Romanus eunt Domus

[rebjukebox2015]

Viv Albertine & Ari Up of The Slits

[wjs59]

Photo-Punk Photography by Ian Dickson and Kevin Cummins

[maryjopeace]

ANTON CORBIJN \ Siouxie Sioux \ Kyoto \ 1982

[ghoulish-glam]

Siouxsie and the Banshees

[vaticanrust]

Siouxie Sioux in Holland, 1979.

[arovingeye]

Siouxsie Sioux

by Brian Griffin

[scardaisy-blog-blog]

“I want them to see how often you have to fail to be anything in life. i think young men and boys are taught to fail. It’s nothing to them; they do sport, they fall over, they shout: "I’m all right” and carry on. But with girls they’re so appallingly embarrassed to fail, it’s like it’s considered unfeminine.“

Viv Albertine, the Slits, from her autobiography Clothes, Clothes, Clothes, Music, Music, Music, Boys, Boys, Boys. (via scardaisy-blog-blog)

[zombiesenelghetto-3]

Flyer for a double bill featuring Siouxsie and the Banshees and The Slits at the Roxy, April 1977

[vaticanrust]

Palmolive of The Slits with Siouxsie Sioux at The Roxy, 1977.  Photo by Annette Weatherman.

[chaptertwo-thepacnw]

Women of Punk and New Wave. [1980 m. putland]

[tournevole]

Brassaï - cirque Medrano - Paris 1932

[vivipiuomeno1-deactivated201812]

RENE JACQUES (René Giton, dit) 1908-2003 - Cirque Medrano, Paris, 1946. Tirage argentique

[perfectmistake13]

Louise Brooks in 1929’s The Canary Murder Case.

[lasnotasenlapared]

Bye, assholes. 

[hauntedbystorytelling]

A flexible flapper in 1925. Unknown photographer. General Photographic Agency / Getty Images / src: The Guardian

[lovehael]

Illustrations by Leonor Fini for Jacques Audiberti’s Le Sabbat ressuscité par Leonor Fini (The Witches’ Sabbath Resurrected for Leonor Fini), 1957

[blueblackdream]

Leonor Fini, cover illustration for Histoire d'O by Pauline Réage, 1962

[ducissatenebrarum]

Leonor Fini 

 Illustrations for Edgar Allan Poe’s Tales of Mystery and Imagination 1952