but you know how i get sometimes

hockey blog is kirbtholomew leaf, 20s, she/her

[ocontraire]

header from clive rose, icon from mario renzi.

[bigbrowneyess]

how morning will look when I'm free

[chicafinal]

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“I remember, growing up, at night, and my dad would sit in the kitchen with all the lights out and he waited for me to come in, and he’d sit there and drink, and I’d stand in the driveway and I’d look into his screen door, and I could see the light of a cigarette, and then I’d rush up on the porch and try to get by him but he’d always call me back. And it was like he was always… always angry. Always mad. He’d be sitting there thinking about everything that he was never gonna have, until… until he’d get me thinking like that too. And I’d lay up in my bed, at night, and be staring at the ceiling, and I’d feel like if something didn’t happen, if something didn’t happen soon, it felt like I was just gonna… like some day, like I was just gonna… “  - Bruce Springsteen

[baebeylik]

Tankard (Hanap) with Ships. Ottoman Empire. Late 16th century.

The Art Institute of Chicago.

[nemfrog]

Color plate of moths and butterflies drawn by Adolphe Millot, published in the French encyclopedia Larousse Pour Tous, ca. 1907-10/

Internet Archive

[dozydawn]

pearl button sample card, 1931.

[9e978e]

via

[stlowens]

Nelly Sachs, tr. by Michael Rolof, from “Chorus of the Rescued.”

[mona-l1sa]

[vintagehomecollection]

Country Kitchens, 1991

[weirdiingway]

he’s never looked so elvish in his life

[virgomoon]

we're all connected. nothing is scary and i'm not afraid.

[eatin-as-much-soup-as-i-can]

[transgenderer]

Thinking about 30-50 feral hogs again. Can you imagine the majesty. Murmurating like starlings. Elaborate emergent shapes. The deafening snuffling. They pass through a corn field leaving only rubble behind. And the danger! Don't get too close! It's electric. we have only begun to conceive of the hog

[top-cheese]

blog thesis

[wovi]

[intactics]

[pushing my glasses up with an air of unwarranted superiority and gesturing toward a painting without a minotaur] the Minotaur is implied.