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Lauren Nedley - City of Glasgow College - HNC/D Fine Art & Contemporary Practice - Intro to Digital Art Online Sketchbook

[lauren-nedley]

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[nyctaeus]

Art is either plagiarism or revolution.

Marcel Duchamp (via nyctaeus)

[jmazus]

How to make art on an iPhone

[lauren-nedley]

With apps such as Brushes you can join artists such as David Hockney in using smartphones and tablets to create works of art

[jaiemsee]

[jaiemsee]

[archivesofamericanart]

In honor of Earth Day, check out the newly digitized 1985 Archives of American Art documentary on sculptor David Barr’s “Four Corners Project.” Barr is seen above examining a model for the project, which was to inscribe a tetrahedron inside a sphere (not just any old sphere - in this case, the earth) and burying one of the actual corners at one of the four carefully mapped geographic locations. He traveled to Easter Island, Greenland, South Africa, and New Guinea to complete the project. You can watch the whole video on youtube through the link below. For more, see the smithsonianavarchivists post on this video today.

In celebration: the four corners project, 1985 / David John Barr and Archives of American Art. 16 mm : 1 film reel : sd., col. ; 16 mm. Miscellaneous sound, film, and video recordings collection. Archives of American Art.

[archivesofamericanart]

Reblog, reuse, recycle.

[artvideoart]

“Corridor”, Bruce Nauman, 1970

[pixelives]

[nichelavideoart]

Installation complete at Southfirst for “Pay Your Future Self First,” a collaboration with Philip Vanderhyden, Stuart Argabright and William Barg. If you’re in NYC check out the show. Gallery is open Fri-Sun 1-6pm, Southfirst, 60 N6th St, Brooklyn, NY.

[artvideoart]

“Twinkling”, Rebecca Horn, 1974

[lauren-nedley]

“The New Media Institute (NMI) is a research and fact finding organization whose mission is to improve public understanding of issues surrounding the Internet and other forms new media communications. NMI works directly with the news media, researchers, academics, government and industry professionals and serves as a primary resource of facts, statistics and analysis.Each year, NMI holds conferences on topics that range from Search Engine Optimization to Public Relations Online.  NMI is proud to be the host of the annual New Media Awards. “

[lauren-nedley]

Defining New Media Isn’t Easy By Bailey Socha and Barbara Eber-Schmid   Introduction: What isn’t new media?   New Media is a 21st Century catchall term used to define all that is related to the internet and the interplay be

[nicchakim-deactivated20231016-d]

Videoart.net is pleased to announce the third annual Video Art & Experimental Film Festival (VAEFF 2013), which will take place February 7-9, 2013 at the iconic Tribeca Cinemas in New York City. The three-day festival aims to introduce New York audiences to the most arresting, provocative and conceptually challenging works in time-based media today. 

[thisismydigitalarturl-deactivat]

Taken from Tate Modern

The innovative audio cassette-magazine Audio Arts was established by Bill Furlong in 1973. Edited and produced by Furlong, it comprises an integral element of his art practice.

A small part of the vast Audio Arts archive is shown here for the first time in Britain. Four...

[moca]

On the occasion of Sturtevant: Double Trouble, the first comprehensive survey in America of the late artist’s 50-year career, the exhibition’s curator and MOCA’s director introduce a challenging and influential body of work, one that has been largely overlooked in the history of postwar American art.

Named for her lamentation of “the perverse simultaneous double trouble of being ahead and being behind,” the retrospective presents over forty works that attest to Sturtevant’s profound, career-long commitment to the investigation of art history, as it happened in real time. By controversially “repeating” the work of artists from Andy Warhol to Felix Gonzales-Torres, Sturtevant broke many taboos in the art world, and ultimately revealed a prescient understanding of visual culture.

MOCA Director Philippe Vergne had known Sturtevant for more than twenty years, and was among the enigmatic artist’s most ardent supporters in the United States. “She was not waiting for history to capture and rubber stamp an artist.… She had this immediate ability to capture the most important aesthetic breakthroughs of her time.”

An Introduction to Sturtevant - MOCA U - MOCAtv