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Kiana Khansmith
Three Goblin Art
2025 on Tumblr: Trends That Defined the Year

ellievsbear
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Sweet Seals For You, Always
Claire Keane
Game of Thrones Daily
$LAYYYTER

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⣠Chile in a Photography âŁ
I'd rather be in outer space đž
dirt enthusiast
we're not kids anymore.

pixel skylines
almost home
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shark vs the universe

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@leedont
I'm kind of confused why developers keep saying how no one has the resources that Larian did to make Baldurs Gate 3. What is so different about Larian that allowed them to make this then say Bethesda? Firaxis? I swear I'm not trying to be obtuse, I just can't see what makes them so different from the outside looking in.
Larian is independent and isn't trying to pop stock prices or quarterly numbers as immediately and directly as those other studios kinda have to do.
They probably built up a good chunk of money and goodwill with their previous games (maybe they took on some investment, I don't know exactly how Larian operates) and spent it making BG3. Then they put it out in Early Access back in 2020, giving them another influx of cash to work with, allowing them to take their time with it over the next few years.
In some ways it's a perfect storm because they built up that goodwill with the Divinity games, so when it came time to say "we're making Baldur's Gate 3," people trusted them with a legendary franchise and bought it before it was finished.
Aaron Dooley â The International Disassociation of (Centripetal Force/Island House)
This second outing of 2023 from Aaron Dooleyâs seven-piece jazz ensemble shimmers and shifts, an indefinite haze of sound breaking, sporadically, for clear flights of melody. Dooley, a bass player out of Denver, plunks a subtle, unsettling undertow, allowing other instrumentsâpedal steel, saxophone, even drumsâto slip to the forefront. All improvised, these cuts absorb multiple points of view into free-flowing inquiry, not muddying them, but softening the edges.
Ruth Anderson / Annea LockwoodâTĂȘte-Ă -TĂȘte (Ergot)
Thereâs power in intimacy, and TĂȘte-Ă -TĂȘte is a powerfully affecting album. Itâs a call and response across nearly half a century, from one lover to another, trading the same essential material. Annea Lockwood first met Ruth Anderson in 1973 about a job. Anderson was a composer and the professor in charge of Hunter Collegeâs electronic music studio, which Lockwood took over for nine months so that Anderson could go on a sabbatical. They instantly fell for each other, and connected throughout Andersonâs time off by daily telephone calls, which she recorded and then edited into a tape piece, âConversations,â which she gave to Lockwood as a gift.
having a seizure
The democrats
Tom nailing it