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@lauracrosslab-blog
Proccessing
Materialen
Colors, new collection
Sfeer impressie Charlotte Kan.Â
Process
Collaboration Charlotte Kan & Richard Clarkson.
Materialen die Charlotte gebruikt zijn biologisch katoen en bamboe. Deze materialen gebruik ik in een interactieve installatie. Het word een zelf ademend object, waarin de katoenplant open en dicht gaat. Bij het opengaan van de katoenplant word een kleur zichtbaar. In de planten zitten verschillende kleuren verwerkt uit de nieuwe collectie van Charlotte Kan.Â
TECHNOLOGY RESEARCH - FERRO FLUID
Ferro Fluid
 Ferro Fluid, Engels voor: Ferrofluïdum.
Ferro Fluid zijn vloeistoffen waarin magnetische nanodeeltjes zijn opgelost, daardoor worden ze aangetrokken door een magnetisch veld. De diameter van de deeltjes is meestal verdeeld rond 10 nanometer. Wanneer de deeltjes groter worden begint het magnetorheologische effect mee te spelen en spreekt men over een magnetorheologisch fluidum. Het gaat meestal over magnetiet , maar ook ijzer met een speciale coating om oxidatie tegen te gaan.
 Een magnetorheologisch fluïdum is een vloeistof, meestal een olie, waar magnetische deeltjes van grootteorde 10 micrometer in zijn opgelost. Wanneer een magnetisch veld over de vloeistof wordt aangelegd, gaan de deeltjes ketens vormen. Die ketens resulteren in een verhoging van de viscositeit.
Boven een bepaalde waarde van het magnetisch veld gaat de vloeistof vast worden. Als er voldoende druk wordt aangelegd, zullen de ketens echter terug breken.
Toepassingen van magnetorheologische fluĂŻda zijn elektrisch regelbare kleppen en schokdempers met een regelbare viscositeit.
Een groot nadeel is dat de nog relatief grote deeltjes na verloop van tijd sedimenteren en dat de vloeistof dan niet meer bruikbaar is. FerrofluĂŻda zijn verwant aan magnetorheologisch fluĂŻda, maar hebben kleinere deeltjes, waardoor de viscositeit niet verandert en de deeltjes niet bezinken.
 Bij een ferrofluïdum is er geen ketenvorming tussen de deeltjes, doordat de willekeurige thermische beweging op die kleine schaal belangrijker wordt dan de magnetische aantrekkingskracht. Bovendien zijn de deeltjes gecoat met een surfactant om ze beter in suspensie te houden. Dat heeft als gevolg dat het fluïdum zich naar het sterkste magnetisch veld beweegt zolang de aantrekkingskracht groter is dan mogelijke tegenwerkende drukken of krachten.
Een belangrijk voordeel van ferrofluĂŻda is dat ze niet degraderen. De deeltjes blijven jaren in suspensie.
 Word gebruikt voor onder andere:
- Luidsprekers, hierbij dient het voor demping, koeling en om de luchtspleet rond de spoel op te vullen.
- Harde schijven, om het stofdicht te maken.
- In de machinebouw.Â
SymbiosisO is a collection of programmable textile interfaces designed to visualize information and express emotions. It is an active, programmable secondary skin; a material to surround everyday objects in the interior, a slow display to present ambient content. SymbiosisO is based on a hybrid material composition and suggests novel human-computer interaction through the soft material. The members of the collection behave as organic displays; they react to human and environmental impulses responding with an animated change in color. Our concept in first place was a tribute to the ultimate power of evolution, where not only the human civilization impacts the environment, but nature itself reacts and adapts to these changes. With SymbiosisO our objective is to develop organic, cutting edge objects that brings the natural rhythms back to the cityscape.Â
SymbiosisO: Voxel in a collaboration with Alex Dodge, presented at tribeca ISSEY MIYAKE
Voxel is a large scale display system constructed of 64 hexagon shaped pixels (âvoxelsâ) made of embedded soft material. The arrangement of voxels follow a honeycomb structure and have two visual states: solid dark color (âoffâ) and a highlighted wire-frame of a cube (âonâ). The pixels can be activated by touch for an immediate feedback, or through a web based interface to create running animations.
