art blog(derogatory)
todays bird
Mike Driver
PR's Tumblrdome
tannertan36
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Aqua Utopia｜海の底で記憶を紡ぐ
One Nice Bug Per Day
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YOU ARE THE REASON
Love Begins
Cosimo Galluzzi
Product Placement
Xuebing Du
Andulka
pixel skylines
ojovivo
★
dirt enthusiast
Peter Solarz
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@lannisterzs
We trust that time is linear. That it proceeds eternally, uniformly. Into infinity. But the distinction between past, present and future is nothing but an illusion. Yesterday, today and tomorrow are not consecutive, they are connected in a never-ending circle. Everything is connected.
D A R K — 1.01 S e c r e t s.
All I know is sometimes, if there’s too many white people I get nervous, you know?
Get Out (2017) dir. Jordan Peele
me: i’m going to clean my room! i’m going to take a shower! i will wake up early and take care of myself! brain: u know whats fun? rotting.
House Of 1000 Corpses Directed by Rob Zombie (2003)
In the shape of things to come, too much poison come undone, because there’s nothing else to do… Every me and every you.
Listened to this approx 50 billion times between 2000-2004
Incendies (2010) | dir. Denis Villeneuve
BLADE RUNNER 2049 // Aesthetics
Jessica Chastain photographed by Camilla Armbrust for ES Magazine (2017)
tomorrow is december, which means i’ve succesfully wasted almost an entire year again
The Cinematography of the Coen Brothers:
12. No Country for Old Men
Year: 2007
Cinematographer: Roger Deakins
Aspect Ratio: 2.35:1
Academy Award Nominee for Best Cinematography
“And blood-black nothingness began to spin… A system of cells interlinked within cells interlinked within cells interlinked within one stem… And dreadfully distinct against the dark, a tall white fountain played.” — Blade Runner 2049 (2017, dir. Denis Villeneuve)
okay but the sheer fucking glee on the face of the person taking this photo is the best part about this
“After I made Oldboy, I realized that the only character who is not privy to the entire truth in that film was the female character; she was the only female character in the film, and she was excluded from the truth. That made me so uncomfortable in such a big way that is spurred me on to developing Lady Vengeance. That was the genesis from which I went on to make other films with strong female characters.” — Park Chan-wook
31 Days of Halloween — The Texas Chain Saw Massacre (1974) dir. Tobe Hooper
You know what I hate about myself? I know what people taste like. I know that babies taste best.
“What are you into?” Is such a broad question, Like do I reply with a tv series or choking….
Goonies never say die!
