconsin.
Portraits by Lebanese photographer Hashem el Madani (1950s-70s)
Blood Tea and Red String (2006)
by Peter Vilhelm Ilsted
Rolling Homes: Handmade Houses on Wheels by Jane Lidz (1979)
i hate PENDING payments.. just take that shit & go
Mathieu Tremblin, ‘Parking tickets bouquet’ (2013)
Nancy, 3/4/26
ocean sounds for those of you who need it