Our project, SymboisisO, started in 2009 exploring interactive material composition. It has developed iteratively with the outcome of tangible organic displays. The first representative, SymbiosisW, senses human touch and â as a response â small cell-patterns start to grow out under the personâs hand. The second edition SymbiosisS welcomes the visitor to sit and rest on the soft-folded material with an active, slowly shifting pattern. When excited, this pattern starts forming in a playful, curious way around the place where the textile was touched. Once the disturbance is abated the pattern continues its peaceful expansion. With Voxel our intention was to introduce a pixel-based interface instead of a predefined pattern arrangement. We would like to emphasize that none of the SymbiosisO representatives are privileged as they serve different purposes. Voxel is a tool, a flexible display that enables users to create their own image and animations, whereas SymboisisW/S expresses meaning through mimicking behavioural patterns of an organism.
Our further investigations focus on integrating Textile Displays into public spaces and special environments, to emphasize slow technology and to reduce digital noise.
............................................................................................................................................ At the Tallinn Center of Biorobotics, besides I was working on my thesis, I started to help the textile artist Kärt Ojavee with prototyping and researching in the area of smart textiles. After her solo exhibition ("Undefined Useful Objects") we decided to continue working together. Soon after, the idea of an SymbiosisO has born and since then it has become one of our major research projects.
SymbiosisO is a collection of interactive design objects that combine smart textiles with soft electronics. The biologically inspired artifacts represent the symbiosis between a cyber organism and the human itself.
The fabricated hybrid material can be considered as an organic display; it reacts to a unique environmental stimuli and responds by notably changing its colour and pattern. Instead of pixels we operate with pictogram-like patches in the material, that can be memorized and connected to certain information. The appearing patterns at the moment are designed so that one can easily sense the quantitative difference depending on how many patches are triggered.
Symbiosis O
Samira Boon
Interactive elevator â The elevator is a large mechanical contraption that forces people into each otherâs comfort zone, therefore users tend to stand against the elevator walls to keep their distance. So how about an interactive elevator? An elevator which could sense and show your presence and allow you to extend your visibility beyond your actual presence?
Interior â An elevator is not exactly designed for a comfortable or intriguing ârideâ, and yet an elevatorâs interior does play a major role in its perceived character. For the Architextiles research project we looked at transforming this small room into a more dynamic interactive space, inviting the users to connect.
Smart textiles â By covering the walls of the elevator with a smart textile itâs possible to capture the presence of human beings in a completely new way. A heat reactive yarn allows the colour to change when the threads are warm, a warm body for instance will leave a light-coloured silhouette. Contact with cool air changes the yarn back to its original colour. The walls of the elevator visibly react to touch.
Colour changing â Thanks to the colour changing walls, the elevator is in a constant state of flux. Itâs users arenât necessarily active participators in the change yet are the most important factor. Upon seeing these innovative textiles, elevator users are challenged to create new shapes on the walls, stimulate their fantasy or create a connection with former users thus making the elevator ride a more dynamic experience.
Credits â Architextiles is a research project on innovative interior textile applications. Initiated by Fokkema & Partners and supported by Creative Industries Fund NL, we were invited to join the multi disciplinary team of (interior) architect, fashion, textile and theatre designers.
Interactive elevator with heat changing yarn
Elisa Strozyk
Wooden Textiles.Â
Elisa Strozyk has been researching ways to provide wood with textile properties in testing methods to make wood flexible and soft, or interweave textile elements. One of the processes to design a flexible wooden surface is its deconstruction into pieces, which are then attached to a textile base. The wood is cut by hand or laser cut, and all tiles are stuck by hand to compose a textile-like surface.
She spent months working on her original idea, experimenting with different types of wood, until she settled on wood veneer. The slices of wood she uses are about 0.6 mm thick and very flexible, an essential property for her wooden textiles. But not all types of wood can be used to make wood fabric; oak, for example, is too brittle, so she prefers to use cherry and maple. We think that Elisa creations are really innovation and in the future weâd like to see some curtains made by using this new and innovative technology.
Ink and materials that change colour according to climate by Lauren Bowker
Colour-changing ink transforms flame-engulfed headdress by Lauren Bowker